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Mr. Blue Sky—Jeff Lynne/arr. Roger Holmes.
Originally released by the Electric Light Orchestra
in 1978, this rock hit has been thrust back into the
limelight thanks to its inclusion on numerous movie
soundtracks, notably the opening sequence of
"Guardians of the Galaxy Vol. 2." A great-sounding
chart playable by developing ensembles!
11172122 Jazz Ensemble . . . . . . . . . . . . . . . 50.00
Paranoid—Black Sabbath/arr. Allen Gray. This epic
rock tune from the group Black Sabbath gets a high-
energy treatment for jazz band! Get ready to turn the
amps up to 11 as the band starts with a big, blowing,
up-tempo hard rock intro before the familiar melody
kicks in. The solo section features written or ad-lib
solos for alto sax, tenor sax, trumpet, or trombone
before a key change that keeps this chart on fire until
the end. Highly accessible, the lead trumpet only plays
up to an A above the staff.
11516030 Jazz Ensemble . . . . . . . . . . . . . . . 65.00
Play That Funky Music—Robert Parissi/arr. Victor
Lopez. Fun and excitement will be had by all with this
riff-based classic funk chart! There are no solos...
just plenty of funky groove plus a call-and-response
section and tonal shifts that constantly kick it up a
notch. The lead trumpet range is to written top line F
sharp. Keep the funky juices flowing!
10011938 Jazz Ensemble . . . . . . . . . . . . . . . 48.00
Puttin' on the Ritz—Irving Berlin/arr. Roger Holmes.
Irving Berlin's tuneful standard was put back on the
map with the classic scene from Mel Brooks' movie
"Young Frankenstein." This clever arrangement
alternates between a two-beat feel and straight-ahead
swing featuring solo space for tenor sax, trumpet, and
even a short solo for bass. Fun!
11373889 Jazz Ensemble . . . . . . . . . . . . . . . 50.00
Runaway Baby—arr. Paul Murtha. Recorded by
Bruno Mars, this contemporary rock tune is actually a
throwback to an earlier time reminiscent of the James
Brown funk style. Featuring an energetic pulse that
never quits along with a catchy melody, this chart is
a real showstopper! The solo section includes options
for alto, trumpet, or trombone with suggested solos
and scale/chord sheets in all keys. Pure excitement!
10317268 Jazz Ensemble . . . . . . . . . . . . . . . 50.00
September—Maurice White, Al McKay & Allee Willis/
arr. Paul Murtha. Still one of the funkiest tunes ever
written, here is one of Earth, Wind & Fire's biggest
hits in a version for younger jazz bands that expertly
captures the infectious groove of the original. You
simply can't go wrong with this one!
11539348 Jazz Ensemble . . . . . . . . . . . . . . . 50.00
POP CHARTS
TOP 5 BEST-SELLING
VOCAL SOLO FEATURES
Feeling Good—Bricusse & Newley/
arr. Roger Holmes. From the Broadway musical
"The Roar of the Greasepaint - The Smell of
the Crowd," this fabulous standard is popular
again with a stunning rendition by Michael Buble.
Capturing the bluesy flavor of this version, here
is a vocal solo feature sure to bring down the
house. It can also be used as an alto sax feature.
Highly recommended! Vocal in C minor.
10297513 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . . . . . . . M 55.00
Sway (Quien Sera)—Pablo Beltran Ruiz/
arr. Mark Taylor. Recorded most recently by
Michael Buble, here is a smooth arrangement
of this appealing Latin tune for vocal soloist (or
optional tenor sax). The instrumental section
features saxes answered by the brass. This is a
natural sounding feature for any vocalist!
10098760 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . ME 55.00
Cry Me a River—Arthur Hamilton/
arr. Victor Lopez. Featuring a vocalist with big
band, this gorgeous ballad is played around
74 bpm. The vocal range is G below middle C
to third space C, and the lead trumpet range is
to F-sharp top line. Included are optional solo
parts for B-flat, E-flat, and Bass Clef instruments
to be used in place of the vocal feature. It's an
accessible chart for the band and a great way to
feature a vocalist or instrumentalist!
10452150 Jazz Ensemble & Vocalist
(or Any Instrument). . . . . . ME 54.00
At Last—Harry Warren/arr. Dave Wolpe.
At Last is the ever-popular, bluesy, vocal ballad
feature as arranged by Dave Wolpe. The chart
is arranged in two keys to suit the needs of
all vocalists. Substitute instrumental solos are
included, with a written tenor sax solo in the low
female key and a written alto sax solo in the high
male key. The vocal ranges are: low female in
the key of G, high male in the key of B-flat.
10093215 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . . M 62.00
All of Me—arr. Rick Stitzel. Reminiscent of the
classic version by Count Basie, here is a terrific
medium swing setting of this familiar standard
for vocal solo with jazz ensemble. In the event a
vocalist is not available, an optional solo part is
included for tenor saxophone. Vocal in F.
10522920 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . ME 55.00
