Editors' Choice 2024 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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LITURGICAL CHRISTMAS ANTHEMS
Cradle Song—Robert Neumeyer. For
seasonal worship or school concerts, this lovely
setting of Blake's text focuses on the inherent
clash between the corruption of the world and
the innocence of youth. The choral verses
progress from SA to TB to SATB, with a hint
of dissonance and a brief a cappella section
leading to the ending.
11567858 SATB . . . . . . . . . . . . . . . . . . . 2.20
The First Nowell—arr. Bob Chilcott. This
tunefully lilting carol will prove popular with
audiences and choirs alike. From Carols for
Choirs 6.
11512362 SATB w/Organ . . . . . . . . . . . 3.25
Gaudete—Michael Burkhardt. A lively, sacred
Renaissance piece from the 14th century. It
may be sung in Latin or in English and uses
both treble choir as well as SATB chorus.
The percussion parts are included in the
score and add a great deal to this lively piece.
Congregation and choir alike will enjoy this one.
10514442 SATB/Unison . . . . . . . . . . . . 2.25
Gloria (from "Harmoniemesse")—Franz
Joseph Haydn/arr. Russell Robinson. Adapted
from the original, Hadyn's recognizable Gloria
from Harmoniemesse is accessibly set for SAB
voices. Lowered to G from the original B-flat,
these ranges sit comfortably in the voice, and
the classical harmonies and Latin text allow
the choir to explore the style while developing
solid choral technique. Suitable for services or
concerts. A playable piano part is crafted from
the original orchestral score.
11510842 SAB . . . . . . . . . . . . . . . . . . . . 2.15
Gloria (from "Mariazeller Messe")—Joseph
Haydn/ed. Ryan Kelly. Haydn's eighth setting
of the ordinary of the Mass was composed in
1782 for performance in Mariazell, Austria. The
brief opening portion of the Gloria has been
selected for this anthem, featuring Haydn's
exuberant, straightforward homophonic
choral writing true to the Classical period. The
accompaniment is an approachable orchestral
reduction for piano with optional trumpets and
timpani. Accessible to most ensembles, this
anthem offers choirs the exciting opportunity to
sing an excerpt from a large-scale choral work.
11515557 SATB . . . . . . . . . . . . . . . . . . . 2.75
11515572E Instrumental Parts 2 Trumpets,
Timpani ePrint. . . . . . . . . . .15.00
Gloria—Michael John Trotta. This energetic
choral work offers an introduction to the
traditional Latin text with compound meter
and accessible choral parts. Whether chosen
for its educational features, its lyric melody, or
its energetic accompaniment, it is a wonderful
way to open any concert. It can be used in
combination with Trotta's other Latin works
Kyrie; Agnus Dei and Sanctus to create a
Missa brevis.
10990313 Three-Part Mixed or SATB. . 2.50
10735245 SA . . . . . . . . . . . . . . . . . . . . . 2.50
11370897 TB . . . . . . . . . . . . . . . . . . . . . 2.50
11162737 Choral Score-
Missa Brevis Complete . . . . 6.99
11397044 Choral Score-Missa Brevis
or SATB Complete
Missa Brevis . . . . . . . . . . . . . 4.75
Gloria in Excelsis Deo—Jasper Randall.
One of the most popular texts to sing during
the Christmas season, this compelling single-
movement work breaks from the traditional
liturgical text and surprises us with the English
statement "For unto Us" before returning to
the traditional Latin text. Fanfare-like and
memorable, this exciting work with either piano,
brass and percussion, or full orchestration
will be embraced for Christmas concerts or
services. Parts are available for rental.
11564511 SATB divisi. . . . . . . . . . . . . . . 4.99
11564512 Full Score
Brass & Percussion . . . . . .100.00
11564513 Full Score Full Orchestra. .150.00
Gloria, Hodie!—Glenn A. Pickett. The 16th-
century carol Personent Hodie has never
sounded so thrilling! With an original text of
peace and hope along with brilliant harmonic
colors and rhythmic motifs, this six-minute
single-movement work is an exciting addition
to the Christmas repertoire. It can be performed
with piano accompaniment alone; however,
three dynamic orchestrations for brass quintet,
chamber orchestra, or full orchestra are also
available for rental.
11564514 SATB . . . . . . . . . . . . . . . . . . . 4.99
11564517 Full Score Brass Quintet . . .75.00
11564515 Full Score
Chamber Orchestra. . . . . .100.00
11564516 Full Score Full Orchestra. .150.00
His Light in Us—Kim Andre Arnesen.
Commissioned by the St. Olaf Choir for the
2016 St. Olaf Christmas Festival, this work is
a thanksgiving, a song about the gift of a tiny
child that suggests that only the nature of love
is changeless. It sings about our renewed hope
and how light now shines because Christmas
is a new and refreshing gift; our hearts are
renewed, and our hope is renewed. This joyful
reflection was written for Christmas, but can be
sung at any time of year as a song of hope.
10773131 SATB . . . . . . . . . . . . . . . . . . . 2.40
I Saw Three Ships—arr. Taylor Scott Davis.
This setting breathes new life into the familiar
Christmas carol, giving it a luxurious and
contemporary flair. The setting is arranged for
choir and orchestra or may be performed with
piano only.
11566235 SATB . . . . . . . . . . . . . . . . . . . 2.25
11566236 Full Score . . . . . . . . . . . . . .20.00
I Will Light Candles This Christmas—Kim
Andre Arnesen. Featured at the 2018 St. Olaf
College Christmas Festival, this is a beautiful
and lush setting of the Howard Thurman text. It
reminds us that Christmas is a time of light over
darkness. The message in the carol inspires us
to become carriers of that light that brings joy,
hope, courage, peace, grace, and love.
10986385 SATB . . . . . . . . . . . . . . . . . . . 2.95
11398753 SSAA. . . . . . . . . . . . . . . . . . . 2.95
11169883E Instrumental Parts
Chamber, Strings
& Percussion ePrint . . . . . .57.50
11169882E Instrumental Parts
Full Orchestra ePrint. . . . .115.00
Iesous ahatonnia'—arr. Sarah Quartel.
With newly composed text from Wendat
poet Andree Levesque Sioui, this reimagined
arrangement of the Huron Carol is retitled to
honor its origins and invites us to learn from the
past while working to shape a more cohesive
future. There are extensive notes about the
history and texts of the carol included in the
octavo, and the arrangement gives the option
to sing an English text. It is a beautiful choice
for Christmas concerts or services.
11563792 SATB . . . . . . . . . . . . . . . . . . . 3.65
In Dulci Jubilo—arr. Mark Burrows.
Uniquely combining English and Latin in this
traditional German carol, this arrangement
is an accessible and appropriate addition to
your holiday concert or church service. With
canonic duets and joyful interplay between SA
and TB and an optional trumpet part, this piece
is festive and fun!
11559632 SATB w/ opt. Trumpet . . . . . 2.50
In Dulci Jubilo (from "Carols for Choirs 6")
—Cecilia McDowall. The vibrant melody of
this carol glides above harmonies that are
almost entirely diatonic - but whose originality
and frequent passing dissonances mean that
predictability is never a danger. From Carols
for Choirs 6.
11426395 SATB w/Organ . . . . . . . . . . . 3.65
In the Bleak Midwinter—arr. Matthew
Culloton. Matthew Culloton has created a
gorgeous setting of the familiar carol scored
for SATB divisi voices with soprano solo, a
cappella. Beautiful textural and harmonic
touches, alternately simple and complex,
illumine and elevate the text. The thought,
beauty, and emotion in this setting are not to
be missed.
11197403 SATB . . . . . . . . . . . . . . . . . . . 2.65
In the Bleak Midwinter—Harold Darke. The
classic 1911 Darke setting of Rossetti's poem
frequently appears in the King's College Festival
of Nine Lessons and Carols program. The vocal
solos can be sung by sections, and the organ
accompaniment adds color. It's a stunning
addition to any Christmas service or program.
11567819 SATB w/Organ . . . . . . . . . . . 2.40
In the Bleak Midwinter—Gustav Holst/arr.
Robert J. Powell. The poignancy of Gustav
Holst's tune
CRANHAM and Christina Rossetti's
notable poem, In the Bleak Midwinter, is
evident in this setting by Robert Powell. The
SAB vocal tapestry varies by verse and the
organ accompaniment can be complemented
by string quartet or by solo violin and cello.
11200118 SAB . . . . . . . . . . . . . . . . . . . . 2.20
11200119 Instrumental Parts. . . . . . . . . 8.50
In the Bleak Midwinter—Gustav Holst
& Bruce W. Becker/arr. Kyle Pederson.
This piece pairs Holst's iconic melody
with a lesser-known melody by Bruce
Becker and augments Rossetti's text with
original lyrics that look toward the light of
Christmas. An active and independent piano
accompaniment, optional opening solo,
flowing vocal lines, and an unaccompanied
middle section make this a sensitive selection
for your Christmas program.
11512094 SATB . . . . . . . . . . . . . . . . . . . 2.85
In the Stillness—Sally Beamish. With original
words by Katrina Shepherd, this short, lush
Christmas carol beautifully captures the
hushed rapture of a small parish church in a
snowbound landscape just before Christmas.
11510068 SATB . . . . . . . . . . . . . . . . . . . 3.50
Infant Holy, Infant Lowly—arr. Brent Wells.
Perfect for advanced ensembles, this a cappella
arrangement of the traditional carol lends an
ethereal quality to your Christmas concert or
service. Retaining the simple folk-like beauty of
the original melody, the carol tune soars above
lush choral harmonies, creating an understated
atmospheric effect. Simply breathtaking.
11564946 SATB divisi . . . . . . . . . . . . . . 2.95
It Came Upon the Midnight Clear—arr.
Daniel Ficarri. This a cappella setting of the
traditional carol opens with a spotlight on the
tenor section with background choir "oohs."
The second stanza is more homophonic,
and in the third, the carol is sung canonically.
Delicate harmonic shading provides touches
of color as angels wing their way through the
night sky. Lovely.
11394789 SATB . . . . . . . . . . . . . . . . . . . 2.25
Jesus Christ Is Born Today—Joanna Forbes
L'Estrange. A lively anthem for choir and organ
for Christmas morning, the melody in 7/8 and
joyful text celebrate the meaning of the day.
The unison refrain allows for easy optional
congregational participation.
11514611 SATB w/Organ . . . . . . . . . . . 2.60
Joseph's Carol—John Rutter. This carol
recounts the Christmas story from the
perspective of Joseph. Two expressive verses
are taken by the solo baritone, with the chorus
performing a refrain infused with expectancy
and wonder. In the closing words of the second
solo, the choir takes on the role of the angels in
a soft accompaniment. The upper three voice
parts are designed to be approximately equal
in strength, and the carol may be accompanied
by organ or small orchestra. This carol is
dedicated to the Oxford Vaccine Team and
was premiered by Sir Bryn Terfel, The Oxford
Philharmonic Orchestra, and the Choir of
Merton College in a special tribute concert.
11342517 SAATB . . . . . . . . . . . . . . . . . 3.65
Lully, Lulla, Lullay—Philip W. J. Stopford.
Treasured words from the 15th-century carol
are paired with a stunning, newly composed
a cappella setting for mixed choirs. Beautiful
cluster harmonies are interposed with a
more open harmonic structure to create this
wonderful sense of ancient and modern. A
soaring descant enters in the final stanza to lift
the piece to a sublime finish.
10278801 SATB . . . . . . . . . . . . . . . . . . . 2.35
Midwinter Song—Susan LaBarr. This work is
a new Christmas carol that calls us to love, faith,
and hope. With a beautiful and supportive piano
accompaniment and accessible vocal lines, this
work will appeal to a wide variety of levels.
10994192 SATB . . . . . . . . . . . . . . . . . . . 3.10
My Lord Has Come—Will Todd. This heartfelt
setting begins with a pianissimo drone over
which the sopranos introduce the expressive
melody. With lush harmonies, moments of
dynamic intensity and an overriding sense of
awe, this a cappella work will make an ideal
centerpiece for a Christmas or Epiphany
concert or service.
10443202 SATB . . . . . . . . . . . . . . . . . . . 2.85
10561402 SSAA. . . . . . . . . . . . . . . . . . . 2.85
11315800E Solo-My Lord Has Come High
Voice Solo Eprint . . . . . . . . . 4.00
O Be Joyful—Toby Young. The jaunty 6/8
tempo and effervescent piano part propel the
music along and underpin highly singable
melodic writing for your choir. From Carols for
Choirs 6.
11512347 SATB . . . . . . . . . . . . . . . . . . . 3.65
O Holy Child of Bethlehem—Benjamin
Harlan. A familiar text is set to an original
melody that rises and falls in beautiful spinning
lines. Treble voices sing stanza 1 and tenor-
bass sing stanza 2. An expressive a cappella
middle section opens into four-part harmony.
The last stanza broadens with tenor-bass on
the melody and treble voices on the descant
before extending into four parts. This is sure to
be a favorite tune for this well-known text.
11564806 SATB w/Organ . . . . . . . . . . . 2.25
O Magnum Mysterium—Jonathan Reid.
This beautiful addition to the treble repertoire
utilizes the time-honored Latin Nativity text but
can be performed as a lovely concert work at
any time of year. Singers will appreciate the
rich contemporary harmonies, lyrical lines,
and gentle sensitivity that lend an element of
maturity without excessive difficulty.
11365817 SSA . . . . . . . . . . . . . . . . . . . . 2.25
