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CONCERT MARCHES
Luz y Sombra—Jorge Vargas. This original
concert march is sure to be a favorite at your next
concert! Delightful melodies and harmonies are
utilized within the traditional march form to create
a piece that sounds both new and familiar. A great
addition to the march repertoire.
11400083 Band Set & Score . . . . . . . . . . . 60.00
March Phantasma—Randall Standridge. Looking
for a fresh and nontraditional march? Look no
further! This march creates a decidedly creepy
vibe while staying true to the traditional march
form. Minor modes, catchy melodies, and plentiful
percussion help make this an excellent and
unique selection for your next concert or festival
performance.
11400071 Band Set & Score . . . . . . . . . . . 65.00
Slava March—Randall Standridge. "Slava,"
Ukrainian for "glory," serves as the inspiration
for this stirring Grade 2 concert march in minor
mode. Bold rhythms, active percussion, and
soaring countermelodies combine to create a
worthy vehicle for teaching march style to your
young musicians. Vocal effects add the final
heroic touch. An excellent selection for your next
concert, festival, or honor band.
11515771 Band Set & Score . . . . . . . . . . . 65.00
M E D I U M - E ASY
Blue Whale March—Kelly Bennette. Named for
the endangered blue whale, the largest animal
species ever to have lived, and composed to
bring awareness of its plight, this fun march is an
excellent and accessible tool for teaching cut time.
It will uplift your ensemble to new musical heights
and resound with audiences everywhere.
11520324 Band Set & Score . . . . . . . . . . . 70.00
Camelia City March—R. Alan Carter. Written
to celebrate Quitman, Georgia, nicknamed
"the Camellia City," this march is written in the
traditional style of Henry Fillmore. Starting with
a light, happy woodwind melody with simple
flourishes from the low brass, it then moves
through dynamic changes before a trio that
features low clarinets and euphonium with a
unique woodblock percussion accompaniment.
The march ends with a return to brass flourishes.
With minimal technical and range demands, this
work is accessible to a wide range of ensembles.
Use this work to teach the classic march style.
11516617 Band Set & Score . . . . . . . . . . . 65.00
Excelsior (Galop)—Karl L. King/arr. James
Swearingen. A wonderful edition of this classic
march by the legendary composer, complete
with a full score. Perfect for spring and summer
programs.
11517840 Band Set & Score . . . . . . . . . . . 75.00
Marche Diabolique—Brian Balmages. This
sinister-sounding march is perfect for directors
looking for something completely different.
Using elements from a traditional march set in a
contemporary framework, the music is based on
tritone intervals surrounded by expansive, dark
harmonic language. A wealth of percussion adds
great color to the unsettling character of the music.
Quite effective and intriguing!
10459831 Band Set & Score . . . . . . . . . . . 60.00
National Spirit—S. E. Hummel/arr. Harry Harris
& Van B. Ragsdale. An excellent original concert
march in 6/8 with an effectively unique second
strain that makes it stand out. Great choice for
concert or contest.
11501996 Band Set & Score . . . . . . . . . . . 80.00
Rank and File (Fanfare)—Matthew R. Putnam.
Cleverly introducing new material with each
repeat, this great original concert march has all
the flair of a classic Fillmore or Sousa march yet
it's accessible to young players. A must-have in
your library!
11501863 Band Set & Score . . . . . . . . . . . 80.00
Royal Air Force March Past—H. Walford
Davies. The official march of the Royal Air Force
written by Walford Davies is available here in an
accessible arrangement playable by a wide range
of ensembles.
11501994 Band Set & Score . . . . . . . . . . . 80.00
Sortofa March—Gary Garner. This unique-
sounding work began as an exercise intended to
acquaint woodwind players with essential alternate
fingerings on their respective instruments, but
it quickly and unexpectedly began to take on a
march-like character. Not exactly a march, but
"sort of a march." All sections enjoy exciting
and engaging parts. All woodwind parts have
suggested alternate fingerings.
11518695 Band Set & Score . . . . . . . . . . . 55.00
M E D I U M
Amparito Roca—Jamie Texidor/arr. Winter.
The "Grand-daddy" of all Spanish marches! This
excellent work is unquestionably the epitome
of Spanish marches, and as such deserves an
active place in every good band library. Highly
recommended!
147512 Band Set & Score . . . . . . . . . . . 85.00
Brighton Beach—William P. Latham. This
standard of the repertoire is indeed a fine example
of the great tradition of concert marches. If you
have not yet performed it with your band, you
should definitely consider doing so. It's easy to
understand why it's been around for years, and is
still going strong!
4014841 Band Set & Score . . . . . . . . . . . 77.00
Circus Days—Karl L. King/arr. Loras Schissel.
Go ahead and sink your teeth into this rip-
snortin' circus galop! Loras Schissel's new edition
includes clear articulations for an accurate "circus"
style performance that will thrill your audiences.
And, if you prefer, Circus Days can be performed
at a regular march tempo and still sounds great!
2378818 Band Set & Score . . . . . . . . . . . 65.00
El Relicario—Jose Padilla/arr. Longfield. One
of the most famous and best loved paso dobles
ever written, this classic band work from the rich
heritage of band literature is here presented in a
setting by Robert Longfield that reveals all of its
fiery rhythms and sweeping Spanish melodies, yet
keeps it in a quite playable framework. This is a
real winner!
2210813 Band Set & Score . . . . . . . . . . . 68.00
Espana Cani—P. Marquina/arr. Longfield. Fiery
rhythms and flowing Spanish melodies make
this one of the most famous of all the great "paso
dobles" and Robert Longfield's exceptional new
arrangement makes it real a showstopper for
band! From the opening trumpet fanfare to the
whirlwind finish, this is perfect programming for
high school groups, as well as community and
college bands. A real winner for both performers
and audiences!
2396307 Band Set & Score . . . . . . . . . . . 72.00
Fair Winds and Followig Seas—Steven
Rosenhaus. The saying "Fair winds and following
seas" is offered to sailors as a gesture of goodwill
and good luck to those who have served with
courage and integrity and will be missed. With
unexpected dissonances and jazzy harmonies,
this is a fresh take on the stylistic and harmonic
approach to the concert march while maintaining
the traditional form. A great change of pace.
11522168 Band Set & Score . . . . . . . . . . . 75.00
Inglesina (The Little English Girl)—Davide Delle
Cese/ed. John R. Bourgeois. Best known for his
marches, Davide delle Cese was an Italian band
leader, composer and teacher who enjoyed a long
and rich musical career. His march, Inglesina,
is one of his most popular marches and is an
international favorite. This accomplished edition
is based on the original 1871 Italian edition
and brings new excitement and freshness to a
European classic.
2446110 Band Set & Score . . . . . . . . . . . 65.00
The Stars and Stripes Forever—John Philip
Sousa/adapt. Brion & Schissel. Stars And Stripes
is the most popular march ever written, and this
is the edition to use! This authentic edition was
created from the actual parts used by Sousa
himself with his traveling band, and is an official,
authorized publication of "John Philip Sousa,
Inc.," the family corporation. Including, among
other things, the optional vocal and harp parts
that Sousa sometimes used, and important notes
about performance practices as done by Sousa
with his band, this edition is the definitive Stars
And Stripes and should be in every band's library!
Sensational!
2347110 Band Set & Score . . . . . . . . . . . 68.00
Trombone King—Karl L. King/arr. Paynter. The
word is out! Audiences love marches and bands
are playing them again! This is one of King's
favorites, made even better with John Paynter's
revised edition.
2125714 Band Set & Score . . . . . . . . . . . 65.00
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Andrea
