STRING
ORCHESTRA
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CLASSICAL SELECTIONS medium-advanced & advanced
Allegro con Brio from "Symphony No. 8"
—Antonin Dvorak/arr. Robert D. McCashin.
This spectacular arrangement features the first
movement of Dvorak's well-known "Symphony
No. 8." While the arrangement has been made
accessible to younger ensembles, it retains
all the expressiveness and primary thematic
material of the original work. A delightful and
spirited piece that will surely captivate your
orchestra and audience!
10592137 String Orchestra . . . . MA 55.00
10592138 Additional Score . . . . . . . . . . 5.00
Allegro in D Major—Michael Haydn/arr.
Robert D. McCashin. Though overshadowed
by his famous brother, Michael Haydn is a
composer worth introducing to your orchestra.
This piece is an arrangement of the first
movement of his Flute Quartet in D Major.
11204516 String Orchestra . . . . MA 54.00
11204536 Additional Score . . . . . . . . .13.00
Allegro Moderato—W.A. Mozart/arr. Robert D.
McCashin. The first movement from Mozart's
"Symphony No. 29" contains that delicate
balance between his graceful lyricism and his
signature tempestuous energy. This shockingly
authentic arrangement allows your string
students to experience all the intensity of the
original without having to bring in wind players.
10454282 String Orchestra . . . . MA 60.00
10454315 Additional Score . . . . . . . . . . 6.00
Allegro Moderato (from "Symphony No. 3")
—Camille Saint-Saens/arr. Deborah Baker
Monday. This movement of the famous
"Organ Symphony" includes two of the most
memorable themes ever penned by Saint-
Saens. This arrangement includes the highly
energetic string theme and the beautiful fugue
based on his four-note theme which cycles
throughout the entire symphony. The two
contrasting sections of this arrangement offer
two extremes of bowing style: one requiring
heavy strokes at the frog and the other using
legato, expressive, full bowing.
10752882 String Orchestra . . . . MA 65.00
10752883 Additional Score . . . . . . . . . . 5.00
Anvil Chorus (from "Il Trovatore")—Giuseppe
Verdi/arr. Deborah Baker Monday. This iconic
piece by Giuseppe Verdi is presented here in
B minor and G major. This allows the violins
to really shine while all parts have melodic
interest. True to the original, the optional
percussion parts add a true symphonic flair and
the anvil parts are easy enough to be played by
a parent or guest.
11202316 String Orchestra . . . . MA 56.00
11202317 Additional Score . . . . . . . . . . 7.00
Apocalyptic (Finale from Symphony No. 8)
—Anton Bruckner/arr. Kirk Moss. All the
power and force of the Finale of Bruckner's
Eighth Symphony is masterfully captured in
this authentic and first-ever arrangement for
string orchestra. Mature players will have
the opportunity to expand on their shifting
and vibrato technique as well as overall
musicianship by exploring varying bow weights
and speeds to create the wide variety of tone
and dynamics that are required. An optional
timpani part greatly enhances the intensity.
A great addition to the classical repertoire!
11349253 String Orchestra,
Percussion Optional. . MA 65.00
11349270 Additional Score. . . . . MA 10.00
Balletto from Ancient Airs and Dances No.
1—Ottorino Respighi/arr. Jeremy Woolsten-
hulme. Colorful and graceful, this accessible
arrangement begins in G major, transitions to G
minor, then back to G major. Although Respighi
composed the movement from his first suite in
1917, it captures a natural beauty reminiscent
of the Renaissance period.
11521116 String Orchestra . . . . MA 65.00
11521188 Additional Score . . . . MA 10.00
Capriccio Espagnol—Nikolai Rimsky-
Korsakov/arr. Robert D. McCashin. This
resetting for string orchestra has successfully
kept the composer's intent, and to a great
extent, the sounds and colors of the original
orchestration. While requiring some substantial
string forces, it's fully approachable by able high
school groups. It consists of five connected
movements based on Spanish themes. A terrific
addition as a primary work for any concert!
10500790 String Orchestra . . . . MA 95.00
10500791 Additional Score . . . . . . . . .12.00
Capriol Suite—Peter Warlock. This staple of
the string orchestra repertoire, composed in
1927, is based on a suite of six Renaissance
dances. Each dance offers a different mood
and rhythm, and together they form an
excellent concert work. Original edition.
427864 String Orchestra . . . . . . A 50.00
7180581 Additional Score . . . . . . . . . . 8.50
Charterhouse Suite—Ralph Vaughan Williams/
arr. James Brown. Ralph Vaughan Williams'
charming suite of dances in the English style
is a mainstay of the string orchestra concert
repertoire. Adapted in collaboration with the
composer from the 1921 Suite of Six Short
Pieces. The scoring is colorful and lighthearted,
providing artistic and pedagogical opportunities
for moderately advanced students. New edition
and engraving.
10873332 String Orchestra . . . . . . A 90.00
5022231 Additional Score . . . . . . . . .27.00
Concerto in D Minor (The "Bach Double")
—J. S. Bach/arr. Larry Moore. Everyone is
familiar with this one! The standard piece
known as the "Bach Double" features two
capable violin soloists. Arranged for string
orchestra with optional piano (or harpsichord),
the viola, cello and bass sections play
throughout as the two solo violin parts alternate
between tutti sections and solo sections.
2445864 String Orchestra
1st Movement . . . . . . MA 45.00
5962279 Additional Score . . . . . . . . . . 5.00
Dance of the Tumblers—Nikolai Rimsky-
Korsakov/arr. Todd Parrish. Shifting is required
for 1st violins, cellos, and basses, while 2nd
violins and violas get exceptionally rich parts
of sixteenth notes and melody throughout. This
energetic dance will be a welcome challenge
for advanced orchestras.
10453655 String Orchestra . . . . MA 62.00
10453704 Additional Score . . . . . . . . . . 8.00
Danza Final from "Estancia"—Ginastera/arr.
Robert Longfield. Now available for strings,
Alberto Ginastera's well-known finale to his
"Estancia" ballet is steeped in South American
folk style. The familiar cross rhythms give this
malambo an infectious feel - a classic work for
contest and festival consideration.
10059481 String Orchestra,
Percussion Optional . . MA 55.00
10083437 Additional Score . . . . . . . . . . . 5.00
Day of Wrath—Giuseppe Verdi/arr. Deborah
Baker Monday. Day of Wrath (translated from
the Latin "Dies Irae") with its dramatic extremes
of emotion is a great choice for any concert or
festival. This setting by Verdi in his Requiem
Mass was first performed in 1874. Repeated
16th notes are used extensively along with
divided parts to create a full, sonorous
effect with huge dynamic contrasts from the
fortissimo opening to the morendo ending.
10738939 String Orchestra . . . . MA 49.00
10738971 Additional Score . . . . . . . . . . 9.00
Elsa's Procession to the Cathedral—
Richard Wagner/arr. Matthew Moreno.
Introduce your orchestra and audience to
this passionate arrangement from Wagner's
famous opera, "Lohengrin." This transcription
keeps the textures and colors amazingly true
to the full operatic score while featuring solo
violin and cello. Equally powerful for chamber
orchestras or large string orchestras, this work
is sure to make a profound impact at your
performance. Stunning!
10366801 String Orchestra . . . . MA 65.00
10366802 Additional Score . . . . . . . . . . 5.00
Fantasia on Greensleeves—Ralph Vaughan
Williams/arr. Ralph Greaves. Here is the
original and beloved fantasia that calls for
string orchestra, harp, and two soloists-usually
flutes but often substituted with violins. This
lush arrangement of the English folksong is a
classic in the string repertoire and a wonderful
example of the Vaughan Williams sound. A
must-have for every orchestra library!
5051438 String Orchestra Includes strings
4/4/3/4/2 . . . . . . . . . . MA 31.25
8059068 Violin 1. . . . . . . . . . . . . MA 1.75
8059069 Violin 2. . . . . . . . . . . . . MA 1.75
8059067 Viola. . . . . . . . . . . . . . . MA 1.75
8059064 Cello . . . . . . . . . . . . . . MA 1.75
8059063 Bass. . . . . . . . . . . . . . . MA 1.75
8059065 Flute 1 and 2 . . . . . . . . MA 1.75
8059066 Harp. . . . . . . . . . . . . . . MA 1.75
625509 Additional Score . . . . . . . . . . 7.25
Fidelio Overture—Ludwig van Beethoven/arr.
Todd Parrish. The Fidelio Overture was written
in 1814 to open Beethoven's only opera by the
same name. This string orchestra arrangement
is transposed from the original E major to the
more approachable key of D major. It retains
the original opening which alternates between
powerful majestic bursts and lyrical harmonic
progressions, finishing with the energetic
presto to the end. Optional timpani gives this
arrangement a symphonic quality that closely
resembles the original.
11202215 String Orchestra . . . . MA 70.00
11202216 Additional Score . . . . . . . . .10.00
Finale from Symphony No. 5—Pyotr Ilyich
Tchaikovsky/arr. Brian Holmes. The finale of
Tchaikovsky's Symphony No. 5 is a fantastic
orchestral movement. It is very grand in nature
and appears to reflect Tchaikovsky's nationalist
writing tendencies. The arrangement for string
orchestra captures the powerful melodies
originally heard in winds and brass. Beautiful
melodies are introduced, building to a majestic
return of the opening theme. The movement
closes with a strong and exciting finale.
Includes optional timpani.
10846058 String Orchestra,
Percussion Optional . . MA 55.00
10846059 Additional Score . . . . . . . . . . . 8.00
Finlandia—Jean Sibelius/arr. Lynne Latham.
This rousing work will most certainly enhance the
tone production of your group! This arrangement
keeps the dramatic character of the original but
is changed to D minor. An excellent choice for
community or collegiate string orchestras as well
as advanced school ensembles!
11355743 String Orchestra . . . . MA 55.00
11355744 Additional Score . . . . . . . . . . 6.00
BEST
SELLERS
String Orchestra
Classical Medium-
Advanced & Advanced
Buy with confidence! These works, listed in
order of their popularity, are chosen most
often by directors.
Danse Negre from African Suite,
Op. 35, No. 4—Samuel Coleridge-Taylor/
arr. Deborah Baker Monday.
11398760 String Orchestra . . . . . . . . . .MA 70.00
11398774 Additional Score . . . . . . . . . . . . . . . 9.00
Apocalyptic (Finale from Symphony No. 8)
—Anton Bruckner/arr. Kirk Moss.
11349253 String Orchestra,
Percussion Optional. . . . . . .MA 65.00
11349270 Additional Score . . . . . . . . . .MA 10.00
Summer from The Four Seasons
(Mvt. 3, Presto)—Antonio Vivaldi/
arr. Jennifer Meckler.
11204511 Multi-Level Orchestra. . . . B-MA 85.00
11204531 Additional Score . . . . . . . . . . . . . . 30.00
11204546 String Pack/
Additional String Set. . . . . . . . . . . 55.00
Waltz from Masquerade Suite
(Transcription)—Aram Khachaturian/
arr. Lynne Latham.
11216659 String Orchestra . . . . . . . . . .MA 75.00
11370703 Additional Score . . . . . . . . . . . . . . 10.00
The Inner Planets
(Themes from Mercury, Venus, and Mars)
—Gustav Holst/arr. Carrie Lane Gruselle.
11203131 String Orchestra . . . . . . . . . .MA 65.00
11203132 Additional Score . . . . . . . . . . . . . . . 6.00
Capriol Suite—Peter Warlock.
427864 String Orchestra . . . . . . . . . . . A 50.00
7180581 Additional Score . . . . . . . . . . . . . . . 8.50
Allegro Moderato (from "Symphony No. 3")
—Camille Saint-Saens/
arr. Deborah Baker Monday.
10752882 String Orchestra . . . . . . . . . .MA 65.00
10752883 Additional Score . . . . . . . . . . . . . . . 5.00
New World Symphony—Antonin Dvorak/
arr. Deborah Baker Monday.
10454944 String Orchestra . . . . . . . . . .MA 56.00
10454945 Additional Score . . . . . . . . . . . . . . . 6.00
Charterhouse Suite—
Ralph Vaughan Williams/
arr. James Brown.
10873332 String Orchestra . . . . . . . . . . . A 90.00
5022231 Additional Score . . . . . . . . . . . . . . 27.00
Hoe Down (from "Rodeo")—
Aaron Copland.
167221 String Orchestra . . . . . . . . . . . A 45.50
2476148 Additional Score . . . . . . . . . . . . . . . 8.95
