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New Large Print Edition A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
The Four Horsemen—Brent Wells. Faced with
the grim reminder of death during the height of
the pandemic, this original work based on the
Biblical narrative of the Four Horsemen of the
Apocalypse from the Latin Vulgate grapples with
death as an ever-present specter. The pounding
triplets and ascending bass line in the piano four
hands accompaniment bring a frantic sense of
drama and impending disaster that is expanded
on by the equally dramatic choral harmonies.
11537028 SATB divisi . . . . . . . . . . . . . . . . . 3.10
Garden of Dreams—Sarah Quartel. This setting
of fragments of text by Sappho, translated by
Arthur Sanders Way and A.S. Kline, uses cross-
rhythms, syncopation, and flowing melodic lines to
create a sense of restless longing.
11536294 SSAA. . . . . . . . . . . . . . . . . . . . . . 3.25
The Gift to Sing—Marques L. A. Garrett. With
a text by American writer and civil rights activist
James Weldon Johnson, this compelling musical
setting speaks to the way the power of song can
help to overcome dark times. The powerful text
is brought to life through dynamic and textural
contrasts, a passionate melody, and imaginative
harmonies. Also available as a vocal solo in
two keys.
11560374 SATB . . . . . . . . . . . . . . . . . . . . . . 3.25
11372417E Solo High Voice Eprint . . . . . . 4.00
11372418E Solo-Low Voice Eprint . . . . . . 4.00
The Gift to Sing—Mark Sirett. A setting of the text
by James Weldon Johnson, this lyrical concert
work celebrates the gift of music: "With glad
defiance in my throat, I pierce the darkness with a
note, and sing."
11556731 SATB . . . . . . . . . . . . . . . . . . . . . . 2.50
Gloria—Mark Patterson. Written with joyful
exuberance, this Gloria setting contains both
homophonic writing and interplay between the
vocal parts. Add the optional trumpet for even
more festivity in concerts or services at any time
of year!
11559627 SATB . . . . . . . . . . . . . . . . . . . . . . 2.30
Glory, Glory! (I Feel Better)—arr. Adam & Matt
Podd. This new take on a traditional spiritual
is packed with uplifting energy from beginning
to end and is great for both sacred and secular
performances. The familiar tune has been
arranged with fun and infectious repetition, easy-to-
learn harmonies, and an exciting accompaniment.
Let your pianist get their groove on, or use the
accompaniment track for a fuller sound.
11525540 SATB . . . . . . . . . . . . . . . . . . . . . . 2.50
Great, Wide, Beautiful, Wonderful World—
Lane Johnson. Swinging with optimism in four-
part harmony, advanced treble ensembles will
enjoy learning and performing this piece with
a text by British poet William Brighty Rands. A
supportive and artistic piano accompaniment
assists throughout. Expressive and glowing, with
lush, full harmonies, it's an excellent way to end a
concert or set with a big finish!
11535647 SSAA. . . . . . . . . . . . . . . . . . . . . . 2.50
Haze (from "Songs of Renewal")—Stuart
Beatch. Extracted from the larger work "Songs
of Renewal," this movement is a tender lullaby.
Arpeggiated harmonies in the piano and simple
vocal lines paint Henry David Thoreau's text about
a hazy sky.
11537970 SATB . . . . . . . . . . . . . . . . . . . . . . 2.25
Home on the Range—arr. Ben Kendall. Highly
suitable for treble choirs of all abilities, this concert
arrangement of the Kansas state song is simply
majestic. A pulsating accompaniment adds forward
motion to this sparkling homophonic setting.
11559628 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.30
I Am Light (Yo Soy Luz)—Carlos Cordero.
Available in both English and Spanish, choirs will
love this pop-influenced piece honoring the light
and love found in each person. Spoken word,
body percussion, and a soaring soprano vocal
line add excitement to the texture. Alternate
pitches are provided to modify the soprano and
bass vocal ranges.
11559961 SATB . . . . . . . . . . . . . . . . . . . . . . 4.50
I Can Sing—Carlos Cordero. "No nights are dark,
no days are long, while in my heart there swells
a song." The poignant lyrics of American writer
and civil rights activist James Weldon Johnson
are brought to life with pop-influenced harmonies
and rhythmic intricacies. Each voice part has
a chance to shine through the expansive
melismatic part writing and varying textures,
making this an excellent choice for intermediate
and advanced choirs.
11559962 SATB divisi . . . . . . . . . . . . . . . . . 4.50
I Need You to Survive—David Frazier. This
gospel selection speaks to the need for all to join
together in unity and harmony, to help each other
without judgement and love each other without
boundaries. Set in the original key, the text with
syncopated melody has enough repetition to
make this an easy anthem for all.
11523225 Unison . . . . . . . . . . . . . . . . . . . . . 2.40
I Shall Not Live in Vain—Rob Dietz. Emily
Dickinson's poetry finds a natural fit in this
contemporary a cappella concert setting for mixed
divisi choirs. The gentle melodic text nestled
beneath layers of percussive arpeggios flirts with
major and minor tonalities, never overwhelming
the simple and affecting message of aspiration.
11544403 SATB divisi . . . . . . . . . . . . . . . . . 2.80
I Will Lift Mine Eyes—Patrick Vu. Ideal for
a variety of settings and ensemble sizes, this
elegant writing combined with a beautiful Psalm
text is sure to inspire and provide hope.
11559630 SATB . . . . . . . . . . . . . . . . . . . . . . 2.30
I Will Lift My Eyes—Michael John Trotta. The
resounding harmonies in this a cappella setting
are carefully crafted with optional tenor notes for
flexible SATB or SAB choirs. With an uplifting
message based on Psalm 121, the straightforward
setting allows your choir to sing expressively.
Equally useful for concerts or services, this
beautiful original work utilizes closer harmonies
and cluster cadences to effectively portray the text.
11538288 SAB or SATB, opt. Tenor . . . . . . 2.95
If We Want to See the Sunrise—Mark A. Miller.
Embracing a sense of belonging and choosing
to walk forward together, this original a cappella
concert work is centered around finding one's
place. Combining traditional choral writing with
subtle gospel sonorities, it is achievable by choirs
of all ages.
11537032 SATB divisi . . . . . . . . . . . . . . . . . 2.80
In Flanders Fields—Stephen Rew. This setting of
the famous World War I poem by John McCrae is
a beautiful fit for any concert, veteran ceremony, or
Memorial Day event. Featuring a baritone solo and
an approachable optional piano accompaniment,
this poignant work is appropriate for ensembles at
developing through advanced levels.
11539634 SATB opt. Piano Accomp. . . . . . 2.95
John the Slacker—arr. Blake Richter. A 19th-
century halyard sea shanty, this piece is a great
example of a song sailors would sing, adopting
words and phrases heard from various lands
they visited. Tastefully arranged for a soloist or a
series of soloists in a call-and-response texture, it
features repetitive phrases with simple three-part
harmonies and small ranges that will make even
less experienced singers feel successful!
11537026 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.80
The Journey—arr. Joseph M. Martin. Combining
Simple Gifts and the Going Home theme from
Dvorak's "New World" symphony in partner-song
format, this is easy to perform with a minimum of
rehearsal. A lyrical violin part adds to the bitter-
sweet qualities of this simple, yet profound. classic.
11539737 TB . . . . . . . . . . . . . . . . . . . . . . . . 2.35
8069871 P/A CD-Worship Songs Jr
Celebration 2005 CD-P.O.P. . . 39.99
3080314 Octavo-The Journey . . . . . . . . . 2.50
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