HANDBELL MUSIC
Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected]
131
Go to cart
A Blessing—Michael Helman. Written in
honor of his grandsons, this delicate original
has a heartfelt melody reminiscent of a classic
ballad. Flowing accompanimental lines support
the melody played first on bells, then on chimes
in the middle section which then builds before
returning to the opening material. Sweetly
sentimental, this original will be a special
moment in either worship or concert. Optional
3-5 octave handchimes.
11540012 3-5 Octave. . . . . . . . . . L2+ 4.95
Chorale and Variations on "Erhalt uns,
Herr"—arr. John A. Behnke. The tune
ERHALT
UNS, HERR,
commonly associated with Lord,
Keep Us Steadfast in Your Word; The Glory
of These Forty Days and several other texts,
is here set as a chorale arrangement with two
variations. The first variation has the melody in
the lower bells with an eighth- and quarter-note
motive weaving in and out of the upper bells.
The second variation modulates to E minor
and is grand and slow-moving. The ending
builds with shakes to a final fortissimo. This
piece works well as service music or as an
introduction to the hymn.
11569926 3-5 Octave. . . . . . . . . . . L2 4.25
Come, Christians, Join to Sing!—arr. Sondra
Tucker. The cleverly offset harmonic changes
in this arrangement of MADRID propel the
piece forward and create a playful vibe which
makes this piece a pleasure to ring and to hear.
11540603 3-5 Octave. . . . . . . . . . . L3 5.95
Come, Thou Almighty King—arr. Ron
Mallory. Enjoy this energetic arrangement of
the tune
ITALIAN HYMN. Within the 3/4 meter,
the emphasis shifts back and forth between
three quarter notes and two dotted quarter
notes, adding rhythmic interest with the three-
versus-two feel. Multiple stopped techniques
are used throughout, adding yet another level
of interest. A fun romp for your choir!
11542476 2-3 Octave. . . . . . . . . . . L3 5.25
11542477 3-5 Octave. . . . . . . . . . . L3 5.25
Day by Day God's Time Is Best—arr. Karen
L. Buckwalter. This heartfelt setting written
in memory of a treasured member of the
handbell community is perfect for any service
of remembrance or other reflective setting.
The combination of Bach's aria God's Time
Is Always Best BWV 106 with the hymn Day
by Day creates a beautiful yet accessible
arrangement for church or community groups.
11540007 3-5 Octave. . . . . . . . . . .L3- 4.95
Dona Nobis Pacem—arr. Karen L. Buckwalter.
One of the most familiar rounds, Dona Nobis
Pacem (Grant Us Peace) intertwines three
melodies into a beautiful, peaceful work. As is
common in the choral world, this arrangement
presents the three melodies separately, then
ties them all together towards the end. The use
of handchimes (optional two octaves) helps to
highlight the different melodies.
11539946 3-5 Octave. . . . . . . . . . . L2 4.95
Every Time I Feel the Spirit—arr. Benjamin
A. Tucker. This stellar arrangement of the
popular spiritual contrasts a syncopated
mallet accompaniment with lyrical arpeggios
to create lovely contrasts between the chorus
and verses. This is a great piece for Pentecost
or festival use!
11540604 3-5 Octave. . . . . . . . . . . L3 5.95
Fantasy on All Creatures of Our God and
King—arr. Sandra Eithun. This impressive
free-form variation of the hallowed German
hymn uses chimes with bells presented in
an engaging musical fantasy. Low chimes
resonate as the melody is displayed in various
forms in the treble. Accessible yet intricate,
both ringers and listeners will be enriched.
11515535 3-5 Octave. . . . . . . . . . L2+ 5.50
For the Bread Which You Have Broken—
arr. Jason W. Krug. This lovely communion
arrangement is masterfully crafted and
includes lush harmonies and creative
rhythmic accompaniment.
11540262 3-6 Octave. . . . . . . . . . . L2 6.25
Glorious Light—Brian Childers. This
original piece is full of energy with a variety
of techniques included. Optional handchimes
(3-7 octaves) add color.
11573094 3-5 Octave. . . . . . . . . . L2+ 6.00
God of Grace and God of Glory—arr. Cathy
Moklebust. This lively arrangement of
CWM
RHONDDA
is filled with exciting rhythms and
techniques. Malleted bass patterns in 7/8
meter create an intriguing accompaniment
underneath the hymn tune. A slower section
follows with handchimes in a flowing style and
a lyrical treatment of the tune with handbells
in the treble. The upper treble bells switch to
handchimes before a return to the 7/8 rhythms
and an uplifting, joyous conclusion. This
arrangement is a delight and is appropriate for
most any time of year for worship, concert, or
festival use.
11569928 3-6 Octave. . . . . . . . . . . L4 4.75
Hope Abides—Brenda E. Austin. Immerse
yourself in the gentle embrace of this original
composition, thoughtfully crafted for beginners
to develop their use of techniques.
11567988 2-3 Octave. . . . . . . . . . . L1 6.25
How Great Thou Art (O STORE GUD)—arr. Pam
Gervais & Linda Boatright. Originally a stunning
piano arrangement, this setting of a favorite
hymn has been beautifully transcribed for
handbells. It begins quietly and reflectively with
just hints of the melody rung on handchimes.
A lovely key change transitions to handbells
featuring rich, somewhat unexpected chords,
tempo changes, and dynamics. The addition of
bass chimes in the 2's underlays most of this
arrangement, and both bells and chimes are
fully involved in the glorious last verse. Lyrical
and expressive musical phrases will make this
a favorite in your group's repertoire.
11548388 5-6 Octave. . . . . . . . . . L3+ 4.95
I Got Shoes!—arr. Mark Arnold. This
compelling and fun spiritual arrangement uses
mallet clicks, table hits, and optional percussion
(provided) to enhance the joy of the song.
11540605 3-5 Octave. . . . . . . . . . . L2 5.95
I Love to Tell the Story—arr. Robert Lau/
transcribed for handbells by Shawn Gingrich.
Known for his arrangements of American
hymn tunes, Robert Lau's setting of I Love
to Tell the Story is beautifully transcribed for
handbells. Mostly rung with LV passages and
perfectly-placed shakes, the setting begins
with sonorous singing bells and LV bells in the
treble supporting handchimes ringing the verse,
which then moves to bells ringing the chorus. A
legato and introspective second verse moves
to a glorious and thrilling final chorus. Those
familiar with the words of this hymn are sure to
be silently singing along with this setting, as it
remains true to the original hymn.
11560171 4-7 Octave. . . . . . . . . . . L3 4.25
I Want to Be Ready (Walk in Jerusalem
Just like John)—arr. David E Lupo. A peppy
swing-like tempo and the inclusion of optional
handchimes (2-3 octaves) add spice to this
spiritual. Great for a light moment in worship
or concert.
11542488 2-3 Octave. . . . . . . . . . L2+ 5.25
Illumina (Word of God, Light Our Way)—
Cathy Moklebust. This original composition
opens with a plainchant played on optional
handchimes (2 octaves) accompanied by
random ringing, then is followed by a richly
harmonized statement of the main theme.
A more active section follows with fluid LV
sixteenth-note patterns accompanying a
variation of the theme. A return to the opening
plainchant with random ringing concludes
this prayerful composition. Referencing
Psalm 119:105-108, the words "light our
way" are illustrated in the form of two eighth
notes and a quarter note, and the complete
text is included above the music to provide
creative reference for ringers. Editions
are compatible.
11568509 2-3 Octave. . . . . . . . . . . L3 5.95
11568510 3-5 Octave. . . . . . . . . . . L3 5.95
In Christ There Is No East or West (MCKEE)
—arr. Michael Mazzatenta. This familiar
spiritual (hymn tune
MCKEE) has been
creatively arranged in a bold and lively setting
with an expression mark that reads "Joyful fun!"
The engaging melody is mostly rung with a few
well-placed stopped techniques and echos.
As the piece develops, it slows to a broader,
elegant rung section with full resources. This is
a fresh, solid, and accessible title to add to your
group's repertoire.
11560172 3-5 Octave. . . . . . . . . . . L3 4.25
In the Gloryland—arr. Linda R. Lamb. This
gospel arrangement of two American hymns
utilizes fun stopped techniques to give it
a bounce that will thrill your listeners and
engage your ringers. The tunes are IN THE
GLORYLAND and PROMISED LAND.
11540264 3-5 Octave. . . . . . . . . . .L3- 6.25
Easy to Find and Get the Music
You Want
"The search engine on the J.W. Pepper site is so easy to work and
find what you need. It lets you know what is in stock, so you can get
it quickly—usually within a few days." — Dennis
