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Hay Burner—Sammy Nestico. From the Basie-
Straight Ahead album of 1968 featuring the
legendary Count Basie, Harold Jones, Grover
Mitchell, Marshall Royal, and Freddie Green.
Highlights here include a recurring alto sax/
trumpet duet, a sax section soli, trumpet plungers,
piano solos, and an ensemble shout to take it
all home. The rhythm section parts are partially
notated with chords cued. The genius of Count
Basie and Sammy Nestico!
544684 Jazz Ensemble . . . . . . . . . . . . . 55.00
Jazzville—Peter Blair. A nice throwback, this
swing chart highlights all the great aspects of the
bands from the 40s and 50s while still sounding
fresh. The wailing sax lines and punchy brass
along with a solid swing groove are sure to make
this a crowd pleaser. The Salt Peanuts nod makes
for an effective ending!
11501845 Jazz Ensemble . . . . . . . . . . . . . 55.00
Jumpin' at the Woodside—Count Basie/arr. Rich
DeRosa. This one just builds and builds! Rich
DeRosa keeps this Count Basie signature tune
swinging all the way and includes two optional tag
endings to keep the Basie style intact. The solos
are written out for piano, tenor sax, trumpet and
trombone and the lead trumpet range is to written
G on top of the staff with an A on the optional tag
ending. Optional parts are included for expanded
instrumentation. One of the Count's finest!
10028198 Jazz Ensemble . . . . . . . . . . . . . 62.00
Mister T—George Shutack. Not the Mr. T you
were envisioning! This time the "T" stands for
tenor sax and trumpet. This swinging chart is
an excellent showcase for your stand-out tenor
and trumpet players with a swinging duet section
and open solos. The rest of the ensemble enjoys
hip figures and rich harmonies. A great and very
accessible chart for your developing ensemble.
11503718 Jazz Ensemble . . . . . . . . . . . . . 48.00
Moanin'—Bobby Timmons/arr. Mark Taylor. Your
piano player will get some well-deserved attention
in this familiar Bobby Timmons' chart. The saxes
grab the melody from the piano, and everyone
gets in on the action for some real nice moments
in the chorus. Written solos are included for
piano, tenor and/or trumpet. The quality of Mark's
arranging on this really lets you sell it!
2445690 Jazz Ensemble . . . . . . . . . . . . . 50.00
Orange Sherbert—Sammy Nestico. Originally
recorded in 1975 by Count Basie and titled
because Basie loved orange sherbert, this fresh
setting features easy registers, strong jazz figures,
and a bright, free swinging style. A written or ad lib
trumpet solo in the midsection and an ensemble
shout before the final chord are highlights. The
rhythm section parts are notated with chords
cued, and a guitar chord chart is included.
2341741 Jazz Ensemble . . . . . . . . . . . . . 48.00
Rollin' in Rhythm—Paul Baker. A straight-
ahead swinger in the style and vocabulary of the
late, great Sammy Nestico, this chart features
numerous opportunities to feature soloists (written
solos provided for alto sax, trumpet, trombone,
and piano) as well as each section of the band.
A 16-bar unison sax soli leads into a driving shout
section dominated by the brass section. Trumpet
range to written G, trombone to F.
11515355 Jazz Ensemble . . . . . . . . . . . . . 45.00
Sing, Sing, Sing—Louie Prima/arr. Victor Lopez.
Yep, this is the Sing, Sing, Sing you know and
love, made famous by Gene Krupa and the Benny
Goodman Orchestra, only arranged for young
players by Victor Lopez. The classic drum solo
that can be opened up for as much excitement
as the crowd can stand, along with a written-out
tenor solo, reasonable brass ranges and lots of
meaty ensembles keep this great chart exciting.
It will also sound full with reduced instrumentation
or with the optional, non-jazz band parts. It's still a
showstopper! Highly recommended!
2702806 Jazz Ensemble . . . . . . . . . . . . . 50.00
Stolen Moments—Oliver Nelson/arr. Mike Kamuf.
Every developing jazz ensemble should play this
chart! Mike Kamuf's arrangement on this Oliver
Nelson classic falls right in the pocket at about
110 bpm. The iconic melody is unforgettable and
there are written or improvised solos for alto sax
and trumpet. The lead trumpet range goes to G
above the staff and there are options for reduced
instrumentation. This is a fine chart for almost any
band at any ability level.
11199002 Jazz Ensemble . . . . . . . . . . . . . 50.00
Stompin' at the Savoy—Benny Goodman, Chick
Webb & Edgar Sampson/arr. Mike Kamuf. This
half-time shuffle is a unique treatment of this classic
standard. It is superbly arranged to feature five
soloists: trombone, trumpet, tenor, alto, and drum
set. Lead trumpet range is to written G on top of
the staff. Features include section solis, interludes,
a kickin' shout chorus - it's all here, enjoy!
11355030 Jazz Ensemble . . . . . . . . . . . . . 48.00
Ulterior Motive—Doug Beach. This swinging
original is everything you're looking for in a hip
and accessible chart to teach young players the
foundations of big band playing from form to style.
A must-have!
11503719 Jazz Ensemble . . . . . . . . . . . . . 48.00
25
BLUES & SWING
LOOKING FOR
PROGRAMMING
VARIETY?
Place your vocalist or a guest artist in the spotlight with these
outstanding new vocal solo features!
Cheek to Cheek—Irving Berlin/arr. Mark Taylor. Originally composed for the 1935 film
Top Hat starring Fred Astaire and Ginger Rogers, this classic has remained a jazz favorite
ever since. Arranged in a very comfortable key for a female vocalist, this swinging chart also
has a marvelous feature section for the full ensemble. One of the greatest of the Golden Age!
11518958 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Rio de Janeiro Blue—Richard Torrance & John Haeny/arr. Rick Stitzel.
Inspired by the recording by jazz singer Randy Crawford, this version of the marvelous tune
features a smooth rock style and a sultry, singable melody. Scored for vocal soloist, this
classy chart also features a brief solo for alto sax.
11518971 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Some Day My Prince Will Come—Frank Churchill/arr. Chuck Israels.
Best known for his work with the Bill Evans Trio, Chuck Israels is also a masterful composer
and arranger. Here is his vocal solo arrangement of this timeless standard, beautifully scored
as a jazz waltz with tasteful background figures and short solos for trumpet and piano.
11518977 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
This Christmas—Donny Hathaway & Nadine McKinnor/arr. Mark Taylor.
Recorded by Donny Hathaway in 1970 and covered countless times since then, this familiar
tune features a funky, upbeat pop style and memorable horn riffs. Scored for vocal soloist
with jazz band, this is the perfect change of pace for the holidays.
11518981 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
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