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Aloha! (Theme from "The White Lotus")—
Cristobal Tapia de Veer/arr. Garrett Breeze.
From Season 1 of the hit HBO series The White
Lotus, this stunning theme song is arranged for
a cappella voices with optional percussion. The
Pacific Island sound is flavored with mystery and
rhythmic vocal depth from start to finish. This will
be a standout at your concert and a thrill to learn
and rehearse, too!
11558109 SATB opt. Percussion . . . . . . . . 2.50
Bonnie Hielan Laddie—arr. Tom Schreck. A
veteran seafarer gives advice to a young new
recruit in this traditional Scottish sea shanty. This
robust arrangement possesses solid harmonies
and is eminently singable and fun, similar to the
style of the Parker/Shaw arrangements. Feature
a baritone soloist on the final stanza for an
optional twist!
11537027 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.60
Canto Que Amabas (The Song You Loved)—Z.
Randall Stroope. This moving selection features
a smoothly flowing harmonic texture that courses
throughout the piece. Warm and enveloping,
The Song You Loved will be the song you
love singing, whether it be for your mixed choir
(unaccompanied) or your treble choir with piano.
11510140 SSA with Piano Accomp. . . . . . . . 2.80
Ceciliada—Marcin Wawruk. The patron saint of
music, St. Cecilia, receives an energetic tribute
with this delightful piece featuring a blend of styles
and optional percussion.
11513239 SATB . . . . . . . . . . . . . . . . . . . . . . 2.95
Cherokee Morning Song—arr. Michael
Yannette. Translation: "I am one with the great
spirit." Equally suited for mixed, treble, or tenor-
bass choirs, this flexible arrangement opens with
a Native American flute, the sounds of flowing
water, and tuned singing bowls. This setting
features solo voices and an original refrain in
English that is later paired with the authentic tune.
11503170 Two-Part any combination
of voices . . . . . . . . . . . . . . . . . . . . 2.05
Chervona Kalyna (The Red Viburnum)—arr.
Erica Glenn. Sung by people around the world in
show of solidarity for Ukraine, this traditional song
written in 1875 has become an anthem of unity
and strength. Telling the story of the red viburnum
flower's persistence, it symbolizes Ukraine rising.
Presented with a singable transliterated text, the
arrangement for treble choir with clarinet and
piano provides pronunciation and translation for
all the lines that are not in English.
11535654 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.50
Dhire-Dhire (Little by Little)—Reena Esmail.
Exploring the sounds of the Hindustani classical
tradition, this original work sets a dohe (couplet)
about patience by the Indian mystic poet Kabir.
This lyrical piece flows with a soothing quality
and notated stylizations with grace notes that are
optional for your performance. The score includes
both Devanagari script and a transliteration along
with a pronunciation guide and links to further
pronunciation assistance.
11563777 SATB . . . . . . . . . . . . . . . . . . . . . . 4.00
Evocation (Mon-Nee-Joh)—Hye-Young Cho.
This beautiful memorial recalls beautiful memories
of a lost loved one who will never be forgotten.
The lyrical lines and antiphonal singing between
the parts symbolize the lingering memories
while a depth of sorrow and emotion is conveyed
in the lush choral harmonies and stirring
piano accompaniment. The Korean text is written
in a transliteration that makes it accessible
to choirs.
11556408 SATB . . . . . . . . . . . . . . . . . . . . . . 2.70
Ingen vinner frem til den evige ro—arr. Ola
Gjeilo. This arrangement of this Norwegian folk
song weaves together threads of tradition and
innovation. The ethereal melody is set here for
unaccompanied divisi choir and offers a modern
take on the beautiful song.
11540239 SATB divisi, or SSAATTBB . . . . 3.10
Jerusalema—Master KG and Nomcebo Zikode/
arr. Jacob Narverud. South African music
producer Master KG took the world by storm when
the Jerusalema dance challenge hit social media.
This highly energetic a cappella arrangement
employs layered polyrhythms, articulate
handclaps, and generous divisi to capture the
essential character of the isiZulu original. A
pronunciation guide is included, and two djembe
parts are available online. An unforgettable
concert work for advanced groups, select singers,
and honor choirs!
11503242 SATB divisi . . . . . . . . . . . . . . . . . 2.45
Mahalo Piha—Queen Lili'uokalani/arr. Justin
Ka'upu. The second of two Hawaiian pieces
launching the Jace Saplan Indigenous Composer
Series, this is a medley of The Queen's Jubilee
and Aloha Oe. The text is in Hawaiian except for
"one fond embrace, until we meet again." This
work pairs well with the first piece in the series,
Akahi Ho'i.
11513242 SATB . . . . . . . . . . . . . . . . . . . . . . 2.95
11513232 Octavo-Akahi Ho'i divisi. . . . . . . 2.75
Salaam (Od Yavo Shalom Aleinu)—Mosh
Ben Ari/arr. Ross Fishman. Opening plaintively
with a few solo lines, this joyful original song of
peace picks up in tempo and excitement when
the optional djembe and handclaps are added
in. Using both Hebrew and Arabic phrases that
reflect the diversity of languages and cultures
found in Israel, the text states that "peace will
come upon us yet."
11564412 SATB . . . . . . . . . . . . . . . . . . . . . . 2.80
11510115 TBB . . . . . . . . . . . . . . . . . . . . . . . 2.50
Santiana—arr. Sean Barnette. Dating back to the
1850s, this lively sea shanty is most likely inspired
by the events of the Mexican-American War and
combines elements of both contemporary music
and Latin American rhythms. Opening with a
duet, the arrangement quickly picks up and is
accompanied by rocking percussion (timbales and
congas). Sung in both English and French, an IPA
pronunciation guide is included in the score.
11564429 TTBB w/ Percussion . . . . . . . . . . 2.80
Tshela Moya/Ke nna yo Morena—arr. Michael
Barrett. These two traditional Sesotho songs fit
beautifully together with sacred texts and call-and-
response techniques between the soloists and the
choir. Varying in tempo, Tshela Moya is slower
with a sense of yearning, and Ke nna yo Morena
picks up in speed and rhythmic intensity to bring a
natural growth to this concert arrangement.
11514262 SSAA. . . . . . . . . . . . . . . . . . . . . . 3.00
Turlutte acadienne montrealaise—Marie-Claire
Saindon. An original melody hailing from the
traditional Acadian and Quebecois practice of
turlutte (mouth reel or mouth music), this sparkling
a cappella work imitates an instrumental reel or
jig with voices only. Body percussion, traditional
percussion, or a mix of the two are a fun addition
(tutorial video is available).
11504755 SSA divisi . . . . . . . . . . . . . . . . . . 2.25
11516209 TTB divisi. . . . . . . . . . . . . . . . . . . 2.25
Waiting for the Light of Morning—Steve
Parsons. Here's an exciting Celtic-flavored
a cappella original for tenor-bass voices that
encourages hope and unity. The optional Irish
bodhran part enhances the driving energy and
sense of determination. The majority of the text is
in English, though there are some Gaelic phrases
used, too, and the texture varies from solo to duet
to full choral. Inspiring and fun to sing!
11510887 TBB with Bodhran. . . . . . . . . . . . 2.50
Walking by the Cherokee River (Oconaluftee)—
James E. Green. Written in the Cherokee
language, this piece gives praise to the great
Oconaluftee River and preserves the Cherokee
language through song. This accessible work is
rich in substance and is a wonderful option for
choirs at many levels.
11514318 SAB or SA(T)B, opt. Tenor, with opt.
Flute & Percussion . . . . . . . . . . . 3.10
Wiracocha—Miguel Pesce/arr. Eduardo Garcia-
Novelli. A traditional Inca text from the sacred
hymns of Pachakutek is set for mixed chorus,
piano and percussion in this declamatory number
about the titled Incan emperor. Harmonies
layer and respond to each other and the
accompaniment, while the percussion adds a
dramatic pulse. The percussion parts for toms,
temple blocks, platillo ride, and maracas are
available in the octavo.
11556733 SATB with Percussion . . . . . . . . 3.50
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