HANDBELL MUSIC
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O Sacred Head Now Wounded—arr.
Linda Scholes. Tower swings and the echo
technique provide warmth and tenderness
to this arrangement of the revered
PASSION
CHORALE. The level is attainable by any
ensemble but even groups with more
experience will find a challenge in perfecting
the musicianship of their techniques.
11383567 2-3 Octave. . . . . . . . . . L1+ 4.95
11385611 3-5 Octave. . . . . . . . . . L1+ 4.95
O Sacred Head, Now Wounded—arr. John
A. Behnke. Perfect for the Lenten season, this
beautiful arrangement of
HERZLICH TUT MICH
VERLANGEN uses no bell changes. Because
of this, ringers have the option of using music
stands instead of tables and can be positioned
safely in church or concert hall. A three-note
motive unifies this haunting arrangement and
the use of singing bell in the middle adds to the
overall effect.
11324026 3-5 Octave. . . . . . . . . . . L2 3.95
Passion Chorale Passacaglia—arr. Jantz
A. Black. A beautiful Lenten arrangement of
the
PASSION CHORALE (O Sacred Head, Now
Wounded) that includes optional narration
adapted from Luke 27:27-54 telling the story of
Jesus' final hours.
11540268 3-5 Octave
w/opt. Narration. . . . . . . L2 6.25
The Power of the Cross—Keith Getty &
Stuart Townend/arr. Bettcher. Fitting for both
traditional and contemporary worship, this
effective arrangement combines two hymns,
The Power of the Cross and When I Survey
the Wondrous Cross. This thought-provoking
reflection on Christ's suffering is appropriate
for any Lent, Easter or communion service.
Shakes are utilized in the final section,
bringing the piece to a powerful and
convincing close.
10341882 2-3 Octave. . . . . . . . . . L2+ 7.00
10082004 3-5 Octave. . . . . . . . . . . L3 7.00
Psalm 139—Fred Gramann. The language of
Psalm 139 assures us that God knows us and
is with us everywhere: "If I ascend to heaven
or make my bed in the depths, thou art there!"
This musical interpretation strives to be joyful
and confident, with melodic lines that rise,
then fall, only to rise again even higher. The
central section explores the relative minor key,
reflecting on the final two verses of the psalm
which invite God to search us, know us, and
lead us to higher ground.
11539960 3-5 Octave. . . . . . . . . . .L3- 4.95
Remembering—John A. Behnke. An original
piece to remember those who have passed
away due to the COVID-19 pandemic, this
reflective piece has minimal bell changes and
no sharing of bells. The music begins with a
tolling bell, then a melody emerges which
seeks to express the significance of each life
lived, including their struggle with this virus.
Use for All Saints or for a memorial Sunday.
11332835 2 Octave . . . . . . . . . . . . L2 3.95
11332834 3-5 Octave. . . . . . . . . . . L2 3.95
Resurrection Day (Jesus Christ Is Risen
Today | The Day of Resurrection)—arr. Lloyd
Larson. This arrangement of the hymntunes
LLANFAIR and LANCASHIRE creates the perfect
atmosphere for your Eastertide service. While
accessible as a Level 2+, the setting is sure to
be engaging for both performers and audience
members alike.
11416660 3-5 Octave. . . . . . . . . . L2+ 5.95
Rhosymedre—Ralph Vaughan Williams/arr.
Carol Lynn Mizell. Rhosymedre (meaning
"lovely" in Welsh) is the name of a hymn tune
written in the 19th century, named after the
village of Rhosymedre in Wrexham, Wales.
The tune was used by Ralph Vaughan Williams
as the basis of the second movement of his
organ composition Three Preludes on Welsh
Hymn Tunes. A faithful transcription of that
organ piece, this arrangement may be played
by handbells and handchimes alone, but
optional flute and cello parts enhance Vaughan
Williams' beautiful setting.
11539961 4-5 Octave w/
3-6 oct. Handchimes. . . L3 4.95
11539962 Full Score & Parts
Flute & Cello . . . . . . . . . . . .11.95
That Easter Day with Joy Was Bright—arr.
Anna Laura Page. This Easter arrangement
features the hymn tunes
PUER NOBIS and
PUER NOBIS NASCITUR. Well crafted, this very
accessible setting will let the joy of the risen
Lord shine through!
11416665 3-5 Octave. . . . . . . . L2--L2 4.95
The Final Victory—arr. Jason W. Krug. For
your Easter celebration comes this effective
depiction of the Resurrection story. Beginning
in the depths of Lent and Good Friday, the
piece moves through despair and sadness
through to hope and finally the great rejoicing
of Easter morning! Tunes included are
WHEN
JESUS WEPT; HERZLIEBSTER JESU; PASSION
CHORALE; VICTORY;
and PUER NOBIS. Optional
3-5 octaves handchimes.
11534085 3-6 Octave. . . . . . . . . . L3+ 5.50
The Strife Is O'er (Victory)—arr. Susan T.
Nelson. This is a creative yet straightforward
arrangement of the hymn tune
VICTORY. Lower
bells are malleted throughout, establishing a
steady pulse that underlies the melody. The
addition of optional handchimes (1 octave)
and optional alternate bells (3 octaves) adds
contrast and interest.
11405417 3-5 Octave. . . . . . . . . . . L3 4.25
There Is a Fountain—arr. Kurt Meyer. In
this lush setting of the hymn tune
CLEANSING
FOUNTAIN,
rich harmonies abound, supporting
varying treatments of the melody which moves
throughout the ensemble. Perfect for any quiet
moment in worship, especially during Lent.
Optional 3-4 octave handchimes.
11540009 3-6 Octave. . . . . . . . . . .L3- 4.95
Thine Is the Glory—arr. Susan Geschke.
From the Two Octave Gem Series and using
only 20 bells, celebrate Easter with this joyous
hymn,designed specifically for the two octave
choir. Reflecting the reverent and celebratory
optimism of the day, martellato and echo
techniques are used to enhance the exultant
refrains. This is easily learned and accessible
for any youth or adult handbell choir.
10293738 2 Octave . . . . . . . . . . . . L2 6.25
Thine Is the Glory—arr. Ron Mallory. Easter
comes alive with this upbeat rendition of the
hymns
JUDAS MACCABAEUS and EASTER
HYMN.
Optional 3-5 octave handchimes and
trumpet (part included) add to the celebration.
11542480 3-5 Octave. . . . . . . . . . . L3 5.95
Three Pieces for Lent and Easter—Karissa
Dennis. This set of arrangements provides
two selections for Lent and Holy Week
observances and one for Easter Sunday. In
keeping with level-one guidelines, there is no
subdivision of the beat and the few handbell
changes are prepared. Ringers will enjoy
developing a variety of techniques, including
echoes, tower swings, and martellatos, and
working on legato passages that use LVs.
10811593 2-3 Octave. . . . . . . . . . L1+ 6.50
Triumphant!—Linda Scholes. This original
tune is triumphant indeed! With prominent
syncopation and bold chords throughout, it sets
a joyous and celebratory mood from the outset.
A slower, more thoughtful section featuring
chimes and light malleted bass bells offers
a nice textural contrast before a return to the
opening figure and feel, which rounds out the
piece on a bold celebratory note. While perfect
for an Easter celebration, use this piece for any
moment of celebration in worship or concert!
11375878 3-5 Octave. . . . . . . . . . . L3 4.95
Ubi Caritas—Gustav Holst, Traditional/arr.
Matthew Compton. Church and community
ensembles alike will love the sensitivity
and chance for expressive ringing in this
arrangement that combines the traditional
Gregorian chant Ubi Caritas with Holst's
THAXTED from Jupiter. After a featured verse
of each tune, the arrangement moves to some
original material under the chant before one last
bold statement of the two tunes layered over
one another. This moving arrangement will be
a perfect fit in worship services and concerts.
11397795 4-7 Octave. . . . . . . . . . . L3 4.95
Unfailing Love—Jason W. Krug. Varying
moods and unexpected harmonies abound in
this original based on 1 John 4:19: "We love
because he first loved us." Use during Lent or
any time of reflection or introspection. Optional
3-6 octave handchimes.
11540013 3-6 Octave. . . . . . . . . . . L3 5.95
Were You There?—arr. Brenda E. Austin.
This setting of the familiar Lenten spiritual
has depth yet is accessible to developing
ringers. It begins with an optional two-measure
introduction of dissonant chords symbolizing
the crucifixion as Jesus is nailed to the cross.
Then listeners are captivated by the haunting
singing bell and malleted suspended bells. The
two editions are compatible for massed ringing.
11417030 2-3 Octave. . . . . . . . . . L1+ 4.95
11417031 3-5 Octave. . . . . . . . . . L1+ 4.95
What Wondrous Love Is This?—arr. Susan
Geschke. The beloved Appalachian folksong
is presented in all its simple beauty with these
two compatible settings, one for 2-3 octaves
and one for 3-5 octave groups. Effective when
played by either handbells or handchimes, it
moves quietly from measure to measure with
minimal bell changes and easy techniques such
as shake and echo. It is a marvelous setting to
introduce your beginning ringers to this hymn,
or a simple-to-prepare, prayerful addition to the
repertoire for more capable ensembles.
10080658 2-3 Octave. . . . . . . . . . L1+ 4.50
10080659 3-5 Octave. . . . . . . . . . L1+ 4.50
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