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Nu'oli (Glad Tidings)—Robert Lowry/arr. Jace Kaholokula
Saplan. Originally known as Glad Tidings, this hymn was
translated by Makua Laiana, an early missionary who
arrived in Hawai'i in 1831 and spent the remainder of his
life amongst the Hawaiian people. According to Hawaiian
scholars, this passage was chosen to be sung at the first
public worship of a Congregationalist church on April 23,
1820, and is a setting of the Nativity text from Luke 2. This
lovely a cappella arrangement of the traditional hymn is a
fitting tribute to the original.
11379164 SATB divisi . . . . . . . . . . . . . . . . . . . . . . .M 2.00
O Christmas Tree—arr. Jimmy Baas. Traditionally written in
3/4, this fresh arrangement of a well-known Christmas carol
is given an uplifting twist in 9/8 compound meter. The piano
part gently propels the piece forward, and an original melody
in the second verse adds variety and interest. It's just the
right balance of something old and something new for your
holiday concert.
11501673 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.75
O Come, All Ye Faithful—arr. Dan Forrest. This powerful
setting of a Christmas classic is sure to become a favorite.
Scored for chorus, piano duet and optional string quartet, the
strong, legato chorus is driven by the marcato accompaniment
to a magnificent conclusion that will leave you breathless. A
musical announcement of the arrival of the Christmas season!
10312016 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
10535936 SSAA. . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
10513806 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.25
O Come, Emmanuel—Elaine Hagenberg. "Haunting" is the
best word to describe this original setting of the
traditional Advent text, scored for choir, piano and cello.
Marked "mysterioso" in triple meter, it is such a creative
interpretation, the effect in performance is truly extraordinary!
10607049 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.75
11514051 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.75
10647583 Inst. Parts Cello Part. . . . . . . . . . . . . . . . . 4.95
O Come, O Come, Emmanuel—arr. Noah Reese. A
beautiful way to prepare for the season, this medieval carol is
arranged for tenor-bass choirs with lyrical lines that bring both
freshness and familiarity. The piano accompaniment provides
exciting movement with driving rhythms that complement the
chantlike choral lines.
11397046 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
O Holy Night—arr. Amy Geis. This a cappella arrangement
as performed by BYU Noteworthy spreads the beauty of
this popular Christmas song across many voices lifted in
praise. Scored for soloists and choir, share this O Holy Night
with audiences and congregations as it's not been heard
before. This is sure to capture the spirit of Jesus' birth this
holiday season.
11515599 SATB divisi . . . . . . . . . . . . . . . . . . . . . . .M 2.95
11515598 SSAA divisi . . . . . . . . . . . . . . . . . . . . . . .M 2.95
O Little Town of Bethlehem—arr. Dan Forrest. This stun-
ning arrangement of one of our most treasured Christmas
carols offers a poignant musical picture of that glorious
night in Bethlehem. The gentle scoring for choir and piano is
well within the range of most groups. Optional accompaniment
possibilities, including soprano saxophone (or B-flat clarinet
or oboe), string quartet, or orchestra, offer additional layers
of beauty.
10757413 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.95
11395343 SSAA. . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
11395344 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
O Magnum Mysterium—Morten Lauridsen. An exemplary
composition to display the musicianship of better a cappella
choirs, this choral opus evokes the mystery of the Nativity
with rich melodic and harmonic colors. Emotive and deeply
fulfilling, it has become Lauridsen's most performed work.
1985530 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.75
O Magnum Mysterium—Evan Ramos. Easy and absolutely
beautiful for a cappella voices, this setting of the beloved
Latin Christmas text is a succinct and lyrical selection that
will create a moment of wonder in your concert or worship
service. Simple, elegant, and haunting, this piece is a
wonderful choice for developing choirs.
11370926 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
10990309 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
10871862 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
10586916 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
O Magnum Mysterium—Tomas Luis de Victoria/arr.
Russell Robinson. Tomas Luis de Victoria's (1548-1611)
Renaissance setting of the Latin Nativity text is arguably the
most famous setting that choirs have enjoyed as a standard
during the Christmas season or at any time of year as a
concert work. Here, the SATB version is set in E minor, while
the SSA is set in F minor, both in beautifully engraved editions
that are easy to read, making it more accessible than ever for
today's choirs to enjoy and appreciate this classic piece.
3293784 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.50
11500777 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.15
Oh, Come All Ye Faithful—John Francis Wade/arr. Masa
Fukuda. This is a very upbeat pop arrangement of the
traditional Christmas classic with some undertones of Joy to
the World woven into its fabric. It's sure to be a crowd favorite!
11397022 SSAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 3.50
11397023 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 3.50
Oh, Mister Santa (with "Up on the Housetop")—Mark
Weston. It's time to celebrate the man of the hour - Santa
Claus! Enliven your holiday concert with this entertaining
original paired with the holiday favorite Up on the Housetop.
An ideal choice for younger and developing choirs!
11514671 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . E 2.45
11525518 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . 27.95
On a Starlit Night (An Original Partner Song with "Silent
Night")—Jill Gallina. Two-part choirs will delight in the
wondrous simplicity of this partner-song arrangement of the
beloved carol Silent Night and an original countermelody. This
is a true gem for the Christmas season, and extremely easy to
learn and sing. Extraordinarily beautiful!
11502519 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . E 2.25
On That Cold December—arr. Glenda E. Franklin. Here's a
singable and fresh setting of the traditional Catalonian carol
for two-part choirs with an optional flute obbligato. Featuring
moments of call and response and careful harmonies, it is
an ideal piece for young choristers to successfully learn to
sing independently. A lovely choice for Christmas concerts
or services!
11510578 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . E 2.75
CHRISTMAS, HOLIDAY & WINTER
J W P E P P E R . C O M / C H O R A L T R A C K S
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