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CONCERT & FESTIVAL
Over My Head—arr. Emily Crocker. This gospel
arrangement of the traditional spiritual is not only
restylized, it's given new text as well: "Over my
head, I hear music in the air. There must be joy
somewhere." Celebrate singing, music, and dance
with this fresh new take on a classic!
11530984 Three-Part Mixed . . . . . . . . . ME 2.35
11530982 Two-Part . . . . . . . . . . . . . . . . ME 2.35
Overflow—Diane Beckstead. Ideal for graduation
or any event that anticipates the future, this piece
uses analogies of water to convey gratitude,
purpose, and expectation. Flowing vocal
lines, light syncopations, and fun harmonies
characterize this song of hope.
11540665 SAB . . . . . . . . . . . . . . . . . . . . ME 2.40
Oy Khodyt Son—arr. Sarah Martinez. A beautiful
lyrical selection, this arrangement of a traditional
Ukrainian lullaby offers both flexibility and the
opportunity to study the language, culture, and
style. With options to perform a cappella or
accompanied, with or without soloists, and with
an optional narration that expresses the text
in English, it is easily learned and accessible
to choirs of all ages. Both phonetic and IPA
pronunciation guides appear in the octavo, and
there is also a free pronunciation video available.
11415525 SATB opt. Piano Accomp. . . ME 2.05
11415526 SAB opt. Piano Accomp. . . . ME 2.05
11415527 SSA opt. Piano Accomp. . . . ME 2.05
11503274 P/A CD . . . . . . . . . . . . . . . . . . . 44.99
Prologue (from "Snow Angel")—Sarah Quartel.
Extracted from Quartel's Snow Angel, an
evocative five-movement choral work, this
opening movement functions well as a stand-
alone concert piece for treble choirs. Ethereal and
angelic, the musical language is emotive with a
haunting cello line woven throughout.
11527377 SSAA. . . . . . . . . . . . . . . . . . . . M 3.25
Reconcile—Kyle Pederson. Hoping to inspire
reconciliation on a community and individual level,
the composer seeks to build a caring community
and find unity through this melodic piece. Blending
elements of pop and gospel, and providing an
optional descant layer in Swahili, this musical
offering reinforces the universality of its themes.
Separate voicings can be sung simultaneously
for combined choirs, and space is provided for
optional narration to further explore the concept
of reconciliation. A flexible, timely, and accessible
piece for all ensembles.
11373321 SATB . . . . . . . . . . . . . . . . . . . ME 3.15
11373323 Two-Part Mixed. . . . . . . . . . . ME 3.15
11373324 Unison/Two-Part . . . . . . . . . . ME 3.40
11373322 SSA . . . . . . . . . . . . . . . . . . . . ME 3.15
11538076 TBB . . . . . . . . . . . . . . . . . . . . ME 3.15
Regina Coeli—Dan Davison. There are many
great teaching moments in this excellent original
setting of the traditional Latin text. Using the style
of the late Baroque period, with limited ranges in
each part, the work has lots of pep, drive, and
lyrical singing too. Ideal for developing choirs, it is
a great opening selection for concerts or festivals.
10357000 SATB or SAB . . . . . . . . . . . . ME 2.90
11537022 SAB or SA(T)B or Two-Part Mixed
(opt. Tenor) . . . . . . . . . . . . . . ME 2.90
10304841 TB . . . . . . . . . . . . . . . . . . . . . ME 2.25
Rise Up, My Love—Eleanor Daley. Beautiful
a cappella harmonies paint the picture of the
scenic, familiar text from Song of Solomon: "Rise
up, my love, my fair one, and come away, for lo,
the winter is past, the rain is over and gone."
11510136 SATB . . . . . . . . . . . . . . . . . . . . M 2.30
1941624 SSAA. . . . . . . . . . . . . . . . . . . . M 2.10
The Runner—Joshua Rist. A beautiful, driving,
repetitive piano accompaniment sets the stage for
the journey of a runner - the air filling his lungs
and the ground "pushing back with its slow spin."
The ethereal voices paint a wondrous picture, and
the mournful cello line brings a somber, dreamy
quality. A modern and engaging concert work for
more advanced choirs!
10756858 SATB divisi . . . . . . . . . . . . . . . M 3.10
11165727 SSAA divisi . . . . . . . . . . . . . . . M 3.10
11537024 TTBB divisi . . . . . . . . . . . . . . . M 3.10
Sanctus—Greg Gilpin. This flowing setting of the
traditional Latin text includes a creative piano
motive that really keeps the piece moving.
Nicely written with simple harmonies, this piece
is rewarding to learn and craft into a memorable
choral experience.
11393898 Three-Part Mixed . . . . . . . . . . E 2.75
11510583 Unison/Two-Part . . . . . . . . . . . E 2.75
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