CHRISTMAS, HOLIDAY & WINTER
5
Go to cart
Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected]
Gather 'Round the Christmas Tree—Greg Gilpin. This
festive original work takes us to the sparkle and twinkle of
the Christmas tree! Using both minor and major modes, this
choral asks us to share the holiday spirit together as family
and friends. Very simple to learn and put together, it is an ideal
choice for beginning choirs. Add the festive accompaniment
track for even more excitement!
11427771 Three-Part Mixed . . . . . . . . . . . . . . . . . . E 2.35
11427768 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . E 2.20
Gaudete—arr. Philip Lawson. This traditional carol is arr-
anged by the former King's Singer in a style that honors
the original while bringing it into the 21st century. Changing
meter, alternating a cappella and accompanied segments,
and call-and-response sections create a work that is a
constant surprise.
11513588 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.15
Gaudete!—Ruth Morris Gray. Employing the ancient Latin
text in a modern original setting, this three-part work is
a dynamic and rhythmic opening selection or processional.
Accompanied by piano and optional hand drum, it is in
3/4 meter and includes an English verse that celebrates
the Christmas season, though it can be performed any
time of year.
11427773 Three-Part Mixed . . . . . . . . . . . . . . . . ME 2.20
11427774 Three-Part Treble . . . . . . . . . . . . . . . . ME 2.20
Gaudete!—arr. Michael Engelhardt. From Piae Cantiones,
this setting of Gaudete! is in a progressive style, yet well
suited to the medieval melody. Its energy is derived from the
accented rhythms and dance-like percussive elements, all
adding to the joyous nature of the piece. Percussion parts for
four players are available separately.
10467505 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.90
10276399 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.80
10304776 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.80
10968325 SATB Full Score and
Percussion Parts. . . . . . . . . . . . . . . . . .M 25.00
10276400 SSA Full Score and
Percussion Parts. . . . . . . . . . . . . . . . . .M 20.00
10968326 TTBB Full Score and
Percussion Parts. . . . . . . . . . . . . . . . . .M 20.00
Gesu Bambino—arr. Derric Johnson. Shhh! Be sure not to
wake the baby! This beautiful traditional Christmas lullaby
is sweetly arranged to create a tranquil and beautiful
atmosphere that welcomes the Christ child. The recognizable
harmonies are in place, and there is the opportunity to feature
several soloists. There are also some sections of first soprano
divisi in the upper range that will create a floating, angelic
touch that soars above.
11510898 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.75
The Glastonbury Thorn—Z. Randall Stroope. This curious
text depicts a town in southwest England with ties to the
Arthurian legends, the Holy Grail, and the story of Joseph of
Arimathea. Beautifully crafted, the music soars and weaves,
painting the many pictures of the beautiful story.
11514315 SATB or SSATB . . . . . . . . . . . . . . . . . . .M 2.80
Gloria (from "Mariazeller Messe")—Joseph Haydn/ed.
Ryan Kelly. Haydn's eighth setting of the ordinary of the Mass
was composed in 1782 for performance in Mariazell, Austria.
The brief opening portion of the Gloria has been selected for
this anthem, featuring Haydn's exuberant, straightforward
homophonic choral writing true to the Classical period. The
accompaniment is an approachable orchestral reduction for
piano with optional trumpets and timpani. Accessible to most
ensembles, this anthem offers choirs the exciting opportunity
to sing an excerpt from a large-scale choral work.
11515557 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.75
11515572E Inst. Parts 2 Trumpets, Timpani ePrint . 15.00
Gloria—Michael John Trotta. This energetic choral work
offers an introduction to the traditional Latin text with
compound meter and accessible choral parts. Whether
chosen for its educational features, its lyric melody, or its
energetic accompaniment, it is a wonderful way to open any
concert. It can be used in combination with Trotta's other Latin
works Kyrie; Agnus Dei and Sanctus to create a Missa brevis.
10990313 Three-Part Mixed or SATB. . . . . . . . . . . E 2.50
10735245 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.50
11370897 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.50
11162737 SA Complete Missa Brevis
Choral Score . . . . . . . . . . . . . . . . . . . . ME 6.99
11397044 Three-Part Mixed or SATB Complete
Missa Brevis Choral Score. . . . . . . . . ME 4.75
Gloria and Alleluia—Ruth Elaine Schram. Two short
contrasting movements may either stand on their own
or combine into one longer setting. The Gloria setting is
upbeat, rhythmic, and fanfare-like, while the Alleluia is
quiet, introspective and set in a minor key. Both are lovely a
cappella settings that are achievable by choirs in a school or
church setting.
11501662 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
3126158 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
Glow—Eric Whitacre. Simple and welcoming, Glow was
premiered by the World of Color Honor Choir at Disney's
California Adventure Park. The Honor Choir, made up of over
700 singers from across America, were selected to be part of
the night-time spectacular Winter Dreams show.
10558643 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.25
10909062 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.90
10909063 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.75
10909088 TBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.75
10605643E Inst. Parts ePrint . . . . . . . . . . . . . . . . . . . 30.00
Go, Tell It On the Mountain—arr. Rollo Dilworth. This treble
setting preserves the cadence of the beloved original, all
while imbuing the music with a strong and classic harmonic
structure. This stylized arrangement has a full gospel piano
accompaniment and will be a wonderful addition to any
holiday concert.
11397550 Three-Part Treble or SSA. . . . . . . . . . ME 2.35
God Rest Ye Merry, Gentlemen—arr. Kyle Pederson. With
upbeat swing rhythms and a delightful and jazzy treatment,
this concertized version of the traditional English carol will be
a holiday favorite!
11394783 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.15
11407177 Inst. Parts . . . . . . . . . . . . . . . . . . . . . . . . 10.00
God Rest You Merry, Gentlemen—arr. Noah Reese &
Debbie Siebert. Especially designed for young tenors and
basses with changing voices, this arrangement offers the
option to sing in unison throughout or to add the written
parts on the third verse that begin in canon and end in
simple harmony. With just a hint of Mary Did You Know?, the
accompaniment brings an artistic and plaintive voice to the
well-known traditional English Christmas carol.
11501642 Two-Part or TT or Unison. . . . . . . . . . . . E 2.50
God Will Give Orders/Sweet Child (from "Snow Angel")—
Sarah Quartel. Beginning with a mystical, ethereal feel with a
haunting optional cello line, this piece opens with lyrical choral
lines singing over a baby and promising heavenly protection
and care. The mood then shifts to a celebratory and rhythmic
feel with djembe, and eventually a quieter a cappella refrain
closes with the choir affirming the promise: "Sweet child,
you're the future... Sweet child, I will show you how to love."
10689757 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . ME 4.50
10642198 SSAA. . . . . . . . . . . . . . . . . . . . . . . . . . ME 4.50
Going on a Sleigh Ride—Mary Donnelly & George L.O.
Strid. This bright and cheerful Christmas piece reflects the
rollicking fun of a wintertime sleigh ride. The song incorporates
the refrain from Jingle Bells, giving singers a chance to sing a
familiar holiday tune with a new spin. Glockenspiel and jingle
bells are included to enhance the feeling of celebration.
11369160 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.35
Good King Wenceslas—arr. Russell Robinson. James
Mason Neal's 19th-century text tells the 10th-century tale
of a King from Bohemia traveling through the snow on St.
Stephen's Day. Paired with its traditional 13th-century
melody, it then takes on a modern twist as it is arranged in a
jazzy, swing-style 5/4 meter, similar to Take Five. The verse
uses simple unison or two-part lines, and the jazzy four-part
harmonies on the choruses are easy to learn.
11501690 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
Good News (Christmas Spiritual Style)—arr. Mark Butler.
A lively composition with the fresh feeling of a spiritual, this
piece offers abundant opportunities for solos! Just right for
the Christmas season and destined to become a favorite for
both choirs and audiences.
11513200 SATB divisi, or SSAATTBB . . . . . . . . MA 2.95
The Great Clear Twilight—Austin Schend. This work paints
a picture of Sara Teasdale's Winter Dusk landscape tied to
the thoughts of one solemnly reflecting on deep themes.
A new and different take on a winter concert piece with
an involved piano accompaniment that thoroughly paints
the scene.
11347959 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.00
11514260 SSAA. . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.00
A Hand for Mrs. Claus—Kristen Anderson-Lopez & Robert
Lopez/arr. Mac Huff. Written for Idina Menzel and Ariana
Grande by the writing team that brought you "Frozen" and
many other hits, this tune is scored for big band and swings
in the best definition of the style. Pay a swinging tribute to the
woman behind the man - Mrs. Claus!
11513599 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.30
11513600 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.30
11513601 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.30
New!
The Christmas Suites
arr. Taylor Davis. The first in what will be
several suites of Christmas carols, suite one
contains: O Come All Ye Faithful; Silent Night;
Go Tell It on the Mountain and The First Noel.
Suitable for advanced school, collegiate or
church choirs, the suites are orchestrated and
available for full or chamber-sized orchestras.
(Duration ca. 15 minutes) The second of
this new series of carol suites, suite two one
contains: I Heard the Bells on Christmas
Day; Carol of the Bells (instrumental); Kling,
Glocken, Kling and Ding, Dong, Merrily
on High. Suitable for advanced school,
collegiate or church choirs, the suite includes
an orchestration and is available for full or
chamber-sized orchestras.
(Duration ca. 10 minutes)
11514224 SATB Choral Score - Suite I.
Journey Into Light . . . . . .M 8.99
11514225 SATB Choral Score - Suite II.
Ring Out, Wild Bells. . . . M 8.99
