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CLASSICAL SELECTIONS very easy & easy / medium-easy
Can Can (from Orpheus in the Underworld)
—Jacques Offenbach/arr. Richard Meyer.
Everyone knows this one! Offenbach's famous
high-kicking melody is set in a very accessible
arrangement for developing full orchestra.
While this is actually an easy level piece, it
really comes alive when played at a brisk
tempo. Perfect for a fast, flashy encore!
2297976 Full Orchestra . . . . . . . . E 45.00
2476158 Additional Score . . . . . . . . . . 6.50
A Can-Can Festival—Jacques Offenbach/arr.
Todd Parrish. In this multi-level arrangement
for string or full orchestra, both new and
experienced students get to enjoy the
excitement of Offenbach's famous dance.
The piece can be performed with strings
only, with parts for beginning, intermediate,
and advanced levels. Or, add optional
advanced wind, brass, and percussion parts
for a full orchestra concert- combined levels
or advanced players only. The perfect grand
finale to your pyramid concert that will motivate
young musicians with a great sense of pride
and accomplishment!
11500306 Multi-Level
Orchestra . . . . . . . . .B-M 95.00
11500403 Additional Score . . . . . . . . . . 9.50
Egmont Overture—Beethoven/arr. Richard
Meyer. Now, all the intensity of this powerful
minor-key overture for the young full orchestra!
All individual parts are in very practical ranges,
with string parts playable in first position
(with optional shifting for first violins), yet the
drama and impact of the original remain intact.
Percussion parts have been tastefully added.
A great opener or closer for any concert.
Highly recommended!
10050412 Full Orchestra . . . . . . . . E 59.00
10050414 Additional Score . . . . . . . . . . 9.00
Finale from "Symphony No. 5"—Ludwig
van Beethoven/arr. Richard Meyer. Now all
of the energy and excitement of this great
movement can be enjoyed by young players.
Optional simplified string parts and careful
doublings make it playable by orchestras with
less than full instrumentation. An impressive
arrangement of a celebrated masterwork!
2288868 Full Orchestra . . . . . . . . E 45.00
5813753 Additional Score . . . . . . . . . . 6.50
Finlandia—Jean Sibelius/arr. Richard Meyer.
Every orchestra should have a chance to play
this well-loved favorite! There's enough of the
original here to provide a dynamic performance
from the serious opening to the very famous
chorale to the powerful conclusion! A must for
every orchestra's library!
2470429 Full Orchestra . . . . . . . . E 60.00
5975283 Additional Score . . . . . . . . . . 9.00
La Rejouissance (from "The Royal Fireworks
Music")—G.F. Handel/arr. Richard Meyer.
A masterpiece at this level! In addition to
wonderful tutti writing, the string section and
wind section are featured on their own in this
colorful arrangement, which makes a perfect
opener to any concert. All string parts are
playable in first position, with optional shifting
for violin I and string bass.
10050416 Full Orchestra . . . . . . . . E 60.00
10050418 Additional Score . . . . . . . . . . 7.00
New World Symphony (Theme)—Antonin
Dvorak/arr. Brad Pfeil. What a fantastic
introduction to full orchestra and to this beloved
music! All instruments have exciting parts. The
dramatic opening in the strings and the dark
theme in the brass will captivate students.
10522553 Full Orchestra . . . . . . .VE 60.00
10522554 Additional Score . . . . . . . . . . 6.00
Ode to Joy—Ludwig van Beethoven/arr.
Richard Meyer. This flexible arrangement of
Beethoven's most famous melody works for
both full and string orchestras. Transposed
and adapted to give all of your young students
a rewarding orchestra experience.
2442614 String or
Full Orchestra . . . . . . .VE 59.00
5942701 Additional Score . . . . . . . . . . 7.00
Overture to Die Fledermaus—Johann Strauss/
arr. Richard Meyer. One of the most famous
overtures ever written, this delightful selection
abounds with well-known melodies and
opportunities for technical development. A
great concert opener or closer, and a wonderful
contest selection. This arrangement sounds
like the original, yet is well within reach of
student musicians.
10370669 Full Orchestra . . . . . . . . E 59.00
10370670 Additional Score . . . . . . . . . . 9.00
Overture to "Royal Fireworks Music"—G.F.
Handel/arr. Richard Meyer. Combined with an
introductory theme from the suite, the "Overture"
is among the most majestic Baroque music
ever written. Perfectly set as a first full orchestra
experience, the contrasting statements of the
themes are regal and fun to play.
10453660 Full Orchestra . . . . . . . . E 55.00
10453709 Additional Score . . . . . . . . . . 7.00
Radetzky March—Johann Strauss/arr.
Richard Meyer. A perfect setting of this festive
piece! Get the audience involved and carry on
the great tradition of clapping and stomping
along with the music. Just right for the early full
orchestra experience.
10066999 Full Orchestra . . . . . . . . E 59.00
10067000 Additional Score . . . . . . . . . . 9.00
Classical Selections
Medium-Easy
Ancient Aires and Dances—Ottorino Respighi/
arr. Jerry Brubaker. The noble elegance and
beauty of Respighi's marvelous work shines
in this arrangement of the Balletto Movement
from Suite No. 1. The feel of early music carries
through in an arrangement that works equally
well for strings alone or with the addition of
winds. A great introduction to Respighi!
10032563 String or Full Orchestra . . .55.00
10032564 Additional Score . . . . . . . . . . 9.00
Beethoven's Symphony No. 6 "Pastoral"
(Mvt. 5 - Shepherd's Hymn)—Ludwig van
Beethoven/arr. Vernon Leidig. Give your
students a "Beethoven experience" with this
lovely arrangement of two themes from the
"Pastoral" Symphony. Perfect for working on
musicality and expression as you have them
imagine "Country Life" and "Thankful feelings
after the storm."
10280469 Full Orchestra . . . . . . . . . . .65.00
10280470 Additional Score . . . . . . . . . . 8.00
Best of Bach—J S Bach/arr. Jerry Brubaker.
Bach's familiar Sheep May Safely Graze is
set here at a level perfect for intermediate
orchestras. Playable with just strings or by
adding any combination of winds up to full
orchestra instrumentation, this will be a lovely
addition to your concert.
2440733 String or Full Orchestra . . .58.00
A Can-Can Festival—Jacques Offenbach/arr.
Todd Parrish. In this multi-level arrangement
for string or full orchestra, both new and
experienced students get to enjoy the
excitement of Offenbach's famous dance.
The piece can be performed with strings
only, with parts for beginning, intermediate,
and advanced levels. Or, add optional
advanced wind, brass, and percussion parts
for a full orchestra concert- combined levels
or advanced players only. The perfect grand
finale to your pyramid concert that will motivate
young musicians with a great sense of pride
and accomplishment!
11500306 Multi-Level Orchestra . . . . .95.00
11500403 Additional Score . . . . . . . . . . 9.50
Capriccio Espagnol—Rimsky-Korsakov/
arr. Richard Meyer. Hailed by Tchaikovsky
as a colossal masterpiece of instrumentation,
Rimsky-Korsakov's "Capriccio Espagnol"
has delighted audiences since its premiere in
1887. This arrangement features two sections
of the original capriccio: the Alborada and the
Fandango of the Asturias, a dance traditionally
played with guitar and castanet accompaniment.
10015175 Full Orchestra . . . . . . . . . . .59.00
10015177 Additional Score . . . . . . . . . . 7.00
The Commencement Suite—arr. Jack Bullock.
This great set of selections is a musical Swiss
army knife, giving you the right music at the
right time. It includes: Fanfare; Pomp and
Circumstance; The Star-Spangled Banner and
the Triumphal March from "Aida." All selections
are flexible with optional repeats. Written for
either string or full orchestra, this is very playable
with minimal rehearsal time. A great value!
2416709 String or Full Orchestra . . .63.00
5973279 Additional Score . . . . . . . . . . 8.00
Dance of the Tumblers (from "Snow Maiden")
—Nicolai Rimsky-Korsakoff/arr. Sandra
Dackow. The title leaves no doubt as to the
character and energy of this piece! Developing
orchestras will sound as symphonic and
colorful as possible, while more advanced
ensembles can add brilliance by exceeding the
indicated tempo marking.
2252443 Full Orchestra . . . . . . . . . . .75.00
5037171 Additional Score . . . . . . . . .14.00
Grand March from "Tannhauser"—Richard
Wagner/arr. Vernon F. Leidig. Bring a sense
of occasion to concerts, special events and
graduations with this stately arrangement of
the classic Grand March. It's a fine mixture of
strings and winds complementing each other
and perfect as an introduction to the music
of Wagner.
10032689 Full Orchestra . . . . . . . . . . .69.00
10032726 Additional Score . . . . . . . . . . 8.00
Habanera (from "Carmen")—Georges Bizet/
arr. Richard Meyer. This authentic-sounding
and playable arrangement from "Carmen" lets
your students perform one of the most familiar
scenes from the famous opera. Well-scored
throughout with detailed articulations, bowings,
and multiple percussion parts, this piece is
perfect for contest or the concert stage.
11202668 Full Orchestra . . . . . . . . . . .60.00
11202669 Additional Score . . . . . . . . . . 9.00
Hungarian Dance No. 5—Johannes Brahms/
arr. Roy Phillippe. Here's one of the most
famous pieces of classical music ever written!
Brahms arranged over 20 Hungarian dances,
but this one is by far the most familiar to
students and audiences. With its dramatic
tempo changes and exciting switches from
minor to major, this music grabs your attention
and holds it from start to finish.
2466316 Full Orchestra . . . . . . . . . . .85.00
2466324 Additional Score . . . . . . . . .12.00
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