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I Will Be a Child of Peace—
Elaine Hagenberg. "For well I know Thy hand
will bless the seeker after righteousness." This
sensitive, worshipful prayer is arranged from a
Shaker hymn and superbly expresses the deepest
longing of the redeemed soul. Breathtaking with
luscious piano writing.
10805750 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.35
I Will Rise—Chris Tomlin/arr. Craig Courtney
& Lynda Hasseler. Here is a concert-ready
arrangement of the contemporary classic, with
the flexibility to be performed with or without
piano. The string accompaniment provides
another option, either as strings alone with choir
or as solo instruments to add texture to the piano
accompaniment. The choral parts are scored so
that sections of the vocal "accompaniment" can
be omitted when using piano. The possibilities are
endless. A unique setting!
10667330 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.95
I'm Gonna Sing When the Spirit Says
Sing—arr. James M. DesJardins.
This piece combines musical elements of
traditional African-American spirituals and
Protestant church music. Inspirational and great
fun to sing, with optional claps and hand moves,
singers will ride on the energy and excitement of
the driving bass line in the highly rhythmic piano
accompaniment.
10872487 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Keep Yo' Lamps—arr. Rosephanye Powell.
A traditional field shout, singers will enjoy learning
this spiritual presented with care and authenticity.
Percussive part writing supports the powerful
melody, creating a driving rhythm that will keep
audiences on the edge of their seats. It's a
wonderful programming option at any time of year.
10067917 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.65
Keep Your Lamps!—arr. Andre Thomas.
This exciting spiritual, with accompaniment
for high, medium, and low conga drums, is an
unusually appealing number suitable for a wide
variety of uses, from smaller choirs to massed
choir performances.
3303462 SSA with piano . . . . . . . . . . . . . . . 2.75
Let There Be Peace on Earth—
Craig Courtney. Few songs ever composed
have had the breadth of appeal as this iconic
text and melody. The cry for "peace on earth" is
undoubtedly a timeless one, and this setting unites
vocalists and instrumentalists of all ages. Revisit
this melody in your church or concert hall with this
monumental setting during the Christmas season,
at memorial services, or at patriotic events for a
completely unforgettable experience.
10667384 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.25
The Lord Is My Shepherd—Allen Pote.
This is one of the most elegant settings of Psalm
23. Allen Pote's use of unison, two-part and
four-part voices, as well as harmonic structure,
complements the text perfectly. It's easily learned
and very effective. Young and old alike will not
only emotionally connect with the music but will
quickly internalize this important psalm as their
faith develops. It's simply beautiful!
8060334 Two-Part . . . . . . . . . . . . . . . . . . . . 2.45
Lord of the Small—Dan Forrest.
This tender hymn of praise reminds us that in
the end we are all weak and broken and that the
Heavenly Father deals lovingly and mercifully with
all of His children. Written in memory of little Erin
Buenger, who lost her battle to cancer at the age
of 10, this beautiful anthem will challenge your
congregation to live life in all circumstances to the
glory of God - just as she did. A fitting tribute for
memorial services and services of remembrance.
10293855 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.35
Nothin' Gonna Stumble My Feet—
Greg Gilpin. Brimming with dynamic contrasts,
rhythmic nuances and textual percussiveness, this
spirital is an absolute thrill to sing and hear. "When
I go to walk that golden street, nothin' gonna
stumble, stumble my feet!"
10274237 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.65
O Love—Elaine Hagenberg.
This beautiful setting of George Matheson's
familiar hymn text functions perfectly in both
sacred or secular settings. Here, O Love is given
a fresh new melody with equally refreshing and
gorgeous harmonies. You will not want to miss this
for use as a sacred meditation in a worship service
or in a concert setting as a tribute to the glory of
love itself. Simply stunning!
10954544 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.50
Psalm 121 (I Lift My Eyes)—Austin Hunt.
This gorgeous and accessible setting of Psalm
121 is both comforting and hopeful, with soaring,
plaintive melodic ideas. Treble choirs from youth
to adults will enjoy this simple yet elegant anthem
of assurance.
11410890 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Sanctus—Michael John Trotta.
The final installment of the Missa Brevis, this
peaceful work features opportunities for unison
singing and the development of independent
part singing. With conservative ranges and
opportunities to focus on pure vowels and text
accentuation, this is an elegant addition to any
concert or service. Combine with Trotta's other
Latin works Kyrie, Gloria and Agnus Dei to create
the full Missa Brevis.
10990284 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Shalom—Dan Forrest.
This tender and comforting work "passes the
peace" as its simple yet elegant melody washes
over the listener, gently unfolding its text with
increasing texture: "Peace I leave with you, my
peace I give to you, not as the world gives; do not
be afraid." The Hebrew word "shalom" forms the
refrains, and whispers of the word "peace" further
paint the spirit and promise of the text. With piano
and optional violin, this piece is equally at home in
worship or concert settings.
11314188 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.25
Singabahambayo—arr. Victor C. Johnson.
Fun to sing and surprisingly rehearsal-friendly, this
South African musical celebration of freedom and
hope is sure to have instant appeal. Lending itself
to simple stage choreography and with an exciting,
driving beat throughout, it will enthrall choirs and
audiences alike.
11348337 SSA. . . . . . . . . . . . . . . . . . . . . . . . 3.20
Then Sings My Soul
(How Great Thou Art)—arr. Mary McDonald.
With altered melody and lush harmonies, this
fresh treatment awakens a new breadth and
splendor into this timeless hymn, giving rise to the
greatness that it invokes in worshiping God, our
Creator. The gorgeous orchestration by Michael
Lawrence is a true complement to Mary's splendid
choral writing.
10750789 SSA. . . . . . . . . . . . . . . . . . . . . . . . 3.25
This Little Light of Mine—arr. Mark Hayes.
The arranger's style is evident in every measure
of this extraordinary gospel-rock setting! With
a good mix of unison, two-part and fully voiced
chorals, easy-to-feel syncopations, and a
supportive piano accompaniment, it will be an
exciting showcase for your choir! Add live brass
and rhythm or the hot accompaniment track for an
unforgettable spiritual experience!
10068302 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.95
Total Praise—Richard Smallwood/
arr. Joel Raney. This contemporary gospel song
has become widely known for its simple message
and powerful impact. Paired with Holy, Holy, Holy,
this setting is an accessible quick-study version,
maintaining all the gospel harmonies that make it
a worship sensation.
11567249 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.95
Wade in the Water—arr. Dan Davison.
Written specifically with young developing choirs in
mind, this exciting spiritual arrangement features
comfortable vocal ranges and easy-to-learn two-
part harmonies. This rhythmic setting abounds
with solo opportunities for a variety of voice types
and presents outstanding teaching opportunities
for style and historical context. Equally appropriate
for the concert stage or worship service.
10990226 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Witness—Jack Halloran/arr. Dick Bolks.
This classic has been made accessible for
accompanied or a cappella choirs while retaining
the enthusiasm of the original. This is guaranteed
to be the highlight of your music year!
10366147 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.55
The Word Was God—Rosephanye Powell.
What an impact this august anthem will have on
both choir and listeners! Its rhythmic structure
develops from the superb interplay between the
voices, and the layering of sound upon sound
creates a musical tapestry. Written in an almost
spiritual style, but definitely not a spiritual, this will
make a stunning choice for larger church choirs!
10055030 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.95
You Are My Refuge—Michael John Trotta.
This stunningly expressive work was commissioned
by a number of high school choir programs forced
to cancel concerts due to the COVID-19 outbreak.
Inspiring and reflective, the rich harmonies capture
both a sense of poignancy and hope. An optional
descant soars above the choir, adding a sense of
expansiveness: "Your voice brings hope!"
11393186 SA with Piano Accompaniment . . 3.10
