CONCERT
BAND
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CONCERT MARCHES beginning band & very easy
Concert Marches
Beginning Band
& Very Easy
Achieve—Larry Clark. March style is a very
important part of band heritage and this well
written original allows the youngest musicians
to perform it with great results. Using only the
first six notes of the B flat scale and basic
rhythms no harder than repeated eighth notes,
the composer has created an upbeat and
energetic work that is impressive, entertaining
and, above all, educational.
10908000 Band Set & Score . . . . . B 50.00
Activity March—Harold Bennett/arr. Clark.
As traditional marches go, this one just can't
be beat! Players and audience alike will like
the snappy rhythms and tuneful phrases, and
Larry Clark's arrangement presents nothing
that can't be learned by students at the easy
level. Incorporate America's band heritage into
your next concert with this great march!
2416097 Band Set & Score . . . .VE 60.00
All for One, One for All (March)—Carol
Brittin Chambers. This concert march was
written specifically for young musicians. As
the title indicates, the jubilant and upbeat spirit
portrays a strong sense of unity that emanates
throughout the piece. It's perfect for reinforcing
march style in a manner that will stand out in
any contest or festival program.
11001010 Band Set & Score . . . .VE 55.00
Ambassador (March)—Larry Clark. A fun and
accessible piece that is perfect for introducing
young players to the march form. Uses only the
first six notes of the B-flat scale.
11393451 Band Set & Score . . . . . B 45.00
Andalucia—Victor Lopez. Andalucia has
always been a very musical land and the
unique music and exotic dances have
inspired composers throughout history. This
tradition continues with this inspired work,
flavored by the colorful blended sounds of
the flamenco traditional march styles. Full
of fire and energy it will spice up any young
band concert!
10218260 Band Set & Score . . . .VE 56.00
The Bold Brigade—Carol Brittin Chambers.
This march-like piece, using only the first six
notes learned, portrays the confident spirit
of military troops working together. A steady
pulse using half, quarter, and eighth notes
with doubled melody, harmony, and bass lines
makes this patriotic piece one that students will
play with pride!
11205050 Band Set & Score . . . . . B 53.00
Boulder Ridge March—Chris Ferguson. Here
is an excellent introduction to the march style. It
is spirited and features a lovely countermelody
in the upper woodwinds. Your percussionists
will have fun opportunities with auxiliary
instruments, and even your low voices will get
some exposure! Marches have it all, and this is
no exception!
11346000 Band Set & Score . . . . . B 45.00
Cadets in Step! (March)—Matthew R.
Putnam. In the various branches of the military,
one of the first things that a young cadet learns
to do is to march in step. This march is written
in the standard three-part form, with no break
strain, and will reinforce the importance of
keeping a strict tempo and playing crisp,
measured rhythms. Very well suited for contest
or festival adjudication.
11001024 Band Set & Score . . . .VE 50.00
Code of Conduct (March)—Quincy Hilliard.
Played in a marcato style, this spirited march
features simple quarter- and eighth-note
rhythms inside a limited melodic range while
still allowing all members of the band to be
heard. Correlates with Tradition of Excellence
Book 1, page 20.
11521099 Band Set & Score . . . .VE 60.00
Crystal Creek (March)—Matthew R. Putnam.
This traditional march for beginning band is
perfect for introducing march style. It introduces
students to the trio, without modulation, as well
as some common accidentals. Students and
audiences alike will want to hear this musical
little march again and again!
11198522 Band Set & Score . . . .VE 50.00
Eine Kleine March Music—W.A. Mozart/arr.
Katie O'Hara LaBrie. Explore a variety of style
periods with this clever arrangement that sets
Mozart's Eine Kleine Nachtmusik in the style of
a march! The familiar melodies, presented with
a creative twist, are sure to make this a student
favorite. Add a dogfight section and a rousing
final strain, and you have a winner! It may just
become your new favorite march! (1:30)
11511634 Band Set & Score . . . .VE 55.00
El Relicario—arr. Michael Story. One of the
most popular and stylish paso dobles ever
written. This colorful march is arranged here
for beginners and contains all the thrilling spirit
of the original. A wonderful way to add some
international flavor to your next concert. Ole!
11205890 Band Set & Score . . . .VE 52.00
Epaulettes of Gold—Matthew R. Putnam.
Concert marches are not just for the developed
concert band - this exceptional original work
offers effective march-style figures in all sections
while keeping it accessible to younger bands.
11501970 Band Set & Score . . . .VE 50.00
First Expedition March—Chris Ferguson.
Beginning bands now have the opportunity
to be able to perform a full concert march for
their spring program or contest with this fun,
melodic, and highly accessible work. Written in
traditional march form, this piece incorporates
simple rhythms and comfortable ranges,
explores a wide range of dynamics, and gives
every section a chance to shine. The trio
cleverly moves to E-flat major without "adding
a flat" in the key signature. A must-have in your
beginning band library!
11392834 Band Set & Score . . . .VE 50.00
Fleet Street March—Laura Estes. This great
concert march written in standard form throws
in some unique twists including a sudden yet
effective shift to C minor in the second strain.
An excellent choice for concert or contest!
11501817 Band Set & Score . . . .VE 55.00
Fortis—Larry Clark. This excellently written
march uses simple rhythms and only the first
six notes of the B-flt scale. Now your beginner
players can enjoy performing this great
traditional concert band genre!
11501821 Band Set & Score . . . . . B 45.00
Forward March!—Paul Murtha. Here's a
snappy little march that your drummers are
just going to love! They get a spotlighted
percussion break, and there's also a nice "trio"
melody for clarinets, strong melodic writing with
easy counterlines and a strong full band finish.
Bright, invigorating and reminiscent of some
of the great classical marches, this is a strong
choice for your beginners!
2445344 Band Set & Score . . . .VE 50.00
Geyser Point March—Chris Ferguson. This
little march is perfect for teaching march style to
beginning players. Using only the first six notes
of the B-flat scale, it has ample opportunity
to introduce fundamental techniques to get
students ready for the next level! This fun march
will be a memorable part of your next concert.
11198542 Band Set & Score . . . . . B 45.00
Liberty Square March—arr. Chris Ferguson.
This well-scored and accessible medley of
American patriotic songs - Over There; The
Stars and Stripes Forever; Hail to the Chief;
America and Yankee Doodle - has all the
trimmings of a traditional concert march while
remaining playable by young mucicians.
11501978 Band Set & Score . . . .VE 55.00
March from First Suite for Military Band—
Gustav Holst/arr. Story. Historically important,
the suite this comes from is one of the first
pieces written exclusively for military bands.
This arrangement is based on the second
theme of the March, a very lyrical melody
reminiscent of British folk music. This
accomplished setting brings this cherished
work to the stands of your beginners, a most
welcome addition to beginning band repertoire!
10279758 Band Set & Score . . . .VE 56.00
Moorside March (From A Moorside Suite)—
Gustav Holst/arr. Douglas E. Wagner. A
Moorside Suite was written in 1928 as a test
piece for the National Brass Band Festival
championship competition held that year.
Though slightly abridged, this arrangement
includes the main themes and styles in a
carefully-crafted performance piece accessible
to concert bands at this level that bears Holst's
musical signature. (3:35)
11511662 Band Set & Score . . . .VE 70.00
New Era (Concert March)—William Owens.
A stately and regal original work that differs
in form from the traditional march form. With
its strong theme, great percussion writing,
and accessible and engaging parts for all
instruments, this piece is perfect as an opener
for any concert or contest.
11501855 Band Set & Score . . . .VE 55.00
Starfire March—Randall Standridge.
Galactic adventure awaits in this cinematic
march for young bands. The second chapter
of the Starfire series, this march continues
your player's introduction to 6/8 rhythms
while also providing a perfect vehicle for
teaching march style. Unusual harmonies,
modest ranges, and dynamic effects
combine to create a dazzling concert work
that will both educate and entertain your
young players.
11515773 Band Set & Score . . . .VE 55.00
Union March—Mekel Rogers. Now even the
youngest of bands can play a great traditional
march without excessive demands on chops
or technique. Complete with opening strain,
dog-fight section, and final strain, this musical
march lets directors focus on teaching march
style and phrasing. An excellent and welcome
addition for very young bands!
10279376 Band Set & Score . . . .VE 45.00
BEST
SELLERS
Concert Marches
Beginning and
Very Easy
Buy with confidence! These works, listed in
order of their popularity, are chosen most
often by directors.
All for One, One for All (March)—
Carol Brittin Chambers.
11001010 Band Set & Score . . . . . . . . VE 55.00
Union March—Mekel Rogers.
10279376 Band Set & Score . . . . . . . . VE 45.00
Andalucia—Victor Lopez.
10218260 Band Set & Score . . . . . . . . VE 56.00
Forward March!—Paul Murtha.
2445344 Band Set & Score . . . . . . . . VE 50.00
Boulder Ridge March—Chris Ferguson.
11346000 Band Set & Score . . . . . . . . . B 45.00
March from First Suite for Military Band—
Gustav Holst/arr. Story.
10279758 Band Set & Score . . . . . . . . VE 56.00
Activity March—Harold Bennett/arr. Clark.
2416097 Band Set & Score . . . . . . . . VE 60.00
El Relicario—arr. Michael Story.
11205890 Band Set & Score . . . . . . . . VE 52.00
Ambassador (March)—Larry Clark.
11393451 Band Set & Score . . . . . . . . . B 45.00
First Expedition March—Chris Ferguson.
11392834 Band Set & Score . . . . . . . . VE 50.00
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