Editors' Choice 2023-2024 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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Acclamation in G Minor—
Karen Thompson. This original piece, with its
catchy, syncopated rhythms, is your festival
solution! With compatible arrangements for
choirs containing two to six octaves of bells
without bell changes, your ringers can play this
fun and dynamic piece incorporating TD, RT
and shakes, without tables or from memory for
greater impact in your next concert or service.
10490113 2-3 Octave . . . . . . . . . . . . . L2+ 4.95
10490122 4-6 Octave . . . . . . . . . . . . . L2+ 4.95
The Addams Family (Halloween
Surprise)—arr. Brian Childers. With mallet
rolls and clicks, finger snaps and thumb damps,
this well-known theme is fun to ring! Sure to
lighten any concert, it's great for any concert but
especially around Halloween!
11531194 3-5 Octave . . . . . . . . . . . . . L3+ 4.25
Antoinette (March and Two-Step)—
Scott Joplin/arr. Paul W. Allen. This Joplin
"March and Two-Step" is mostly rung and
malleted; it should not be played so fast that it
feels hurried nor should it go so slowly that it loses
its swing. There are several repeats and a trio as
is the style in many of Joplin's works. Here is a
great addition to your concert repertoire!
11522788 3-6 Octave . . . . . . . . . . . . . . L3 4.95
Anything Goes—Cole Porter/
arr. Nicholas A. Hanson. This favorite Cole
Porter song is true to the original yet beautifully
adapted to handbell and handchime sounds and
techniques that emphasize the rhythm and style.
The piece begins with temple or wood blocks and
other stopped sounds while handchimes ring the
verse. As it progresses, full use of bells brings
energy that continues to build through gradual
increases in tempo, and the addition of mallets
and ring touches emphasizes the syncopation. A
solo percussion section of mallet handles striking
bell handles and music folders makes a fun
interlude before bells return for the conclusion. A
creative and top-notch arrangement your audience
is sure to enjoy!
11520915 4-5 Octave . . . . . . . . . . . . . L4+ 4.95
Boatmen's Dance—Dan E. Emmit/
arr. Linda Boatright. Originally written for banjo,
this song tells the story of some fun-loving and
bawdy boatmen on the Ohio River. Capturing
the authentic spirit of the tune, this arrangement
features a variety of stopped techniques while
the engaging melody and countermelodies are
featured throughout the bell range. The addition
of foot stomps, handclaps, tambourine, and wood
block convey the lively dancing of the boatmen.
Ship's bell or foghorn are suggested as fun
options! Written at Level 3, this piece becomes a
fun challenge for Level 4 groups if rung at tempo!
11520919 5 Octave . . . . . . . . . . . . . . . L3+ 4.95
Colors of Joy—Brenda E. Austin.
As with joy, handbells can take on many colors.
This arrangement brings out those different colors
through the variety of techniques used to express
all the sounds of the instrument. Easily learned,
ringers and listeners are sure to enjoy the many
"colors of joy" heard throughout the piece.
11166925 2-3 Octave . . . . . . . . . . . . . L1+ 4.95
11166926 3-6 Octave . . . . . . . . . . . . . L1+ 4.95
A Day to Rejoice!—Michael Mazzatenta.
This joyous and beautiful original is rhythmic, full
of fun techniques (TD, malleted bells on table,
mart, and echo), and features a very nice section
where the optional handchimes play the melody.
11375688 2-3 Octave . . . . . . . . . . . . . L2+ 4.95
Didn't My Lord Deliver Daniel?—
arr. Lloyd Larson. This classic spiritual is infused
with rhythmic energy from the first note. Treble
and bass rhythmic lines play off each other, and
a malleted bass line gives the arrangement an
infectious spirit that is sure to energize ringers and
listeners alike.
11204331 3-5 Octave . . . . . . . . . . . . . . L2 6.50
Do Lord—arr. Sondra K. Tucker.
A delicate and gentle introduction gives way to an
energetic and upbeat setting of the well-known
song, accompanied with malleted and thumb-
damped bells. A chordal verse replete with rich
harmonies gives a brief respite from the driving
accompaniment before the energy returns to
propel the piece home to an exciting conclusion!
11375863 3-5 Octave . . . . . . . . . . . . . L3+ 4.95
Down by the Salley Gardens—
arr. Jason W. Krug. This warm, embracing
melody from Ireland is also known as The
Maids of Mourne Shore. Beautifully arranged
for handbells with optional C instrument, it
is appropriate for worship or concert. The C
instrument is included in the handbell score but is
also available as a separate part.
11521519 3-5 Octave . . . . . . . . . . . . . L2+ 4.95
11521520 Instrumental Parts
C Instrument. . . . . . . . . . . . L2+ 3.50
Embrace the Day—Jason W. Krug.
This original composition is catchy and upbeat.
A syncopated rhythmic ostinato pattern begins the
piece, which is then carried throughout in every
voice. Bass mallets add their energy to make this
a fun festival selection.
11540261 3-5 Octave . . . . . . . . . . . . . L2+ 6.50
Every Time I Feel the Spirit—
arr. Benjamin A. Tucker.
This stellar arrangement of the popular spiritual
contrasts a syncopated mallet accompniment
with lyrical arpeggios to create lovely contrasts
between the chorus and verses. This is a great
piece for Pentecost or festival use!
11540604 3-5 Octave . . . . . . . . . . . . . . . . . . 5.95
Fanfare Intrada—John A. Behnke. This lively
and spirited original piece for handbells is filled
with lots of exciting techniques like thumb damps,
plucking, swings, mart lifts, echoes, and a shake.
Besides being a rousing prelude for worship or
concert, it also makes a wonderful teaching piece.
This piece comes in two compatible versions, one
for 2-3 octaves and another for 4-6 octaves, so it's
perfect for massed ringing.
11334257 2-3 Octave . . . . . . . . . . . . . . L2 3.95
11334258 4-5 Octave with Opt. G2. . . . L2 3.95
Hallelujah—Leonard Cohen/arr. Joel Raney.
This standard inspirational song is set for
handbells, optional handchimes and synthesizer.
In this wonderfully emotional and moving rendition,
ringers will enjoy the serenity and beauty of the
steady eighth note patterns that accompany
the familiar melody. Its status as a "secular
hymn" makes it a cross-over piece that is highly
recommended for any concert or worship setting.
The optional synthesizer part enhances the overall
haunting atmosphere.
10424209 3-5 Octave . . . . . . . . . . . . . . L3 7.00
10424210 Instrumental Parts
Synthesizer. . . . . . . . . . . . . . . 12.95
I Got Shoes!—
arr. Mark Arnold. This compelling and fun spiritual
arrangement uses mallet clicks, table hits, and
optional percussion (provided) to enhance the joy
of the song.
11540605 3-5 Octave . . . . . . . . . . . . . . . . . . 5.95
Jesus Is a Rock in a Weary Land—
arr. Mark Arnold. This creative and fun
arrangement of the familiar spiritual begins with
mallet clicks that set the tone for the piece. The
melody appears over a rhythmically malleted
bass line with a bit of a blues or jazzy feel. Lots of
syncopations make this a learning opportunity for
most Level 2 groups, but the end result will be a
fun piece for concert or worship.
11417988 3-5 Octave . . . . . . . . . . . . . . L2 5.95
Journey—Kyle Webber. This original work
does just what it says, as it takes us on a
musical journey! The lively first section reflects
the excitement of the journey's start, the middle
section portrays the wonder of experiencing a new
place, and the final section is a fun return home.
Harmonically interesting but easy to put together
in just a few rehearsals, this one is sure to become
a concert favorite.
11375697 3-5 Octave . . . . . . . . . . . . . . L3 4.95
Joydance—John Behnke. A light, playful
opening sets the tone for this upbeat, dance-like
original. Different techniques throughout the piece
yield aural interest, and the frequent sixteenth
notes and meter changes will keep ringers on
their toes. A fun choice for the group looking for
something exciting and show-stopping!
11375873 3-5 Octave . . . . . . . . . . . . . L3+ 4.95
CONCERT AND POP
MUSIC FOR SCHOOL AND
COMMUNITY CHOIRS
New selections and old favorites, here are some great choices
for your next concert.
