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Take This Gift
Tracy Wong.
This optimistic piece is characterized by catchy, singable melodies
and a syncopated rhythmic drive in the vocal and piano writing. The
text was co-written by the composer and the vocal percussionist
Cherie Chai; it celebrates the life-long relationships created and
nurtured within the choral community.
11536304 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 4.00
Temporal
arr. Diana V. Saez & Suzzette Ortiz.
An exciting concert selection for mixed choirs, this arrangement
of a traditional plena is both authentic and accessible. Plena is
an Afro-Puerto Rican rhythm that blends melodic and rhythmic
elements from Spanish and African musical influences. With a piano
accompaniment and notated percussion lines, this is a dynamic
choice for any time of year!
11535672 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
There Was a Time
Elaine Hagenberg.
William Wordsworth's reflection of a time gone by acknowledges
past heartaches while creating a dream world where beautiful
memories reign. As the vocal lines rise and fall to trace a distant
rainbow, an ethereal piano accompaniment adds its own voice
glistening above. Then together they soar to new heights to "find
strength in what remains behind." Absolutely stunning!
11369216 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
11539415 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
These Are the Best Days
Pinkzebra.
Ideal for graduation ceremonies, year-end concerts, or anytime,
here's an upbeat, joyful, and uplifting song about appreciating the
present moment and celebrating these special days we are living
in. The syncopated pop-like choral texture has a great hook and will
surely resonate with your singers and audience.
11538825 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.65
11538826 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.65
11538828 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.65
11538827 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.65
This Little Light of Mine
arr. Robert T. Gibson.
This fantastic stylized arrangement of This Little Light of Mine will
appeal to many levels of choirs. Singable and skillfully arranged, this
setting is fun, exciting, and captures the gentle joy of this spiritual.
The piano accompaniment is simple and supportive, with room for
improvisation.
11537034 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.20
11316558 Two-Part or SA . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.00
10873385 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.00
A Tribute to the Armed Services
arr. Lloyd Larson.
H
Here is a complete medley of the official songs and hymns of the
U.S. military service branches: The Army Goes Rolling Along; The
Marines' Hymn; Semper Paratus (Coast Guard); Anchors Aweigh
(Navy) and The U.S. Air Force. It's the ultimate hymn of patriotism
and homage. Incorporating America the Beautiful as the finale, this
medley is ideal for patriotic services, Independence Day, Memorial
Day, and civic or school programs.
10050707 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.45
10050708 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.45
10050709 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.45
11165897 Unison w/opt. descant. . . . . . . . . . . . . . . . . . . . . . .M 2.45
11538481 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.70
10091128 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.45
10051280 P/A CD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29.99
10091129 P/A CD for TTBB Only . . . . . . . . . . . . . . . . . . . . . . 27.99
10051281 Instrumental Parts Brass & Percussion . . . . . . . . . 38.00
10051282 Orchestration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52.00
Turlutte acadienne montrealaise
Marie-Claire Saindon.
t
An original melody hailing from the traditional Acadian and
Quebecois practice of turlutte (mouth reel or mouth music), this
sparkling a cappella work imitates an instrumental reel or jig with
voices only. Body percussion, traditional percussion, or a mix of the
two are a fun addition (tutorial video is available).
11213345 SAB divisi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.25
11504755 SSA divisi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.25
11516209 TTB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.25
Wayfaring Stranger
arr. Craig Courtney.
This haunting and soulful treatment of the well-known American folk
melody includes instrumental echoes of the spiritual Sometimes I
Feel Like a Motherless Child which adds further depth of expression.
The choral writing is refined yet simple. Optional parts for an
instrumental solo (cello, violin, or flute) are also available.
11539984 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.75
We are the Music Makers
Reginal Wright.
This lovely setting of the O'Shaughnessy text builds slowly through
its whimsical melodic development. Accompanied by a beautiful
piano part, the movement in the choral lines leads to a triumphant
and satisfying conclusion.
11408300 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.25
11415037 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.25
11536307 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.25
We Wear the Mask
Kenney Potter.
Paul Laurence Dunbar's poem is just as relevant now as when it was
written in 1896. Rhythmic ostinatos in this a cappella setting with a
notated djembe part heighten the intensity of the historic text that
questions why people often hide their true emotions behind masks
of our own making. With themes of mental wellness and identity, this
accessible work can help explore what it means to take off one's
mask in this social media age.
11538006 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
Yonder Come Day
arr. Adam Podd & Matt Podd.
With options for bass, percussion, body percussion, and a cappella
singing, this arrangement of the traditional spiritual from the Georgia
Sea Islands is easy to learn and an absolute joy to sing. This rootsy
rendition brings a captivating, rhythmic essence that intertwines rich
vocal harmonies, layered counterpoint, and an exciting call-and-
response texture. Additional ePrint instrumental parts are available.
11545132 SATB opt. A Cappella . . . . . . . . . . . . . . . . . . . . . ME 2.50
11545143 SAB opt. A Cappella . . . . . . . . . . . . . . . . . . . . . . ME 2.50
11545133 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
11545134 Unison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
11545135 TTB opt. A Cappella . . . . . . . . . . . . . . . . . . . . . . ME 2.50
11539418 TTBB opt. A Cappella . . . . . . . . . . . . . . . . . . . . . ME 2.50
You Are Light
Mark Burrows.
With a lightly syncopated contemporary sound, this uplifting original
expresses the need for a warm and welcoming community for all.
Perform with piano alone or with the addition of an optional djembe.
Rich with opportunities for social-emotional learning.
11539410 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.40
11539411 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.40
11539412 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.40
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