FULL
ORCHESTRA
Editors' Choice 2023 New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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CLASSICAL SELECTIONS medium / medium-advanced & advanced
Pomp and Circumstance (Military
March Op. 39, No. 1)—Edward Elgar/
arr. John Whitney. This marvelous flexible
arrangement of Elgar's famous processional
march is so versatile, you'll want to use it
every year! All the strings can remain in
first position, double stops may be divided,
repeats can be optional, and it works equally
well with full orchestra or just strings and
piano. Highly recommended!
10092290 String or Full Orchestra . . .65.00
10092291 Additional Score . . . . . . . . . . 7.00
Procession of the Sardar (from "Caucasian
Sketches")—Ippolitov-Ivanov/arr. Merle J.
Isaac. This very pompous, march-like setting
by Merle Isaac is perfect for assemblies and
concert openings. This is quite full sounding,
and there is a nice balance of melody between
winds and strings.
2066645 Full Orchestra . . . . . . . . . . .69.00
5535877 Additional Score . . . . . . . . . . 9.00
Radetzky March—Johann Strauss/arr.
Merle J. Isaac. This famous, stately march is
a fantastic program selection on virtually any
concert! Expertly arranged for advanced full
orchestra, this familiar bright tune just might
make your audience clap along. Thanks to the
Vienna Philharmonic, it has become a staple
on New Year's and winter concerts, but this
classic march is a perfect choice for programs
and festivals all year round.
2158871 Full Orchestra . . . . . . . . . . .64.00
2427672 Additional Score . . . . . . . . . . 8.00
Slavonic Dance No. 1—Antonin Dvorak/arr.
Merle J. Isaac. Dvorak's energetic Furiant
from his Slavonic Dances, Op. 46, expertly
arranged for advanced full orchestra!
Remaining true in spirit and orchestration in
the original key of C major, this fast, rhythmic
dance will provide a highly rewarding
challenge for students. A perfect choice for
the concert hall or festival stage!
2123867 Full Orchestra . . . . . . . . . . .64.00
2427417 Additional Score . . . . . . . . . . 8.25
Sleeping Beauty Waltz—P.I. Tchaikovsky/
arr. Merle J. Isaac. This is absolutely delightful!
Well-known and loved by all, this beautiful
Tchaikovsky work, filled with glorious melodies,
is a welcome addition to any program at any
time. It's an excellent choice.
2143618 Full Orchestra . . . . . . . . . . .75.00
5390133 Additional Score . . . . . . . . .10.00
The Sorcerer's Apprentice Themes—Paul
Dukas/arr. Jim Higgins. Great 20th century
music! Students and audiences will enjoy
this programmatic medley of themes, made
especially popular when used in Disney's
1940 animated music spectacular, Fantasia.
This spirited arrangement retains all the
magic and charm of the original work in a
very approachable setting for high school full
orchestra or community concerts.
2288835 Full Orchestra . . . . . . . . . . .69.00
10000510 Full Score . . . . . . . . . . . . . . . 8.50
Symphony No. 7 (2nd Movement)—Ludwig
van Beethoven/arr. Richard Meyer. This theme
and variations from Beethoven's Seventh
Symphony is one of the most famous slow
movements in the entire symphonic repertoire.
Due to its somber minor key and quiet rhythmic
pulse, it has been likened to a procession
through the catacombs. Your students will
love the wide variety of emotions included
here. Every section plays an integral role in the
slow and mysterious unfolding of Beethoven's
masterpiece. Percussion parts for four players
have been tastefully added to the original. (5:15)
11400620 Full Orchestra . . . . . . . . . . .60.00
11400621 Additional Score . . . . . . . . . . 9.00
Symphony No. 8 (First Movement)—Franz
Schubert/arr. Richard Meyer. Treat your
students to one of the most-loved symphonic
movements ever written by a master of the
classical style in this arrangement of the
"Unfinished Symphony." All of Schubert's
unforgettably melodious themes are present,
and the composer's imaginative orchestration
has been carefully preserved. A must for any
young symphonic orchestra!
10738945 Full Orchestra . . . . . . . . . . .59.00
10738977 Additional Score . . . . . . . . . . 9.00
What's Up at the Symphony—arr. Jerry
Brubaker. Are you part of the generation that
learned classical music via Bugs Bunny on
Saturday mornings? If so, this is for you and
your students! Bugs and Porky invite you to
take part in this classical cartoon medley. All
the greats are here: This Is It; The William Tell
Overture; The Barber of Seville; The Merry-
Go-Round Broke Down; Liszt's Hungarian
Rhapsody; Brahms' Hungarian Dance and
Ride of the Valkyries. Includes every cartoon
mood and effect you could expect. You've got
to get up pretty early on Saturday morning to
hear a medley better than this!
2481133 Full Orchestra . . . . . . . . . . .90.00
10008085 Additional Score . . . . . . . . . . 9.00
Classical Selections
Medium-Advanced
& Advanced
Academic Festival Overture—J. Brahms/
ed. Vernon Leidig. Brahms' famous overture
has been carefully edited to remain playable
yet as close to the original as possible.
Veteran arranger Vernon Leidig has carefully
scored this work to produce the rich full
sound this masterpiece deserves. Your
audience will be impressed!
2478651 Full Orchestra . . . . . . MA 73.00
5986931 Additional Score . . . . . . . . . . 9.00
Academic Festival Overture, Op. 80—
Johannes Brahms/arr. Louis Bergonzi. One
of Brahms' most performed works, this
"very boisterous potpourri of student songs"
(J. Brahms) is now playable by strings, or
strings with any combination of wind and
percussion instruments up to full symphonic
instrumentation. Students and audiences will
enjoy its tunefulness, Brahms' compositional
craft, and the grand ending. If you have just
a string orchestra, try to add at least the
percussion parts. Special notation is included
to work on consistency of bow lifts, bow
placement, and phrasing.
10739913 String or
Full Orchestra . . . . . . MA 73.00
10739914 Additional Score . . . . . . . . .11.00
An American in Paris Suite—George
Gershwin/arr. John Whitney. Don't miss
this one! Gershwin's original suite, some 17
minutes in length, is often too cumbersome to
program. This version, edited and condensed
down to 7 minutes, is your solution! Staying
true to the original, it's a wonderful display
of Gershwin's rich and evocative orchestral
writing. Recommended for mature school
orchestras and community orchestras!
2440956 Full Orchestra . . . . . . MA 80.00
5912597 Additional Score . . . . . . . . .11.00
Berceuse and Finale (from "The Firebird
Suite")—Igor Stravinsky/arr. Merle Isaac. Here
is a classic arrangement being made available
to a new generation of students! The beautiful
Berceuse and exciting Finale of Stravinsky's
"Firebird Suite" are fantastic works of music and
will also be recognized as the climactic finale
to Disney's "Fantasia 2000!" Isaac's meticulous
arranging includes written cues for vital solos
to ensure playability and success. Give your
orchestra the chance to play this masterwork!
129064 Full Orchestra . . . . . . MA 69.00
4981973 Additional Score . . . . . . . . .10.00
English Folk Song Suite—Ralph Vaughan
Williams/arr. Gordon Jacob. Originally for band,
this classic orchestration showcases Vaughan
Williams' mastery of bringing English folk songs
into the orchestral repertoire.
4969861 Full Orchestra . . . . . . . . A 85.00
7193527 Additional Score . . . . . . . . .27.95
Hoe Down (from "Rodeo")—Aaron Copland.
Here's the original full orchestra version of the
finale of Copland's "Rodeo."
973776 Full Orchestra . . . . . . . . A 80.00
2428340 Additional Score . . . . . . . . .13.95
Overture from The Barber of Seville—
Giacomo Rossini/arr. Merle J. Isaac. One of
the most recognizable overtures ever written!
Rossini's 1816 comic opera is known for its
cheery melodies, simple plot, and humorous
characters - all captured in this spirited
arrangement for high school full orchestra. The
delightful theme frequently used in cartoons,
film, and commercials is sure to bring a smile
to players and audiences alike!
2139368 Full Orchestra . . . . . . MA 82.00
8059048 Additional Score . . . . . . . . .12.00
Peer Gynt Suite No.1, Op. 46—Edvard Grieg/
arr. Chris M. Bernotas. A stunning arrangement
of the incredible masterwork! Perfect for string
orchestra alone or with added instruments
up to full orchestra. This setting offers the
opportunity to explore the entire suite. All four
movements are presented in approachable
keys and are abridged to the perfect length and
difficulty level for your next concert. Playable
as a full suite or as separate movements: I./II.
Morning Mood/Ase's Death; III. Anitra's Dance;
IV. In the Hall of the Mountain King.
11400582 Full Orchestra . . . . . . MA 75.00
11400583 Additional Score . . . . . . . . .10.00
Rhapsody in Blue—George Gershwin/arr.
Jerry Brubaker. Finally, this classic work is
now available for full orchestra, with or without
piano! All solo piano parts are covered within
the orchestra but can also be played with
a soloist. One of the most popular concert
works ever, this transcription for full orchestra
will be a new favorite. It's seven minutes long
and includes all the major themes - for the
advanced or community orchestra!
10032785 Full Orchestra
Piano optional . . . . . . MA 75.00
10032786 Additional Score . . . . . . . . . . 9.00
Romeo and Juliet Overture—P.I.
Tchaikovsky/arr. Jerry Brubaker. A lovely
transcription with tasteful reductions that
allow the advanced orchestra or community
orchestra to experience Tchaikovsky's
masterpiece in about half the duration of the
original. A must for any library!
10370686 Full Orchestra . . . . . . MA 73.00
10370689 Additional Score . . . . . . . . . . 8.00
Symphony No. 5 Finale—Dimitri Shostakovich/
arr. Stephen Bulla. One of the most notable
movements from Dimitri Shostakovich is
transformed into this superb new edition that
is well within the reach of most orchestras.
Stephen Bulla's arrangement is appropriately
truncated and carefully altered with key,
range and technique, with orchestration
considerations for today's school, festival and
regional orchestras.
10042883 Full Orchestra . . . . . . MA 95.00
10054684 Additional Score . . . . . . . . .10.00
Toccata—Girlamo Frescobaldi/arr. Hans
Kindler. Girolamo Frescobaldi composed this
now-famous melody in the 1600s. For over
300 years, the Frescobaldi Toccata has been
performed and loved by generations! This
transcription presents a bold rendition that uses
broad harmonic support for the melody.
134015 Full Orchestra . . . . . . MA 69.00
2365484 Additional Score . . . . . . . . . . 9.00
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