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The Lord Bless You and Keep You—
Peter Lutkin. Excellent as a benediction or
closing number, this is a piece you're sure
to pick up often. May be done with or
without accompaniment.
368100 SATB . . . . . . . . . . . . . . . . . . . . . 2.10
The Lord Bless You and Keep You—
John Rutter. A tender prayer, sensitively set to
music, the gentle accompaniment and simple,
lyrical voice parts combine to create one of the
sweetest anthems your choir will ever sing. A
chamber ensemble includes full score and a set of
parts for piccolo, oboe, harp and organ.
1422054 SATB. . . . . . . . . . . . . . . . . . . . . . 3.25
10087537 SAB . . . . . . . . . . . . . . . . . . . . . . . 3.25
1790880 Two-Part . . . . . . . . . . . . . . . . . . . 2.85
4807194 Instrumental Parts
for SATB Version . . . . . . . . . . .49.99
11315689 Full Score for SATB Version -
Piccolo, Oboe, Harp & Organ. .40.99
10644991 Full Score for SATB Version . .24.99
The Lord's Prayer—Marianne Forman.
Amid many settings of Christ's prayer, this
new offering stands out for its artfulness and
accessibility. The accompaniment and careful
voice leading will guide your choir in this through-
composed anthem. A gentle opening flows into
dramatic climactic moments, finally closing with
quiet "amens."
11539983 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
May the Peace of Christ—Joseph M. Martin
& Michael E. Showalter. A special blessing
for worship services, this piece combines an
attractive melody with a nurturing message. Its
brevity and accessibility make it an excellent
choice for a benediction.
11569238 SATB . . . . . . . . . . . . . . . . . . . . . 2.35
May the Road Rise to Meet You—
Victor C. Johnson. Don't miss this elegant setting
of the traditional Irish blessing! Beautifully melodic
and singable, lyric vocal lines and a gently flowing
accompaniment combine to make it an ideal closer
for any performance. The optional oboe obbligato
adds warmth.
10366661 SATB . . . . . . . . . . . . . . . . . . . . . 2.95
11393862 SAB . . . . . . . . . . . . . . . . . . . . . . 2.95
O Come, Let Us Sing (Psalm 95)—
Walter L. Pelz. This festive setting of Psalm 95
for choirs of any size will create a big sound with
its skillful part-writing. The organ accompaniment
supports the singing and adds a festive sparkle.
The accessible anthem is perfect as an introit or
call to worship, particularly for Lent (Year A) and
Christ the King.
11539777 SAB with Organ . . . . . . . . . . . . . 2.50
Our Father in Heaven—
Eugene W. Hancock. The revered text of the
Lord's Prayer is set with expressive phrasing and
poignant dynamics in a moving anthem for solo
voice and choir. The solo for soprano or tenor
plays an integral part throughout the setting, and
the choral writing is compelling yet approachable
with jazz-inflected harmonic color.
11568024 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
Prayer of St. Patrick—Michael John Trotta.
This beautiful historic Irish blessing is a prayer that
is well known and loved the world over. Set with
a peaceful rhythmic simplicity, this expressive a
cappella setting allows the text === shine through,
bringing comfort and hope to all who hear. The
optional descant soars above and is an ideal
way to add additional shimmer with solo voice
or obbligato instrument. A lovely way to close a
service or concert.
11372333 SATB . . . . . . . . . . . . . . . . . . . . . 2.90
Psalm 98 (Sing unto the Lord a
New Song)—Benjamin David Knoedler.
This sparkling anthem is the perfect way to open
your service or worship celebration. Featuring a
lively syncopated melody and a bright, rhythmically
supportive piano accompaniment, the melodic
writing is on full display in this modern psalm
setting. Perfect for both the sanctuary and the
concert hall, this anthem will take a little work -
but the results will be worth it.
11538393 SATB . . . . . . . . . . . . . . . . . . . . . 2.95
Serve in Faith and Charity—
James J. Chepponis. A powerful charge to
go forth and serve, this concertato setting
of an original hymn is composed for choir,
congregation, and organ with optional cantor,
brass, percussion, and handbells. It is appropriate
for ordination, confirmation, of any type of mission
or commissioning service.
11512107 SATB w/Organ. . . . . . . . . . . . . . 2.65
11512108 Full Score. . . . . . . . . . . . . . . . . 15.00
11512109 Instrumental Parts . . . . . . . . . . 40.00
Until We Meet Again—Reginal Wright.
A rich choral tapestry and artistic piano
accompaniment embrace the traditional melody in
this setting of the Irish Blessing text. Flowing and
lyrical with attractive harmonic movement, this is
accessible to high school choirs and appropriate
as a closing song or benediction.
11514232 SATB divisi . . . . . . . . . . . . . . . . 2.95
Welcome, Prayer, and Blessing—
Mark Patterson. Both inspiring and useful, this
collection of three short pieces provides a valuable
source of either quickly prepared short anthems or
service music that can be used as introit, blessing,
and benediction. Tuneful and accessible, with
optional congregational involvement, they vary in
style and are nicely accompanied.
11512114 SATB . . . . . . . . . . . . . . . . . . . . . 2.85
Missa anima integra (Latin Mass)—Michael Aschauer.
Marked by exceptionally rich and powerfully expressive melody and harmony,
this Latin Mass radiates joy, encourages solemnity, assists in lamentation,
moves in contemplation, speaks directly to human emotions, and reflects
faith, trust, hope, and a zest for life. The easy-to-perform organ or piano
accompaniment, which is optional, and mostly colla parte, provides support for
the vocal parts and lends the Mass an added festive splendor. Fitting for church
and community choirs alike.
11556753 SATB Choral Score w/ opt. Piano or Organ . . . . . . . . . . . . . . . 9.50
11560568 SAB Choral Score w/ opt. Piano or Organ . . . . . . . . . . . . . . . . 9.50
Requiem—Heather Sorenson. This work was designed not only to live well in
the concert hall, but also to transition into the church sanctuary. The composer's
trademark cinematic moments, soaring choral melodies, and impressionistic chord
structures will highlight the vulnerable humanity that has become synonymous
with her writings. This work is a combination of traditional Latin and English, with
references to Scripture and hymn texts. Commissioned in honor of those lost
during COVID, Requiem was written to bring hope and healing to all who have
experienced loss. It is accompanied by full orchestra or chamber orchestra,
includes soprano and tenor soloists, and is approximately 35 minutes in length.
11516342 SATB Choral Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.95
11516204E Orchestration ePrint. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 532.40
11535637E Instrumental Parts Chamber Orchestra ePrint . . . . . . . . . . . 316.30
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