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3
Light Transforms the Darkness
(from "A Vision Unfolding")
Kyle Pederson.
A mix of spoken word and choral singing, the fourth movement of
"A Vision Unfolding" is a call to act justly and live in unity. Optional
snare drum and trumpet further heighten the plea in Shanelle
Gabriel's text to "let your light out" and "live your love out."
11537976 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.15
11537977 Instrumental Parts Trumpet, Snare Drum . . . . . . . 10.00
Measure Me, Sky!
Jonathan Reid.
Floating melodic lines and resonant harmonies combine, lending
an ethereal quality to this artistic piece that allows the imagination
to soar. Leonora Speyer's evocative text explores our relationship
to the universe, and the musical setting provides delicious
cluster harmonies supported by undulating triplets in the piano
accompaniment to create a sense of motion and mystique.
11314185 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.30
11539967 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.75
My Good Lord's a-Done-a Been
Here
arr. Stacey V. Gibbs.
t
This joyful spiritual, arranged by one of the top names in the genre,
will work with any size choir for concerts, festivals, and services.
With very little divisi and plenty of repetition, this is not only a lot of
fun to sing but an ideal arrangement for building your choir's sound.
11516283 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.35
10513659 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
My heart be brave
Marques L. A. Garrett.
t
Setting inspiring words by James Weldon Johnson, this work is
poignant and stirring, encouraging singers and listeners to reflect on
the challenges of present times and to move forward with courage
and strength towards a brighter future. The choral writing beautifully
reflects the powerful text, leading us towards a climactic reminder
that "Tho' thick the battle and tho' fierce the fight, there is power in
making for the right." An ideal choice for choirs looking to address
issues of social justice in their programming.
11384396 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.25
11536296 SSAA divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.25
11384397 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.65
Oh, What a Beautiful City
arr. Eurydice V. Osterman.
t
Set for soloist and a cappella mixed choir, this sparkling arrangement
of the traditional spiritual stays in only four parts throughout, making
it accessible to school, church, and university choirs.
11523214 SATB & Solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.40
Prayer for Shalom
Kyle Pederson.
In this heartfelt prayer for peace, contemporary and traditional styles
blend seamlessly as the choir asks first to receive shalom, then
offers shalom to the listener, to friends and family, to those we don't
know, and even to our enemies. "...heal us all that we may know the
wholeness of your great shalom."
11539981 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.75
I Will Sing
Michael Engelhardt.
"What will I do with the portion given to me? I will sing." This
fantastic work, written in a gospel style with an ecumenical text that
challenges each of us to make the most of the lives we've been
given, is a perfect piece for any setting, and makes a great closer!
11195665 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.00
11537023 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.00
11316566 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.90
Intro
Krishan Oberoi.
t
With beautiful intuitive writing and modern harmonies that are
innovative without being overly challenging, this a cappella work
brings a fresh, empowering perspective to each day. Uplifting in its
simplicity and with an inspirational text, audiences and singers alike
will have no difficulty engaging with this piece.
11540616 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
John the Slacker
arr. Blake Richter.
A 19th-century halyard sea shanty, this piece is a great example
of a song sailors would sing, adopting words and phrases heard
from various lands they visited. Tastefully arranged for a soloist or a
series of soloists in a call-and-response texture, it features repetitive
phrases with simple three-part harmonies and small ranges that will
make even less experienced singers feel successful!
11537026 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.80
Khutso
Mokale Koapeng & Roderick Williams.
This collaborative work expresses ideas of peace and grief. It
is characterized by a simple harmonic structure and text, with
opportunities for improvisation within the structure of the piece, the
accompaniment, and individual voices.
11536905 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 3.10
Legatum
Ryan Main.
Meaning "legacy," this uniquely driving work with a modern Latin text
features a bold piano and percussion accompaniment. Syncopated
rhythms and intriguing harmonies will make this fast-paced work
an instant hit with your singers and a challenge they can't wait to
overcome.
11515441 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
11515442 SSA divisi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
11539423 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 2.95
Lemoga Aming'a
arr. David Akombo.
t
A spiritual song from the Luo people of Kenya, this arrangement
for mixed choirs is highly accessible and authentic. With or
without percussion, it has simple harmonies, plenty of repetition,
conservative vocal ranges, and many teaching moments that make it
great for choirs of all ages. A phonetic pronunciation guide and word-
for-word translation of the Luo language is provided in the octavo.
11535660 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.60
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