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15
WORKS WITH FLEXIBLE INSTRUMENTATION
Mjolnir (Thor's Hammer) (Flexible Instrument-
ation)—Patrick Roszell. Now available in a
flexible format, this dramatic piece for beginning
band portrays the Norse god Thor and his mighty
hammer. This piece is accessible to students in
the second half of their first year of instruction. The
stable, reinforced pulse allows for the introduction
of neighboring eighth notes in the upper woodwind
parts, and the percussion brings this delightful
piece to life. (1:30)
11535678 Band Set & Score . . . . . . . . . . . 55.00
E ASY
Byzantine Dances (Flexcel Concert Works)—
Carol Brittin Chambers. This is a thrilling work
that will engage both students and audiences
from the start! The use of the harmonic major
scale gives this work its Byzantine flavor while a
full percussion section provides plenty of color.
A slower and mysterious B section introduces
snapping, and the recap of the initial theme utilizes
clapping effects. An exciting ending rounds out this
adventure! The adaptability of this piece allows for
it to be played with as few as five players, which
makes it highly flexible for many performance or
rehearsal situations. Includes a letter for proof of
copyright permission as well as a digital download
coupon so you can get the music to your students.
11212512 Band Set & Score . . . . . . . . . . . 60.00
Canon in Boombucket Major (Flexible
Instrumentation)—Johann Pachelbel/arr.
Joseph Benjamin Earp. A fun and out-of-the-box
piece inspired by Pachelbel's Canon. Utilizing
Boomwhackers and five-gallon buckets, the
percussion section is the feature in this inspired
take on a timeless classic scored for flexible
instrumentation. Featuring elementary students
on their Boomwhackers, this is a great finale and
recruitment piece for any program!
11518435 Band Set & Score . . . . . . . . . . . 60.00
Crusade (Flexible Instrumentation)—Vince
Gassi. Set in the dorian mode, this ominous work
opens with a foreboding theme and develops with
vibrant and dramatic energy. It conjures images
of strength, majesty, and passion. It continues
to build throughout, culminating in a powerful,
climactic ending. This flex title will add just the
right amount of intrigue to your next concert!
11535687 Band Set & Score . . . . . . . . . . . 65.00
Dr. ROCKenstein (Flexible Instrumentation)—
arr. Steve Hodges. Take some of the scariest
and memorable musical motives, set them to an
exciting rock beat, and you have the perfect end-
of-rehearsal piece! Challenging and engaging,
this clever flex arrangement provides plenty of
opportunities for each section of the band to shine.
With active percussion and solid scoring, this piece
will be a real hit with the band and audience alike!
11535674 Band Set & Score . . . . . . . . . . . 65.00
Forward March! (Flex Band)—Paul Murtha. A
carefully adapted flex arrangement of the original
popular march for young players!
11517345 Band Set & Score . . . . . . . . . . . 50.00
I Vow To Thee, My Country (Flex Band - with
optional vocal)—Sir Cecil Spring Rice & Gustav
Holst/arr. Paul Murtha. Using the familiar chorale
melody from Jupiter by Gustov Holst, this stately
hymn is particularly popular throughout the United
Kingdom and a favorite of the royal family. Here's
a setting for flexible instrumentation which also
includes an optional part for unison voices.
11517361 Band Set & Score . . . . . . . . . . . 60.00
Inspiration Fanfare (Flexible Instrument-
ation)—Adrian B. Sims. Fueled by the inspiration
of morning sunlight, this colorful fanfare depicts
joy and opportunity. The opening statement
transforms throughout the piece, providing
musically engaging parts for all. Extremely
playable yet sophisticated in sound, Inspiration
Fanfare creates a sense of anticipation and
excitement. A joyful celebration of music! With
this flexible arrangement, conductors no longer
need to choose between function and texture.
Ensembles with instrumentation challenges still
have numerous options to cover all parts, yet
orchestration is elevated significantly to be faithful
to the composer's original intent. Musicians have
more opportunities to rest, and timbre once again
becomes a central element of the work. It's the
best of both worlds: flexible and colorful! (2:15)
11535684 Band Set & Score . . . . . . . . . . . 70.00
Kyiv, 2022 (A Sequel to Moscow, 1941 -
Flexible Instrumentation)—Brian Balmages.
The immensely popular concert band work is
presented here in a flexible format that departs
from the normal flex setting to preserve the
musicality of the original.
11536311 Band Set & Score . . . . . . . . . . . 75.00
Obi-Wan (from "Obi-Wan Kenobi" - Flex
Band)—John Williams/arr. Johnnie Vinson.
From the Disney+ series Obi-Wan Kenobi, the
renowned Star Wars character finally gets his
own theme! John Williams masterfully captures
the emotional depth of the character along with
a spirit of adventure. Scored here for flexible
instrumentation.
11409950 Band Set & Score . . . . . . . . . . . 60.00
Paint It Black (Flex Band)—Mick Jagger & Keith
Richards/arr. Johnnie Vinson. Taking inspiration
from the cello version made popular in the
television series Wednesday, here is a clever
arrangement of the Rolling Stones hit for flexible
instrumentation.
11517383 Band Set & Score . . . . . . . . . . . 60.00
The Planets (Flexible Instrumentation)—
Gustav Holst/arr. Douglas E. Wagner. Long
revered as a master composer, the works of
Gustav Holst transcribe wonderfully for the
concert band. This flex arrangement contains the
themes from Venus, the Bringer of Peace; Mars,
the Bringer of War and Jupiter, the Bringer of
Jollity. The best of Holst arranged especially for
your young band. (4:00)
11535675 Band Set & Score . . . . . . . . . . . 75.00
Resilience (Flexible/Adaptable Instrument-
ation)—Pinkzebra. This beautiful and haunting
piece, with lyrical melodies projecting strength
and determination, is like a modern chorale with
film score undertones, providing an opportunity
for band members to focus on tone and shape
emotionally dramatic phrases. Great for a concert
program needing a short piece to provide a
contrast in mood and energy. Available here as a
flexible arrangement.
11510298 Band Set & Score . . . . . . . . . . . 65.00
Rippling Watercolors (Flexible Instrument-
ation)—Brian Balmages. While many often
underestimate the extensive colors, harmonies,
and emotional ranges available to younger
ensembles, this stunning lyrical work sets
out to explore these very qualities and more.
While playable by middle school bands, this is
a fully expressive work that is equally at home
with mature ensembles. Gorgeous! With this
flexible arrangement, conductors no longer
need to choose between function and texture.
Ensembles with instrumentation challenges
still have numerous options to cover all parts,
yet orchestration is elevated significantly to
be faithful to the composer's original intent.
Musicians have more opportunities to rest, and
timbre once again becomes a central element of
the work. It's the best of both worlds: flexible and
colorful! (4:00)
11535685 Band Set & Score . . . . . . . . . . . 70.00
Shakespeare Meets Godzilla (The Good Bard
and the Ugly - Flex Band)—Robert Buckley.
Here is a flex version of the popular work for full
band that colorfully depicts the madness and
mayhem as musical worlds collide.
11517393 Band Set & Score . . . . . . . . . . . 60.00
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