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New Large Print Edition A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
WINTER & HOLIDAY
COLLEGIATE
CHOIR
Iesous ahatonnia'—arr. Sarah Quartel. With
newly composed text from Wendat poet Andree
Levesque Sioui, this reimagined arrangement of
the Huron Carol is retitled to honor its origins and
invites us to learn from the past while working to
shape a more cohesive future. There are extensive
notes about the history and texts of the carol
included in the octavo, and the arrangement gives
the option to sing an English text. It is a beautiful
choice for Christmas concerts or services.
11563792 SATB . . . . . . . . . . . . . . . . . . . . . . 3.65
In Dulci Jubilo (from "Carols for Choirs 6")—
Cecilia McDowall. The vibrant melody of this carol
glides above harmonies that are almost entirely
diatonic - but whose originality and frequent
passing dissonances mean that predictability is
never a danger. From Carols for Choirs 6.
11426395 SATB w/Organ . . . . . . . . . . . . . . . 3.65
In the Bleak Midwinter—arr. Dan Forrest. A
magical carol setting that transports the listener
into Christina Rosetti's beloved Christmas text
written in London (listen for the subtle hints of Big
Ben!). Ethereal melodic echoes eventually build to
soaring vocal lines before giving way to the tender
final stanza, "What can I give him, poor as I am?
..." An intimate yet deeply moving arrangement.
11514056 SATB . . . . . . . . . . . . . . . . . . . . . . 2.50
11514057 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.50
In the Bleak Midwinter—Gustav Holst & Bruce
W. Becker/arr. Kyle Pederson. This piece pairs
Holst's iconic melody with a lesser-known melody
by Bruce Becker and augments Rossetti's text with
original lyrics that look toward the light of Christmas.
An active and independent piano accompaniment,
optional opening solo, flowing vocal lines, and
an unaccompanied middle section make this a
sensitive selection for your Christmas program.
11512094 SATB . . . . . . . . . . . . . . . . . . . . . . 2.85
In the Stillness—Sally Beamish. With original
words by Katrina Shepherd, this short, lush
Christmas carol beautifully captures the hushed
rapture of a small parish church in a snowbound
landscape just before Christmas.
11510068 SATB . . . . . . . . . . . . . . . . . . . . . . 3.50
Jouluingel (Christmas Angel)—Olav Ehala. In
this popular festive work from Estonian composer
Olav Ehala, the text evokes scenes of Christmas
Eve and the music is full of joy! An IPA and
recorded pronunciation guide are available from
the publisher.
11514306 SATB . . . . . . . . . . . . . . . . . . . . . . . 2.80
Joy to the World!—Lowell Mason/arr. Ian
Crawford. Breathing new life into a Christmas
classic, this arrangement features playful rhythmic
alterations between 3/4 and 6/8 meter. The
syncopated vocal lines are underpinned by a
supportive, bouncy piano accompaniment. It is an
unexpected and delightful carol setting that will be
equally suitable for Christmas concerts or services.
11563794 SATB . . . . . . . . . . . . . . . . . . . . . . 3.25
Love Came Down at Christmas—Chris Artley.
Using one of Christina Rossetti's most oft-set
poems for choir, the Christmas miracle of Jesus'
birth is beautifully told with a leaping, joyful
melody, organ accompaniment, and alternating a
cappella sections. The composition is dedicated
to New Zealand soprano Gina Sanders and the
2016 King's College Chapel Choir in Auckland
and was the winning entry in the Freudig Singers
of Western New York Choral Composition
Competition in 2017. Appropriate for church,
community, and collegiate choirs.
11516347 SATB w/ Organ. . . . . . . . . . . . . . 2.75
Love's Pure Light (Silent Night)—Elaine
Hagenberg. Experience a captivating new melody
to Silent Night as hints of the timeless Christmas
carol STILLE NACHT are interwoven throughout.
Graceful choral parts capture the tenderness of
the beloved text, then ascend to new heights,
resounding with "Son of God, love's pure light."
The optional parts for string quartet, flute, oboe,
and timpani help to create a truly memorable
piece, sure to be cherished for years to come.
11502583 SATB divisi, or SSATB . . . . . . . . 2.95
Magnificat (from "Evening Canticles")—
Michael John Trotta. A joyful and soaring
a cappella work, this English setting of "My soul
doth magnify the Lord" is a wonderful way to
show off the sound of your choir. Homorhythmic
movement and careful voice leading make it easy
to learn and enjoyable to sing for practiced singers.
11515252 SATB divisi . . . . . . . . . . . . . . . . . . 2.90
11515251 Octavo-
Evening Canticles P.O.D. divisi. . 3.10
Mary, Did You Know?—arr. Craig Courtney. This
popular contemporary Christmas song receives a
fresh treatment in this arrangement. An ethereal
sound is set by the use of chord clusters and an
aleatoric section. The melody is then introduced
by a soloist. Truly an exceptional setting that will
become a favorite of your choir.
11514049 SSAA. . . . . . . . . . . . . . . . . . . . . . 2.50
11514050 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.50
Mary, Mother—Bob Chilcott. Able to be
performed as separate stand-alone pieces
or as a unified set, this sequence of six
original carols explores the role of Mary in
the Christmas story, focusing on her human
experience within a story of the divine. The
lyricist, Georgia Way, places the sycamore tree
as a central image. From reflecting instability in
Mary's emerging adulthood to symbolizing the
regenerative power of the human spirit in the
work's closing movement, the music perfectly
depicts the narrative, musically charting Mary's
emotional journey through poignant melodies,
rich harmonies, and descriptive instrumental
textures. Pieces are A Child in Galilee;
Carpentry Carol; After the Angel; Walking Carol;
Dear Heart; Hymn.
11559978 SATB Choral Score w/ Piano or
Organ, opt. Harp . . . . . . . . . . . . . 14.99
11560367E Instrumental Parts
Harp ePrint . . . . . . . . . . . . . . . . . 10.99
11560368E Instrumental Parts
Organ ePrint . . . . . . . . . . . . . . . . 10.99
The Nativity—Patrick Hawes. Six a cappella
carols with modern texts by Andrew Hawes are in
this collection. The Infant; The Shepherds and The
Magi follow the structure of verse and chorus and
are upbeat and full of the wonder and excitement
that accompanies new life. They are interspersed
with the reflective poetry of The Manger; The
Oxen and The Star and provide a sense of overall
momentum and contrast. As a whole, they make
an effective collection for concert performance or
used individually within a Christmas service.
11545024 SATB Choral Score . . . . . . . . . . . 9.95
O Be Joyful—Toby Young. The jaunty 6/8 tempo
and effervescent piano part propel the music
along and underpin highly singable melodic
writing for your choir. From Carols for Choirs 6.
11512347 SATB . . . . . . . . . . . . . . . . . . . . . . . 3.65
O Come, Emmanuel—Elaine Hagenberg.
"Haunting" is the best word to describe this original
setting of the traditional Advent text, scored for
choir, piano and cello. Marked "mysterioso" in
triple meter, it is such a creative interpretation, the
effect in performance is truly extraordinary!
11514051 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.75
O Holy Night!—Toby Young. This beloved text
finds a fresh new presentation in this modern a
cappella carol setting. Using effective textural
changes and syncopation, it has the feel of a
contemporary worship song with the structure and
scoring of a traditional carol. It is a lovely choice
for smaller ensembles or full choirs for Christmas
concerts and services.
11563797 SATB . . . . . . . . . . . . . . . . . . . . . . 3.65
O Nata Lux—Michael John Trotta. "O light born
of light." This traditional Latin text shimmers in
a stunning a cappella setting with thoughtful
voice leading and cluster harmonies. Accessible
enough for concert or service use, it will make
a serene addition to your program during the
Christmas season or at any time of year.
11538286 SATB divisi . . . . . . . . . . . . . . . . . 2.95
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