JAZZ
ENSEMBLE
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POP HITS easy / medium-easy
Uptown Funk!—arr. Michael Sweeney. From
Mark Ronson and Bruno Mars, this monster hit
is the perfect throwback to a funky R&B style!
This arrangement for younger players features
modest ranges and repetitive yet authentic-
sounding rhythms. This outstanding chart is
playable with optional reduced or expanded
instrumentations, and the bass lines and piano
voicings are written. No solos are required, just
a little attitude! Our highest recommendation!
10522944 Jazz Ensemble . . . . . . . . . .45.00
We Are Family—arr. Paul Murtha. In the
height of the disco era, this tune recorded
by Sister Sledge caught fire on the R&B pop
charts in 1979. Here is a great-sounding and
funky version for younger players. There are
no solos, all horn sections get their chance
with the melody, and there's a unique and
effective rhythm-section-only interlude.
Playable with optional reduced or expanded
instrumentations. Written-out bass lines and
piano voicings are included. Every audience
will know this familiar tune!
10681401 Jazz Ensemble . . . . . . . . . .45.00
We Don't Talk About Bruno (from "Encanto")
—Lin-Manuel Miranda/arr. Rick Stitzel. From
the hit movie "Encanto," here's an easy version
of the song everyone is talking about! The
rhythms and ranges are expertly adapted for
beginning groups, and no solos are required.
11390089 Jazz Ensemble . . . . . . . . . .40.00
Welcome to the Jungle—arr. Rick Stitzel.
Recorded by Guns N' Roses in the 1980s, this
rocker has become a classic and is often heard
in TV and film. Set here for younger players, it
still retains the relentless drive and energy of
the original. There's a short written solo for alto
or tenor sax while the brass carry the signature
riffs. Also playable with optional reduced or
expanded instrumentations, this one will be
great fun for younger players!
10842291 Jazz Ensemble . . . . . . . . . .40.00
Yesterday—Lennon & McCartney/arr. Rick
Stitzel. One of the all-time great songs from the
Beatles, Yesterday truly has become a modern
day standard! This well scored arrangement for
young jazz ensembles features a brief tenor
solo, beautiful counterlines, and an overall rich
sound that will be impressive in concert or as
a change of pace chart for festivals. Suggested
solo and scale/chord sheet provided. Optional
reduced or expanded instrumentations.
Includes CD. Highly recommended!
10188524 Jazz Ensemble . . . . . . . . . .45.00
You Are the Sunshine of My Life—Stevie
Wonder/arr. Paul Murtha. This is one of Stevie
Wonder's signature hits from the 1970s, and
here is a masterfully arranged easy version
in a light bossa style. The trombones grab
the spotlight in the beginning and again at
the end. In between, the saxes and trumpets
take turns with the melody, and there are short
written or ad lib solos for trumpet and alto sax.
Playable with optional reduced or expanded
instrumentations, this one also includes bass
lines and piano voicings that are completely
written. It's great for programming variety, and
it's highly recommended!
10522946 Jazz Ensemble . . . . . . . . . .45.00
You Can't Stop the Beat (from "Hairspray")
—arr. John Berry. From the hit musical
"Hairspray," here is the show-stopping
production number in a dynamic arrangement for
younger ensembles. Featuring a fast-paced rock
groove and hard-hitting brass figures, this is sure
to sound impressive with almost any jazz band.
It's a bright rocker filled with fun, excitement and
attitude. There are no solos and the bass line is
pure fun to hear and play. Playable with optional
reduced or expanded instrumentations, this
chart is highly recommended!
10667348 Jazz Ensemble . . . . . . . . . .45.00
You're Still a Young Man—arr. Mike Story.
Here's a soulful yet accessible treatment
of this Tower of Power hit song. This chart
is played at about 128 bpm in 3/4 time,
and the trumpet 1 range is to written E top
space. Including a written tenor sax 1 melody
solo, it's a superb chart in every respect.
Playable with optional reduced or expanded
instrumentations. Highly recommended!
10452082 Jazz Ensemble . . . . . . . . . .42.00
Pop Hits
Medium-Easy
Africa—Paich & Porcaro/arr. Ralph Ford. Here's
a wonderful take on the group Toto's classic rock
tune from the '80s. It's solidly scored throughout
and sounds amazingly like the original while
remaining accessible for developing jazz bands.
With nice dynamic contrasts, an uncomplicated
melodic line, and a medium rock groove, this
chart is one that younger players can really dig
into, yet it will sound mature when performed by
a more advanced group. More features include:
half-note tempo of 90 bpm; written or ad lib solos
for alto sax 1 and trombone 1; trumpet 1 range
to written G on top of the staff; and optional
parts for flute, clarinet and vibes. Great tune,
fine chart!
10513875 Jazz Ensemble . . . . . . . . . .48.00
Ain't No Sunshine—Bill Withers/arr. Rick
Stitzel. Originally recorded in the 1970s, Bill
Withers' distinctive slow rocker has become a
classic. The minor mode adds to the flavor, and
this version for younger players skillfully passes
the melody from section to section. Also
included is a solo for tenor sax. A suggested
solo is included along with chord/scale sheets
in all keys. Soulful groove!
10283144 Jazz Ensemble . . . . . . . . . .50.00
At Last—Harry Warren/arr. Dave Mills. This
beautiful ballad made famous by the great Etta
James makes a perfect change of pace for any
concert. Featuring a sultry tenor saxophone
solo sprinkled with melodic replies from other
sections and lush chords, this one really dazzles.
There are improvised solos for piano and tenor
sax before the full ensemble returns to close out
this dreamy ballad. Highly recommended!
10752061 Jazz Ensemble . . . . . . . . . .65.00
Bad Guy—Billie Eilish O'Connell & Finneas
O'Connell/arr. Paul Murtha. Billie Eilish took
the pop music scene by storm with this chart-
topping hit from 2019. Catchy and quirky, this
fun arrangement features a driving rock style,
interesting parts for all players, and an optional
solo section.
11357092 Jazz Ensemble . . . . . . . . . .50.00
The Bare Necessities (from "The Jungle
Book")—arr. John Wasson. From "The
Jungle Book," this timeless classic appeared
in the original movie as well as the repeated
blockbuster hit. With a jaunty 2-beat swing style
and well-known melody, this one is impossible
not to like. This carefully crafted arrangement
requires no solos, but features every section of
the band with the trombones first, followed by
the saxes and finally trumpets. Smart, stylish
and pure fun!
10617908 Jazz Ensemble . . . . . . . . . .50.00
Beat It—Michael Jackson/arr. Dallas Burke.
From the best-selling album of all time, Thriller,
this rock classic from Michael Jackson makes
a superb jazz band tune your students and
audiences will enjoy. The brass get a chance
to shine in a range that's right in the pocket and
there are short written or ad-lib solos to feature
alto sax, tenor sax and trumpet. Don't miss the
short, but effective a cappella section. Bass
trombone and bari sax players will dig playing
this bass line!
10456814 Jazz Ensemble . . . . . . . . . .65.00
Brick House—arr. Paul Murtha. It is absolutely
impossible to find a funkier tune than this
R&B hit from the 1970s courtesy of The
Commodores. This chart has it all, from the
trademark bass riff to the ensemble punches
and melodic hooks. Bring down the house as
you groove on this one!
2479363 Jazz Ensemble . . . . . . . . . .50.00
Bridge Over Troubled Water—Paul Simon/
arr. Paul Baker. Paul Simon's soulful rock
ballad is set here at 88 bpm, and as arranged
by Paul Baker is sure to please! The melody is
first stated by trumpet 2 and tenor sax, there
are no improvised solos, and the trumpet 1
range is to written G on top of the staff. This
chart also features great dynamic contrasts
and a satisfying vamp toward the end. Optional
wind and vibes parts are included for expanded
instrumentations. Highly recommended!
10452102 Jazz Ensemble . . . . . . . . . .48.00
Can't Stop the Feeling (from "Trolls")—arr.
John Wasson. Topping the charts as well as
being featured in the movie "Trolls," this hit
song from Justin Timberlake features a catchy
hook along with an energetic rock style. The
saxes begin with the melody followed by the
trumpets and there's a short written or ad lib
solo for trumpet. Additional features include
chord/scale sheets in all keys, written-out
bass lines and piano voicings. Here is a great-
sounding chart for developing players!
10667340 Jazz Ensemble . . . . . . . . . .45.00
Careless Whisper—arr. Dave Mills. This
funky pop rock ballad by George Michael has
captured the hearts of a new generation and
your students and audiences will instantly
recognize the hook. The solo section features
adlib or improvised solos for alto sax, trumpet
and trombone. Optional parts for flute, clarinet
and horn in F are included for expanded
instrumentation. With some nice ensemble
writing and a chance for all the sections to
shine with the melody, this chart will make a
nice change-of-pace for your next concert!
11000468 Jazz Ensemble . . . . . . . . . .65.00
Cool (from "West Side Story")—Leonard
Bernstein/arr. Mark Taylor. From one of the
most famous musicals of all time, here is the
swinging and aptly titled Cool. Mark Taylor's
version for developing players remains true to
the original but adds a touch of contemporary
flair with the melody passed from section to
section and written or improvised solo space
for trumpet. Timeless!
10083826 Jazz Ensemble . . . . . . . . . .45.00
Dancing in the Street—arr. John Wasson.
Recorded in 1964 by Martha and the
Vandellas, this moderate-tempo rocker
became a signature of the Motown sound.
John Wasson's soulful version for jazz
ensemble stays true to the original feel while
adding a bit of contemporary flair.
10317279 Jazz Ensemble . . . . . . . . . .50.00
Diggin' the New Digs (from "Incredibles 2")
—Michael Giacchino/arr. Paul Murtha. From
the entertaining soundtrack of "Incredibles 2"
comes this marvelous jazz waltz that works
great for full jazz band. Baritone sax gets a
rare turn in the spotlight, followed by the brass
section with sax answers. The solo section can
feature any combination of alto sax, trumpet, or
trombone with suggested or improvised solos.
A fun change of pace and highly recommended!
10960664 Jazz Ensemble . . . . . . . . . .45.00
Don't Stop Believin'—arr. Paul Murtha. From
the group Journey, this powerful rock ballad from
1981 has enjoyed renewed popularity thanks to
the hit TV series Glee as well as multiple uses in
film and even on Broadway. Sure to be a hit with
audiences and players alike!
10083822 Jazz Ensemble . . . . . . . . . .50.00
Don't Stop Believin'—arr. Paul Baker. Hey
rock fans, here's a powerful rock ballad made
famous by Journey, arranged for young jazz
ensemble. From the opening line, this chart is
magical to the band and the audience. It has
no jazz solos, but if you have a guitar player,
the arrangement has an optional written guitar
melodic line that's also written for trumpets.
A great classic and highly recommended!
Optional expanded instrumentation.
10093155 Jazz Ensemble . . . . . . . . . .48.00
Don't Stop Me Now—Freddie Mercury/arr.
Paul Murtha. The music of the rock group
Queen is always fun to play - particularly this
hit featuring solo alto sax in the slow opening,
then the full band rockin' out in the fast section.
There's a short solo for alto sax, then a return
to the slow tempo for a dramatic finish.
11172125 Jazz Ensemble . . . . . . . . . .45.00
Enter Sandman—arr. Roger Holmes. From
heavy metal masters Metallica, this 1991
hit is one your players can really cut loose
on. Arranged here as a feature for guitar,
performance options are provided for bands
without guitar. All of the signature lines are still
here for a rockin' good time!
10023031 Jazz Ensemble . . . . . . . . . .50.00
Forget You—arr. Paul Murtha. With a sound
similar to the pop hits of the 1960s, this upbeat
tune was a huge hit by Cee Lo Green and also
featured on the TV show Glee, performed
by Gwyneth Paltrow. This effective chart for
younger players features a suggested tenor sax
solo in the beginning, which is then joined by the
entire sax section. The brass get their chance, a
modulation kicks in, and things transition to high
gear to finish up. Highly recommended!
10317270 Jazz Ensemble . . . . . . . . . .50.00
Free Ride—arr. John Wasson. Recorded by
the Edgar Winter Group in 1973, this driving
rock tune has a powerful contemporary
edge that remains popular today. This terrific
chart is propelled by a driving pulse and the
signature melodies and riffs from the original.
The dynamic level is almost full bore until the
suggested or improvised solo for trumpet. After
the solo the dynamics drop down and the whole
thing begins to build again! Everyone gets the
melody at some point, chord/scale solo sheets
in all keys, fully notated bass lines and piano
voicings are included. Highly recommended!
10667342 Jazz Ensemble . . . . . . . . . .45.00
Freedom—Tierce Person, Autumn Rowe,
Andrae Alexander & Jon Batiste/arr. Paul
Murtha. From Jon Batiste's acclaimed album
We Are, the 2022 Grammy winner for Album
of the Year, this New Orleans-flavored chart
exudes a sense of joy and optimism that is rare
to find. Here is a fun version for jazz ensemble
filled with energy and celebration!
11401162 Jazz Ensemble . . . . . . . . . .50.00
Gimme Some Lovin'—arr. Roger Holmes.
Recorded in 1966 by the Spencer Davis Group,
this classic rock hit is a true icon of the era and
still popular today. This powerful arrangement
features the signature bass riff and familiar
style and melodies from the original.
10908994 Jazz Ensemble . . . . . . . . . .45.00
Recommendations you can trust.
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