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HYMN ARRANGEMENTS
My Faith Looks Up to Thee—arr. Connor
Warren Smith. Hopeful and anthemic, this
fresh treatment of the classic hymn weaves
together rich harmonies and declaratory
melodies. Offering a captivating and emotive
musical journey, a new original verse of text
is introduced to clarify the message, and the
musical setting highlights aspects of the text in
a colorful and unique way.
11566925 SATB divisi treble . . . . . . . . . 2.25
My Hope is Built on Nothing Less (Tune:
MAGDALEN)—arr. John A. Behnke. A hymn
concertato for choir, organ, congregation,
optional handbells, brass, and timpani,
everything is included in this 32-page score.
All parts are reproducible: full score, choir and
organ, 3-5 octaves handbells, brass quintet (2
Bb trumpets; 2 trombones, & tuba,) timpani,
and congregational insert. Enjoy this festive
setting of a well-known and beloved hymn for a
budget-friendly price!
11547382 SATB/Unison
w/Organ (Reproducible -
only 1 copy needed) . . . . . .14.95
My Jesus, I Love Thee—arr. Scott O.
Cumberbatch. The African American Church
Series adds this moving arrangement of the
traditional hymn tune
GORDON to its offerings.
The soloist, full choir, and keyboardist all get
moments to shine as the piece builds to a
rousing conclusion.
11538235 SATB . . . . . . . . . . . . . . . . . . . 2.40
My Shepherd Will Supply My Need—Mack
Wilberg. An excellent setting based on Psalm
23 which will serve your choir well on many
occasions throughout the church year.
1994516 SATB . . . . . . . . . . . . . . . . . . . 2.95
5440052 Instrumental Parts. . . . . . . .25.00
My Song in the Night—Elaine Hagenberg.
This captivating arrangement highlights the
elegant sensitivity of the traditional American
folk hymn. As the melody gently drifts
through each vocal part, a newly composed
refrain gracefully soars over a lush piano
accompaniment. Finally, a shimmering tapestry
of descending lines brings the piece to a restful
and contemplative conclusion.
11416228 SATB . . . . . . . . . . . . . . . . . . . 2.95
Now I Belong to Jesus—Norman J. Clayton/
arr. Cindy Berry. This time-tested hymn has
been elegantly arranged for year-round use.
Comfortable ranges, easy-to-learn part-
writing, and a supportive accompaniment
make this piece a joy to learn and sing. Allow
this classic song to encourage your listeners
for years to come!
11565497 SATB . . . . . . . . . . . . . . . . . . . 2.75
O God Beyond All Praising—Dan Forrest.
The treasured hymntune THAXTED, written by
Holst, is given fresh treatment for SATB voices
and piano. Little rehearsal time is needed to
prepare this offering and a solid performance
is guaranteed.
10087562 SATB . . . . . . . . . . . . . . . . . . . 2.95
10185931 Instrumental Parts
Brass Sextet . . . . . . . . . . . .45.00
10185932 Instrumental Parts
String Orchestra . . . . . . . . .45.00
10797315 Instrumental Parts
Full Orchestra . . . . . . . . . . .55.00
O God Beyond All Praising—arr. David
Schwoebel. This stirring anthem of praise uses
scripture quotes from Romans 11 to provide
framing for the venerable hymn text and Holst's
tune
THAXTED from Jupiter. Congregational
singing can be added on the hymn tune. An
optional organ part is available separately from
the publisher that can be used in addition to
(not instead of) the piano.
11539979 SATB w/opt. Organ. . . . . . . . 2.50
O Jesus, I Have Promised—arr. Thomas
Keesecker. This familiar hymn text is set
to the Irish folk tune
SALLEY GARDENS.
With lush and accessible writing, this
piece is appropriate for use with themes of
commitment and discipleship.
11515563 SATB . . . . . . . . . . . . . . . . . . . 2.75
O Love—Elaine Hagenberg. This beautiful
setting of George Matheson's familiar hymn
text functions perfectly in both sacred or
secular settings. Here, O Love is given a
fresh new melody with equally refreshing and
gorgeous harmonies. You will not want to miss
this for use as a sacred meditation in a worship
service or in a concert setting as a tribute to the
glory of love itself. Simply stunning!
10667410 SATB . . . . . . . . . . . . . . . . . . . 2.50
10954544 SSAA. . . . . . . . . . . . . . . . . . . 2.50
10954546 TTBB . . . . . . . . . . . . . . . . . . . 2.50
10954547 Instrumental Parts
Cello part for all voicings. . . . 4.95
O Love That Will Not Let Me Go—Gwen
McLeod Hall. A lush original melody highlights
George Matheson's moving Romantic-era
poetry. Gradually incorporating phrases of
Albert Peace's 19th-century tune in verses 1-3,
the fourth verse fully quotes the last stanza of
the familiar hymn
ST. MARGARET. Choirs will
find this readily accessible.
11564969 SATB . . . . . . . . . . . . . . . . . . . 2.95
O Word of God—arr. Craig Courtney. An
original tune for a worthy hymn text, this stately
musical setting allows the various metaphors
for scripture to shine clearly. Suitable as a
prayer for illumination or general worship,
optional congregation and optional C or B-flat
instrument will add interest and strength.
11514066 SATB . . . . . . . . . . . . . . . . . . . 2.50
The Old Rugged Cross—George Bennard/
arr. Chris Sharp. This gospel-style arrangement
features a solo to begin and end the piece. A
brief a cappella section will challenge your
singers with close harmonies. Celebrate the
transformative love and sacrifice of Jesus with
this powerful hymn of the faith.
11569211 SATB . . . . . . . . . . . . . . . . . . . 3.00
Praise Him! Praise Him! (with "Oh, How I
Love Jesus")—arr. Brad Nix. This anthem
opens with a short fanfare, then one verse of
Praise Him! Praise Him! is presented before
the classic hymn Oh, How I Love Jesus
makes a brief appearance. The final verse is
sung as the music races toward a triumphant
conclusion, complete with an optional
descant for sopranos. Your congregation will
appreciate this fresh arrangement of a time-
tested hymn.
11538392 SATB . . . . . . . . . . . . . . . . . . . 3.40
Praise, O Praise the King of Heaven!—
Lloyd Larson. Assertive syncopated rhythms
add energy and joy to this new setting of
the traditional Henry Lyte text. Cast in rondo
form, the refrains gather intensity throughout
the piece, culminating in joyful proclamation:
"Praise the everlasting King!"
11514067 SATB . . . . . . . . . . . . . . . . . . . 2.50
The Same Christ Calls—David Schwoebel.
The text affirms that the Christ of the past
is the same Christ who calls us now. A
confident original melody propels the piece
forward. The hymn How Firm a Foundation
is incorporated, giving the congregation a
chance to participate. A short middle section
of a cappella singing is included, and the
ending is a dramatic moment of praise. Score
and parts for 3-5 octave handbells and organ
are available separately.
11564868 SATB . . . . . . . . . . . . . . . . . . . 2.40
11564876 Orchestration CD-ROM . . .30.00
Savior, Like a Shepherd Lead Us—William
Bradley Roberts. This anthem is a revoicing
of the popular unison setting based on the
beloved hymn text paraphrase of Psalm 23
and paired with the original tune
GRANT. The
music beautifully flows in a lilting 12/8 meter
with gentle rhythmic interest. It is especially
useful for funerals, All Saints, and during the
Easter season.
11539778 SATB . . . . . . . . . . . . . . . . . . . 3.00
Spirit Divine—Nancy Ruth Durance. Gentle
syncopations in piano and voices provide
murmuring motion in a reverent setting that
eventually soars with imitative layers. An
optional solo provides further opportunities, or
the solo melodies may be sung by the soprano
section. This setting provides a lovely prayer
for illumination and the Spirit's presence.
11568357 SATB . . . . . . . . . . . . . . . . . . . 2.75
Spirit of the Living God—Daniel Iverson/arr.
Brandon Williams. "Spirit of the living God, fall
afresh on me." The lyrics of Daniel Iverson's
immortal hymn find a fresh voice in this
stirring a cappella arrangement. Some divisi
in the soprano and bass parts helps to create
luscious harmonic moments. Although it is a
brief choral prayer, it will not soon be forgotten.
11394807 SATB . . . . . . . . . . . . . . . . . . . 2.70
Standing on the Promises—arr. Larry
Shackley. This classic hymn, set to a rollicking
four-hand piano accompaniment, features fun
and engaging vocal writing that will invigorate
both vocalists and congregation. The third
verse, thoughtfully set in a reflective manner,
provides a perfect contrast to the anthem's
overall liveliness. An optional two-hand
accompaniment is also available.
11538395 SATB w/4-hand piano . . . . . 2.95
Take Up Your Cross, the Savior Said—arr.
John Leavitt. A lesser-known American hymn
tune,
BOURBON, is explored and expanded
in this dynamic adaptation. With optional
keyboard support, the minor mode theme is
a compelling setting for lyrics that celebrate
discipleship and abundant living. An optional
descant delivers an exclamation point to this
worship anthem.
11539734 SATB . . . . . . . . . . . . . . . . . . . 2.35
Then Sings My Soul (How Great Thou Art)—
arr. Mary McDonald. With altered melody and
lush harmonies, this fresh treatment awakens
a new breadth and splendor into this timeless
hymn, giving rise to the greatness that it
invokes in worshiping God, our Creator. The
gorgeous orchestration by Michael Lawrence
is a true complement to Mary's splendid
choral writing.
10235819 SATB . . . . . . . . . . . . . . . . . . . 3.25
10275260 SAB . . . . . . . . . . . . . . . . . . . . 3.25
10554460 Two-Part Mixed. . . . . . . . . . . 3.25
10750789 SSA . . . . . . . . . . . . . . . . . . . . 3.25
10275261 TTBB . . . . . . . . . . . . . . . . . . . 3.25
10235828 P/A CD . . . . . . . . . . . . . . . .29.95
10750849 Instrumental Parts
Handbells 3-5 Octave. . . . . . 7.00
10235829 Orchestration . . . . . . . . . . .89.95
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