GENERAL ANTHEMS
71
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Welcome Home—Antonin Dvorak/arr.
David Angerman. A new text welcomes all
believers home to the arms of Jesus in this
arrangement that is based upon the beloved
chorus from Dvorak's "New World" Symphony.
The accessible part writing creates an ideal
warmth complemented by the delicate piano
accompaniment. Perfect for general or
communion worship.
11569249 SATB . . . . . . . . . . . . . . . . . . . 2.35
Welcome to Jesus—Brad Nix. Embrace the
spirit of worship and invitation with this anthem.
Inspired by John Bunyan's timeless work
Come and Welcome to Jesus Christ, this song
reminds us that we are all lovingly invited to find
faith in Christ. With its limited melodic ranges
and accessible piano accompaniment, this will
be a quickly learned favorite.
11538403 SATB . . . . . . . . . . . . . . . . . . . 2.95
Whatever May Be—David Lantz III. This
profound text by Thomas Henry Roehrich is a
warm reminder to cast all our cares upon Him,
for no matter what, His love never fails. The
chorus, "Slow me down, that I might see that the
love You have for me shall be mine eternally,
whatever may be" gives assurance, and the
upbeat, syncopated melody lingers long after
the anthem is done. Use for a general anthem,
prayer response, or as a post-Easter anthem.
11414643 SATB . . . . . . . . . . . . . . . . . . . 2.55
11534427 SAB . . . . . . . . . . . . . . . . . . . . 2.55
Where Can I Go?—Molly Ijames. This
beautifully refined setting of words from
Psalm 139 is both soul-searching and deeply
comforting: "I am known ... where can I go,
except to You, Lord." Optional flute part is
available separately from the publisher.
11539985 SATB . . . . . . . . . . . . . . . . . . . 2.50
Where Would I Be?—Christy Nockels/arr. Cliff
Duren. A touching, introspective reflection of
faith, this song has been arranged for choir and
soloist. The refrain "Without the blood, where
would I be?" exudes thankfulness for the gift
of salvation and forgiveness we have in Christ
and how he took our place on the cross.
11539688 SATB & Soloist . . . . . . . . . . . 3.20
With a Voice of Singing—Martin Shaw.
This joyous work is a choral classic that is
appropriate for any festive occasion. With easy-
to-sing harmonies and unison passages, it is
an absolute must for every choral library. Your
choirs and listeners will always appreciate its
vibrant beauty.
426601 SATB . . . . . . . . . . . . . . . . . . . 2.10
426510 SAB . . . . . . . . . . . . . . . . . . . . 2.10
426692 Two-Part . . . . . . . . . . . . . . . . 2.10
426247 SSA . . . . . . . . . . . . . . . . . . . . 1.95
426338 TTBB . . . . . . . . . . . . . . . . . . . 1.95
10,000 Reasons (Bless the Lord)—
Jonas Myrin & Matt Redman/arr. Lloyd Larson.
This superb contemporary praise song is arranged here
as a sensitive choral ballad. The words of Psalm 103
combine with the idea that we could never begin to count
the reasons for which we come before God with praise.
In the final verse, the number 10,000 is further connected
to our endless praise in eternity, forevermore.
11567247 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
Be Thou My Vision—arr. Dan Forrest.
This masterfully crafted essay on the timeless Irish hymn
balances melody, the singers, and the accompanist.
Liquid vocals appear over understated piano lines,
followed by judicious a cappella phrases and a sweeping
crescendo to the phrase "Heart of my own heart, whatever
befall." A worshipful treatment of a timeless melody.
10515947 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Followers of the Lamb—arr. Earlene Rentz.
A lively traditional Shaker song, this arrangement pays
homage to the song's roots while adding a vibrant,
contemporary feel. Available in multiple voicings that
work for almost any choir, this historic piece offers
many educational opportunities for study and is also a
wonderful choice for concerts or services.
11566982 TBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.45
Gaudeamus Hodie—Earlene Rentz.
The strong, driving rhythms and exciting dynamic
contrasts of this Latin setting will keep your audience and
choir engaged right up to the final vigorous "Hallelujah!"
Very catchy, fun to sing and easy to sound good on, this
piece will work well as a processional or opener. Now
available in a unison voicing.
10510042 TBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
God Almighty Is!—Mary McDonald. This original
anthem powerfully proclaims that God is the light, the
courage, the strength, the power and the glory: "God
Almighty is!" Quoting Holy, Holy, Holy, it boasts a riveting
melody and harmonies that will lift the congregation to sing
God's praise. The optional orchestration is by Ed Hogan.
11567250 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
God Is Our Refuge—Allen Pote. This is a good, solid
anthem with a driving, rhythmic accompaniment and
optional trumpet duet accompaniment. Usable for any
service, it has an easy-to-sing melody and a nice text
from Psalm 46. Quality material without being difficult,
this anthem will be performed again and again.
11567237 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
Hold on to the Rock—Pepper Choplin.
This original gospel-swing anthem reveals Pepper
Choplin at his creative best! Its irresistible style and
rhythmic vitality contribute to an enthusiastic expression
of the joy and comfort as we "hold on to the rock" of our
salvation through life's trials.
10998938 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.20
How Can I Keep from Singing?—
Gwyneth Walker. This is an old Quaker hymn dating
back to the 1800s in the United States. References to
the persecution of Friends may be heard in the lyrics, yet
faith and courage prevail. This arrangement emphasizes
the celebratory and life-affirming aspects of the song.
10036808 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.85
How Sweet the Sound—Christi Jones. A longtime
favorite, Amazing Grace gets a whole new musical setting
that is truly inspired. Upbeat, with pleasantly syncopated
lines and optional percussion, this a cappella original
surely encapsulates the text "how sweet the sound"!
11397037 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
The Journey—arr. Joseph M. Martin.
Combining Simple Gifts and the Going Home theme from
Dvorak's "New World" symphony in partner-song format,
this is easy to perform with a minimum of rehearsal.
A lyrical violin part adds to the bittersweet qualities of this
simple, yet profound. classic.
11539737 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Like a River in My Soul—arr. Tim Osiek.
The river flows steady and calm in this beautiful
arrangement of the traditional spiritual edited by Dan
Forrest. It is impossible to ignore the underlying intensity
which rises and falls as peace, love and joy move
from river to ocean to fountain and back again. It is
accompanied by piano and is certain to become a favorite.
11166182 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
O Love—Elaine Hagenberg.
This beautiful setting of George Matheson's familiar
hymn text functions perfectly in both sacred or secular
settings. Here, O Love is given a fresh new melody with
equally refreshing and gorgeous harmonies. You will
not want to miss this for use as a sacred meditation in a
worship service or in a concert setting as a tribute to the
glory of love itself. Simply stunning!
10954546 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Shalom—Dan Forrest. This tender and comforting
work "passes the peace" as its simple yet elegant melody
washes over the listener, gently unfolding its text with
increasing texture: "Peace I leave with you, my peace I
give to you, not as the world gives; do not be afraid." The
Hebrew word "shalom" forms the refrains, and whispers
of the word "peace" further paint the spirit and promise
of the text. With piano and optional violin, this piece is
equally at home in worship or concert settings.
11314189 TBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Ubi Caritas—Michael John Trotta. The beloved Latin
text is set in an elegantly simple texture with conservative
ranges. Straightforward rhythms and moments of
release create a tapestry of sound that surrounds the
chant line. In a variety of voicings with or without piano
accompaniment, the beautiful modern harmonies and
cluster chords create an artistic setting that is equally
appropriate for service use or the concert stage.
11415262 TB opt. divisi or TTBB
with Piano Accompaniment . . . . . . . . . . 2.90
Wade in the Water—arr. Dan Davison.
Written specifically with young developing choirs in mind,
this exciting spiritual arrangement features comfortable
vocal ranges and easy-to-learn two-part harmonies. This
rhythmic setting abounds with solo opportunities for a
variety of voice types and presents outstanding teaching
opportunities for style and historical context. Equally
appropriate for the concert stage or worship service.
10715332 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
We Sing the Mighty Power of God (Brothers,
Let Us Sing!)—arr. Brent Wells. This triumphant
arrangement of the beloved hymn tune
ELLACOMBE
is a wonderful selection for tenor-bass choirs. With
an exciting four-hand piano accompaniment and
percussion, the mixed meter brings rhythmic vitality and
the contemporary harmonic colors bring freshness and
a beautiful sonority. With a full set of alternative secular
lyrics about the joy of singing together, it can be used as
a concert piece or as an element of your worship service.
11415513 TTBB with 4-hand Piano & Percussion . . 3.20
GENERAL ANTHEMS FOR
TENOR-BASS CHOIRS
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