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Jumpin' at the Woodside—Count Basie/arr. Rich
DeRosa. This one just builds and builds! Rich
DeRosa keeps this Count Basie signature tune
swinging all the way and includes two optional tag
endings to keep the Basie style intact. The solos
are written out for piano, tenor sax, trumpet and
trombone and the lead trumpet range is to written
G on top of the staff with an A on the optional tag
ending. Optional parts are included for expanded
instrumentation. One of the Count's finest!
10028198 Jazz Ensemble . . . . . . . . . . . ME 62.00
Lil' Liza Jane—arr. Allen Gray. This jazz standard
will bring that Mardi Gras feel to your next concert!
The chart features a New Orleans-style second-line
groove that younger bands will really dig! Trombones
get a chance to tailgate while the trumpets and saxes
cover the familiar melody. There's an optional short
vocal call and response between a soloist and the
rest of the band before the solo section, which
features written or ad-lib solos for the alto sax, tenor
sax, trumpet, and trombone. By the time the band
kicks back in on the melody, you'll have the whole
crowd singing along! Your young jazz ensemble and
the audience won't be able to get enough!
11516026 Jazz Ensemble . . . . . . . . . . . . .E 50.00
Mamacita—Joe Henderson/arr. Alan Baylock. A
groovy straight-eighth feel on this jazz standard with
amazing parts for all and an intro that is nothing but
fire. The tempo is around 154 bpm, and the lead
trumpet range is to written B-flat above the staff.
Sample solos are provided for alto and tenor sax,
plus optional flute and vibes parts. Energy prevails!
11511951 Jazz Ensemble . . . . . . . . . . . . M 55.00
My Funny Valentine—Richard Rodgers/arr. Rick
Hirsch. This is an extraordinary ballad feature
for your lead alto. Beautiful, sensitive, and truly
captivating, the chart features a suggested written
solo section, lead trumpet range to written A above
the staff (opt. 8va), a double-time feel section, and
some effective backgrounds behind the soloist.
Optional flute and vibes parts included. This is an
excellent arrangement!
11511952 Jazz Ensemble . . . . . . . . . . . . M 55.00
Oh! Lady Be Good!—George Gershwin/arr. Dallas
C. Burke. This swingin' standard has been covered
by all the titans of jazz! Here's an up-tempo, high-
energy treatment of the tune that swings hard from
top to bottom. With epic shout sections, a driving
sax soli, and written or ad-lib solos for tenor sax and
trumpet, this chart has it all. Lead trumpet plays to a
high C.
11516028 Jazz Ensemble . . . . . . . . . . . ME 50.00
Song for My Father—Horace Silver/arr. Paul
Murtha. This standard by Horace Silver features a
distinctive bass line groove and a laid-back Latin
style. Expertly adapted for this easy level, here is a
great way to introduce the music of this jazz master
to your students.
11539349 Jazz Ensemble . . . . . . . . . . . . .E 45.00
Stolen Moments—Oliver Nelson/arr. Mike Kamuf.
Every developing jazz ensemble should play this
chart! Mike Kamuf's arrangement on this Oliver
Nelson classic falls right in the pocket at about
110 bpm. The iconic melody is unforgettable and
there are written or improvised solos for alto sax
and trumpet. The lead trumpet range goes to G
above the staff and there are options for reduced
instrumentation. This is a fine chart for almost any
band at any ability level.
11199002 Jazz Ensemble . . . . . . . . . . . ME 50.00
Take Me Out to the Ballgame—Jack Norworth and
Albert Von Tilzer/arr. Drew Zaremba. This superb
chart covers all the bases! Played around 148 bpm
with a suggested written tenor solo and lead trumpet
range to written G on top of the staff. A swinging intro
gives way to a circus-like oom-pah feel, then back
into a slow-building swing with a big shout section.
You might even catch a small nod to L-0-V-E. All
sections have great material. It's a captivating chart
you and the band won't be able to get enough off!
11511955 Jazz Ensemble . . . . . . . . . . . ME 52.00
Things Ain't What They Used to Be—Mercer
Ellington/arr. Alan Baylock. Mercer Ellington's classic
blues shuffle gets the Baylock treatment! The style
is down home and the solos are for alto, trumpet,
trombone, and tenor sax. Also included is a powerful
Baylock-style shout chorus and optional parts for
expanded instrumentations. It's a fun chart and it
gets our highest recommendation!
10513911 Jazz Ensemble . . . . . . . . . . . . M 52.00
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incredible selection of music, and their
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