HANDBELL MUSIC
Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: orders@jwpepper.com
89
Go to cart
Handbell Choir - Sacred
All Hail the Power of Jesus' Name—arr. John
A. Behnke. This flexible arrangement evokes
the power and majesty of the text. It begins
with a straightforward harmonization, then a
contrasting stanza with the melody in the bells
and the accompaniment in the chimes (optional
2-3 octaves). The last stanza is active and
rhythmic with accompanimental mallet work
and solid chords. Enjoy this great arrangement
of a well-known hymn!
11515046 2-3 Octave. . . . . . . . . . . L2 4.25
All Hail the Power of Jesus' Name—arr. Brian
Childers. From the Bells 'n' Boomwhackers
series comes this flexible, reproducible setting
perfect for general worship throughout the
year. Play with handbells, or add an octave of
Boomwhackers (parts for Level 1 and Level 2-
included) and/or optional piano. No bells? No
problem! Pair Boomwhackers and piano for
a thrilling addition to worship. Full score and
separate parts are included.
11521532 3-7 Octave, opt. Boomwhackers
& Piano . . . . . . . . . . . . L2 50.00
All Hail the Power of Jesus' Name—arr. Jason
W. Krug. Showcase your bells in grand fashion
with this energetic setting of the hymntune
CORONATION, suitable for Christ the King
Sunday or any point during Eastertide. Bold
harmonies and rhythms abound, adding to the
sense of excitement. A part for optional trumpet
is included for those groups that want an even
more dramatic and powerful performance!
11542107 3-6 Octave. . . . . . . . . . . . . . . 5.50
Amazing Grace—arr. Lloyd Larson. The classic
and beloved hymn is set here for handbells with
piano. The handbell part is accessible, and the
harmonies are expanded and filled with a rich
and delightful piano accompaniment.
11416836 3-5 Octave w/Piano . . . L2 6.25
11416837 Full Score & Parts. . . . L2 14.95
Are Ye Able?—arr. Matthew Compton.
Combining the traditional tune
BEACON HILL
with a lesser-known tune
EWING (Jerusalem the
Golden), this arrangement will be a meaningful
and rewarding piece to put together. With an
elegant and relaxing accompaniment, this piece
will be perfect for any Sunday throughout the
year but especially for Lent, All Saints Sunday, or
other Sundays of remembrance or commitment
of faith. Optional 3-7 octave handchimes.
11542502 3-6 Octave. . . . . . . . . . .L3- 5.95
The Ash Grove—arr. Michael Mazzatenta.
This cheerful and charming setting of a much-
loved hymn tune packs a lot of variety into a
small range of bells. TDs accompany the
melody at different times in both bass and
treble, echos are used effectively along with
some malleted bass bells. Some harmonic
and rhythmic shifts add color and interest. This
arrangement is appropriate for worship as well
as educational settings.
11393709 2-3 Octave. . . . . . . . . . . L2 6.25
Be Still, My Soul—arr. Matthew Compton.
This lovely handbell arrangement of the
beloved tune
FINLANDIA can be used with
piano and optional handchimes, choir, or
congregation. Multiple verses can be added,
if desired, along with the additional instrument
and voice, or the handbells can stand alone.
11514585 3-6 Octave. . . . . . . . . . . L2 6.50
11514586 Full Score & Parts. . . . L2 14.95
The Bells of St. Andrews—Craig Laumann.
This original work features a happy, lilting
melody that will engage your group from
the very first measure. It features half- and
quarter-note chords which support the melody
shared in both the bass and treble clefs. Rung
throughout, expressive dynamics and a few
shakes add interest. Perfect for worship or
concert, this is a great piece for your Level 1
choir looking to move to the next level.
11520916 3-5 Octave. . . . . . . . . . . L2 3.95
Built on the Rock—arr. Matthew Compton.
Perfect for Reformation Sunday, this accessible
arrangement combines the hymns Built on the
Rock and Praise to the Lord, the Almighty.
Each section of the arrangement features a
repeated pattern reflecting the idea of a sturdy
foundation for ringers to grasp onto for quick
learning. Optional 2-octave handchimes.
11397758 3-6 Octave. . . . . . . . . . L2+ 4.95
Children of the Heavenly Father—arr.
Matthew Compton. This lovely hymn setting
features a gentle, enticing melody, embellished
with broad harmonization. Engrossing
throughout with flourishes of ravishing beauty
and concluding with gentle calmness.
11393707 3-7 Octave. . . . . . . . . . L2+ 6.25
The Church's One Foundation—arr.
Karissa Dennis. This appealing and engaging
arrangement of the
AURELIA tune is introduced
by a cheerful ostinato. Plucks, echoes, tower
swings, shakes, and gyros are tastefully
sprinkled throughout the music. Optional
handchimes (lower 6-7 octaves) and
windchimes add color.
11511065 3-5 Octave. . . . . . . . . . . L2 4.95
Colors of Joy—Brenda E. Austin. As with
joy, handbells can take on many colors.
This arrangement brings out those different
colors through the variety of techniques used
to express all the sounds of the instrument.
Easily learned, ringers and listeners are
sure to enjoy the many "colors of joy" heard
throughout the piece.
11166925 2-3 Octave. . . . . . . . . . L1+ 4.95
11166926 3-6 Octave. . . . . . . . . . L1+ 4.95
Come, Thou Almighty King—arr. Ron
Mallory. Enjoy this energetic arrangement of
the tune
ITALIAN HYMN. Within the 3/4 meter,
the emphasis shifts back and forth between
three quarter notes and two dotted quarter
notes, adding rhythmic interest with the three-
versus-two feel. Multiple stopped techniques
are used throughout, adding yet another level
of interest. A fun romp for your choir!
11542476 2-3 Octave. . . . . . . . . . . L3 5.25
11542477 3-5 Octave. . . . . . . . . . . L3 5.25
Crown Him with Many Crowns—arr. Sondra
Tucker. Featuring mart lifts and malleted
bells on the table, this lively arrangement is
useful for worship during any season, but
it will be especially effective at Easter. With
easy rhythms and few bell changes, it will go
together after just a few rehearsals and sounds
good with either two or three octaves. An easy
but effective piece.
11359404 2-3 Octave. . . . . . . . . . . L2 4.95
A Day for Celebration—Paul A. McKlveen.
Written in celebration of a church's 175th
anniversary, this original piece is lively
and exuberant with a rhythmic drive and a
cheerful melody. Stopped sound techniques
include thumb damps, malleted bells on the
table, and martellatos. Optional handchimes
(three octaves) assume the melody
midway through the music. This piece is an
unbeatable choice for anniversaries, Easter,
or any celebratory occasion.
11397802 3-5 Octave. . . . . . . . . . . L3 5.50
A Day to Rejoice!—Michael Mazzatenta. This
joyous and beautiful original is rhythmic, full of
fun techniques (TD, malleted bells on table,
mart, and echo), and features a very nice
section where the optional handchimes play
the melody.
11375688 2-3 Octave. . . . . . . . . . L2+ 4.95
Fanfare Intrada—John A. Behnke. This
lively and spirited original piece for handbells
is filled with lots of exciting techniques like
thumb damps, plucking, swings, mart lifts,
echoes, and a shake. Besides being a rousing
prelude for worship or concert, it also makes a
wonderful teaching piece. This piece comes in
two compatible versions, one for 2-3 octaves
and another for 4-6 octaves, so it's perfect for
massed ringing.
11334257 2-3 Octave. . . . . . . . . . . L2 3.95
11334258 4-5 Octave
with Opt. G2 . . . . . . . . . L2 3.95
Fantasy on All Creatures of Our God and
King—arr. Sandra Eithun. This impressive
free-form variation of the hallowed German
hymn uses chimes with bells presented in
an engaging musical fantasy. Low chimes
resonate as the melody is displayed in various
forms in the treble. Accessible yet intricate,
both ringers and listeners will be enriched.
11515535 3-5 Octave. . . . . . . . . . L2+ 5.50
For the Bread Which You Have Broken—
arr. Jason W. Krug. This lovely communion
arrangement is masterfully crafted and
includes lush harmonies and creative rhythmic
accompaniment.
11540262 3-6 Octave. . . . . . . . . . . L2 6.25
Forever Rejoice!—Linda Scholes. This
simple yet pretty original will delight ringers and
audiences alike. The engaging melody is first
stated simply, then repeated in a variety of ways.
A steady malleted bass appears at the beginning
and end which adds energy. Youth and adult
choirs will enjoy this very accessible anthem.
11397769 3-5 Octave. . . . . . . . . . . L2 4.95
Give Me Oil in My Lamp—arr. Mark Arnold.
From Sunday school to English soccer, Give
Me Oil in My Lamp has long been a favorite
with singers and audiences around the world.
Now your ringers can join the fun, with shakes,
marts, mallet clicks, and optional chimes (3
octaves) providing variety while the melody
gets passed around the group. "Sing hosanna"
with this exciting and accessible arrangement
of the classic children's song!
11369215 3-5 Octave. . . . . . . . . . L2+ 4.95
Guide Me, O Thou Great Jehovah—arr. Linda
Lamb. This arrangement of the
CWM RHONDDA
hymn tune includes piano accompaniment
which is not optional. The handbell and piano
interplay creates a full-sounding anthem using
smaller resources.
11397775 2-3 Octave & Piano . . .L2- 4.25
11397776 Full Score . . . . . . . . . . . . . . . 5.95
Halle, Halle, Halle—arr. Benjamin A. Tucker.
This traditional Caribbean song has been
arranged with the joyful spirit inherent in
the song. It starts with mallet rolls and soon
moves into the familiar syncopated refrain
where a clean ring touch technique is needed
to clarify the rhythm. The hymn tune
LASST
UNS ERFREUEN appears in chimes (optional
2-3 octaves) against a contrasting rhythmic
malleted bass, then continues with a return of
the original theme.
11417985 3-5 Octave. . . . . . . . . . . L4 5.95
Hallelujah—Leonard Cohen/arr. Joel Raney.
This standard inspirational song is set for 3-5
octave handbells and optional handchimes and
synthesizer. In this wonderfully emotional and
moving rendition, ringers will enjoy the serenity
and beauty of the steady eighth note patterns
that accompany the familiar melody. Its status
as a "secular hymn" makes it a cross-over piece
that is highly recommended for any concert or
worship setting. The optional synthesizer part
enhances the overall haunting atmosphere.
10424209 3-5 Octave. . . . . . . . . . . L3 7.00
10424210 Instrumental Parts
Synthesizer . . . . . . . . . . . . .12.95
Holy, Holy, Holy—arr. Karen Lakey
Buckwalter. An innovative take on the beloved
hymn tune
NICAEA, where unexpected
harmonies in the opening measures give the
tune a meditative feel. The first appearance
of the tune features undulating bass chords
that support a treble melody before growing
in intensity to a more traditional chordal setting
of the tune. This arrangement will be equally
at home in concert settings or church services
throughout the year.
11394251 3-5 Octave. . . . . . . . . . L3+ 4.95
I Want to Walk as a Child of the Light—
Kathleen Tomerson/arr. Mark Hayes & Brenda
E. Austin. This 20th century hymn is useful
for so many occasions during the church
year including Epiphany, Transfiguration,
Discipleship, Advent and the second coming
of Christ. This handbell setting that can stand
alone or serve as the accompaniment to the
related choral anthems.
11393703 3-6 Octave. . . . . . . . . . L2+ 7.00
VISIT JWPEPPER.COM
