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JAZZ-ROCK & FUNK
A L L L E V E LS
13 O'Clock Jump—Zachary Smith. A swingin'
blues but with a fun twist: 13-bar blues! Suggested
solos are written for tenor sax, trumpet, trombone,
and some brief drum set fills. The trumpet range
is up to a written E top space. Your players will dig
the cool brass plunger mute sections!
11511946 Jazz Ensemble . . . . . . . . . . . E 47.00
Agave—Larry Clark. A high-energy Latin rock tune
is always fun, and this one fills that slot perfectly.
Students will get the opportunity to practice blues
form, and solid ensemble writing will help this
chart come together with a minimum amount of
rehearsal time. Playable with two trumpets and
two trombones, your band and audience won't
get enough of the infectious groove! The optional
fourth trombone part requires an F attachment.
11501759 Jazz Ensemble . . . . . . . . . . VE 45.00
Anthem—Cam McAllister. Your band (and
audience) will love this intriguing chart. Beautiful
and evocative, this flowing piece moves through
several extended passages that weave engaging
melodic ideas and captivating harmony over
a floating rhythm section feel. Scored for
flugelhorns, solo changes for alto sax.
11503713 Jazz Ensemble . . . . . . . . . . . M 60.00
Ardiente—Michele Fernández. All the fire and
spice you need to get the party going - this solid
Latin chart for developed high school ensembles
begins with an emotional rubato piano introduction,
then the salsa groove kicks in and the chart takes
off from there. There are lots of interesting lines in
all the wind parts, and the rhythm section parts are
very detailed. With open solos for all instruments
and some over-the-top hip guitar licks, this is the
real deal!
11501767 Jazz Ensemble . . . . . . . . . . MA 60.00
Ariana—Peter Blair. This exquisite ballad features
the whole ensemble. Beautiful harmony and
flowing unison melodic lines make this a perfect
down tune for a concert or festival. There is a short
written solo for alto sax accompanied by bell-tone
cascades in the brass.
11501769 Jazz Ensemble . . . . . . . . . . . E 50.00
Attack of the Killer Trombones—Chris Sharp.
Here is the trombone section feature you've
been looking for! The Sing, Sing, Sing style and
ensemble writing will give your trombones plenty
to sink their teeth into. The lead trumpet range
extends to high C.
11515273 Jazz Ensemble . . . . . . . . . . . M 75.00
Austin's Power—David Bandman. Bandman's
unique take on Quincy Jones' "Soul Bossa Nova"
will have you nostalgic for the '60s. Oh, behave!
11515275 Jazz Ensemble . . . . . . . . . . . E 70.00
Bons Sohnos, Maestro (Sweet Dreams,
Maestro)—Michele Fernandez. Evocative and
heartfelt, this composition is filled with beautiful
dynamic contrasts, tight voicings, hip figures, and
multiple layers of orchestration. The chart starts
warmly with a written solo for trombone that leads
to a melodic passage for flugelhorn. The rhythm
section parts are especially well written and
include all the details your players will need for a
successful performance.
11501777 Jazz Ensemble . . . . . . . . . . MA 60.00
Chameleon—Herbie Hancock/arr. Victor Lopez.
Herbie Hancock for the developing band? Yes!
From Hancock's famous Headhunter recording,
here is a great opportunity to play the biggest
jazz-rock hit of all time. The melody is first played
by alto, tenor, trumpet and trombone, then the
trumpet section. Next up is a flexible, open solo
section with a solo line written for all the winds so
anybody or everyone can solo! The top note for
lead trumpet is written G on top of the staff. Super-
cool chart! Optional expanded instrumentation.
10071885 Jazz Ensemble . . . . . . . . . . ME 50.00
The Egg—Dan Kramlich. "Which came first?" is
of little significance so long as the groove keeps
going. Your band and your audience will have fun
with this funky piece!
11522136 Jazz Ensemble . . . . . . . . . . . M 65.00
Fast Track Shuffle—Doug Beach. Here's a laid-
back, fun, and hip shuffle that swings hard. With
an infectious head, great unison writing, and a
swinging sax soli, this chart will be an impressive
and easygoing addition to your concert program.
11503724 Jazz Ensemble . . . . . . . . . . . M 55.00
Filling in for Buddy—Doug Beach. As you can
guess by the title, this chart is a hard-swinging
tune that shows off your drummer - and it's highly
accessible to even developing ensembles. Great
scoring, comfortable ranges, and hard-swinging
figures that lay perfectly on each instrument make
this piece sound full. Additional solo opportunities
for trumpet and piano.
11503715 Jazz Ensemble . . . . . . . . . . . E 45.00
Get Your Groove Back (Flex Instrumentation)—
Dean Sorenson. Good times start here! The chart
opens with just a snare drum playing backbeats,
and the driving rock beat continues throughout.
There are many opportunities for drum breaks.
Some have suggested fills written in while others
do not. Masterfully composed to reinforce rock-
style phrasing and articulation, this chart lets you
create a jazz ensemble using any combination of
instruments that are available. It's scored at the
easiest level, allowing for maximum flexibility of
instrumentation and instrument assignments.
11521134 Jazz Ensemble . . . . . . . . . . VE 55.00
Go Big or Go Home—Anthony Susi. Inspired by
the timeless Motown style of the '60s, this high-
energy original will get your audience grooving
along with its catchy chorus. Optional written solos
or soli for the trumpet, trombone, tenor and alto
sax along with fully notated piano and percussion
parts make it fun for the whole band. The solid
flexible scoring can be performed with optional
expanded or reduced instrumentation, making it
suitable for any jazz ensemble.
11516183 Jazz Ensemble . . . . . . . . . . . E 45.00
Grandview Groove—Doug Beach. This
incredible 1/2 time shuffle funk has it all: a
bassline that doesn't quit, an infectious groove,
hip figures and melodic lines, and an incredibly
funky breakdown with the power of the bassline
doubling the melody. An excellent opportunity for
your guitar player to flex their soloing muscles.
11503721 Jazz Ensemble . . . . . . . . . . . M 55.00
Hip Groovy Baby, Oh Man, Uptight!—Rich
Woolworth. This chart is an unapologetic
throwback to 1960s-style stage band music
performed by school bands of the day. Framed
by an F blues progression, there is ample room
for beginning soloists to stretch out and find their
jazz legs while supported by a rockin' groove from
the band. Written solos are provided for trombone,
tenor sax, and piano. Young bands (and some
older ones!) will really dig this boss chart!
11516014 Jazz Ensemble . . . . . . . . . . ME 50.00
Hip-Hop Jazz Jam, Vol. I—Dallas C. Burke. Lay
down some serious attitude with funky, groovy
goodness at your next concert! This original jam
has a groove that will get heads bobbin' along with
plenty of space for written or ad-lib solos for alto
sax, tenor sax, trumpet, and trombone. Written in
F minor. Your students will love this hip-hop-style
masterpiece!
11516016 Jazz Ensemble . . . . . . . . . . ME 50.00
19
Barbie Music for Jazz Ensemble
DANCE THE NIGHT
from "Barbie"
Dua Lipa, Caroline Ailin, Andrew
Wotman & Mark Ronson/arr. Paul
Murtha.
One of the most popular hits to
come from the blockbuster movie "Barbie" is
this driving dance tune recorded by pop star
Dua Lipa. This hot chart starts with a brief
tenor sax solo before giving way to the entire
ensemble. No other solos required.
11539346 Jazz Ensemble . . . . . . . .ME 50.00
