Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected]
21
Go to cart
Lo, How a Rose E're Blooming—
arr. Laura Farnell. Options abound in this flexible
arrangement of the traditional carol for either treble
or tenor-bass voices. Sing in unison, two, or three
parts, in either German or English, a cappella or
with the optional piano accompaniment - it works
for almost any ensemble! Easy to put together and
effective to perform.
11397043 SSA , Unison or SA . . . . . . . . . . . 2.25
Long Ago (In the Bleak Midwinter)—
arr. Jacob Narverud. A new twist on a timeless
carol, this setting of Christina Rossetti's poem
features Holst's original melody and harmonization
along with new connective material between the
verses and beautiful cluster harmonies. Paired
with an artistic piano accompaniment and optional
string parts, it is a lovely statement for the season.
The string parts are available as a download from
the publisher.
11535651 SSA or SSAA . . . . . . . . . . . . . . . . 2.60
Lullaby for a King—J. Edmund Hughes &
Mary Ellen Loose. This gently rocking lullaby
incorporates a charmingly beautiful melodic and
harmonic idea with original text for two verses,
then brings in the traditional text of Silent Night for
verse three using the same melodic and harmonic
ideas. Easily learned, it is a very accessible piece
that's perfect for Christmas services or concerts.
10795136 SA or Two-Part. . . . . . . . . . . . . . . 2.20
Mary, Did You Know?—arr. Craig Courtney.
This popular contemporary Christmas song
receives a fresh treatment in this arrangement.
An ethereal sound is set by the use of chord
clusters and an aleatoric section. The melody is
then introduced by a soloist. Truly an exceptional
setting that will become a favorite of your choir.
11514049 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.50
Noel, Noel—Vijay Singh.
Welcome the Christmas season with this festive
original work for two-part treble or tenor-bass
voices! Accented and vigorous, this a cappella
setting in compound meter is the perfect way to
open a concert or service in impressive fashion.
11396486 SA . . . . . . . . . . . . . . . . . . . . . . . . . 1.75
O Come, Emmanuel—
arr. Elaine Hagenberg. "Haunting" is the best
word to describe this original setting of the
traditional Advent text, scored for choir, piano
and cello. Marked "mysterioso" in triple meter,
it is such a creative interpretation, the effect in
performance is truly extraordinary!
11568344 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.75
O Little Town of Bethlehem—
arr. Dan Forrest. This stunning arrangement of
one of our most treasured Christmas carols offers
a poignant musical picture of that glorious night
in Bethlehem. The gentle scoring for choir and
piano is well within the range of most groups.
Optional accompaniment possibilities, including
soprano saxophone (or B-flat clarinet or oboe),
string quartet, or orchestra, offer additional layers
of beauty.
11395343 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.50
On Christmas Night All Christians Sing—
arr. David Lantz III. The beautiful Sussex Carol
is sweetly arranged for treble voices with optional
flute (or other treble C instrument). Feature your
sopranos and altos on Christmas Eve or during
late Advent for a tender musical moment during
worship. The flute part is included in the octavo.
11565186 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
Peace, Peace—Rick & Sylvia Powell/
arr. Fred Bock. This lovely Christmas piece
introduces a beautiful yet simple melody that
is surrounded by keyboard, optional handbells,
and obbligato C-instrument accompaniment.
Orchestration is also available. The warm melody
is later joined by the familiar Silent Night to create
one of the most touching of Christmas selections.
1573138 Two-Part . . . . . . . . . . . . . . . . . . . . 2.35
706952 Three-Part Treble or SSA,
or Three Equal Voices . . . . . . . . . 2.35
Rise Up, Shepherd, and Follow—
arr. Greg Gilpin. This traditional Christmas
spiritual has a lively gospel feel, conservative
ranges, and a syncopated piano accompaniment.
Clever voice leading, stacking harmonies, and
just the right amount of repetition make this well-
paced arrangement easy to learn and a joy to
sing. A perfect addition to your Christmas concert
or service!
11501639 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.25
The Savior's Birth—Marques L. A. Garrett.
Effectively combining an ancient Latin text and
three traditional Christmas spirituals (Rise Up,
Shepherd, and Follow; Mary Had a Baby; What
You Gonna Call Your Pretty Little Baby?), this a
cappella setting sparkles with rhythmic intensity
and joy for the Christmas season. From Carols for
Choirs 6.
11563686 SSAA . . . . . . . . . . . . . . . . . . . . . . 3.25
See, Amid the Winter's Snow—
arr. Dan Forrest. This arrangement of HUMILITY
with the time-honored text by Edward Caswall
swells with emotion in the stunning unfolding
of the text. It is scored for choir and piano with
optional string quartet and percussion with full
score and parts available.
10907678 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.75
The Shepherd's Spiritual—
arr. Donald Moore. Here's a swingin' gospel
treatment of Rise Up, Shepherd, And Follow that
your ensemble will enjoy singing year after year! It's
a great confidence-builder, an exciting audience-
pleaser, and just plain fun for all involved, especially
when you use the tambourine part!
11365813 SA or Two-Part. . . . . . . . . . . . . . . 2.25
10583538 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.50
Silent Night—arr. Dan Forrest.
A gentle instrumental introduction sets the stage
for this setting of the classic Christmas carol,
continuing under the familiar text with a quiet
intensity as it builds to the strong statement
of purpose: "Christ, the Savior, is born." Then
it quietly rests in the strength of that truth.
Accompaniment for string quartet or full orchestra
is available for each voicing.
11202828 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.10
Sing We Now of Christmas—
arr. Kyle Pederson. This ethereal setting of NOEL
NOUVELET
will surprise you with its mystical take on
what is normally a boisterous Christmas song. The
harmonic texture is modern, and the optional oboe
adds to the plaintive and dreamy atmosphere.
11568345 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.75
This Endris Night—Sarah Quartel.
This fresh take on a familiar 15th-century
Christmas text artfully utilizes dotted rhythms
in 6/8 meter to create a lilting feel, and the
memorable melody for the carol text passes
through each of the voice parts. The SATB,
SSAA, and TTBB versions are a cappella with
an optional part for handbells, percussion, or the
chime stop on the organ, while the unison version
is accessibly set with a piano accompaniment.
10993554 SSAA A Cappella,
with opt. Handbells . . . . . . . . . . . . 3.25
This Little Babe—Benjamin Britten.
This exciting Christmas carol, originally for treble
voices, comes from Britten's "A Ceremony of
Carols." The accompaniment, written for harp,
may also be played by keyboard.
162545 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.15
The Work of Christmas—Dan Forrest.
"When the song of the angels is stilled, when the
star in the sky is gone... the work of Christmas
begins." This setting of a poem by Howard
Thurman, presented as an ethereal benediction,
is truly a captivating moment in song. Beautifully
conceived, it is impossible to overstate its impact
on those within its hearing.
11202840 SSAA with Piano . . . . . . . . . . . . . 2.35
