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VOCAL
JAZZ
VOCAL JAZZ
Vocal Jazz
Ain't We Got Fun?—Richard A. Whiting/
arr. Mike Wilson. With flexible performance
options, this arrangement of a hit from the
Roaring Twenties has a foxtrot structure and
may be performed either in unison, two, or
three parts, with or without accompaniment.
The lyrics are a response to the poverty of
the time, promising fun in the face of hardship.
The teachable elements of historical context
and style, swing rhythms, and approachable
harmonies make this a solid choice.
11536032 Three-Part Mixed . . . . ME 1.95
11536033 P/A CD . . . . . . . . . . . . . . . .19.95
Almost Like Being in Love (from "Brigadoon")
—Frederick Loewe/arr. Roger Emerson. Filled
with jazz stylings from swing to scat, this
arrangement of the classic show tune from
Lerner & Loewe's "Brigadoon" is perfect for
developing choirs. Singers will love the bright,
upbeat setting with its smooth conversational
style and colorful piano accompaniment!
11419605 Three-Part Mixed . . . . ME 2.30
11419608 Two-Part . . . . . . . . . . . ME 2.30
Always—Irving Berlin/arr. Blake R. Mitchell.
This timeless Irving Berlin hit is given new
life in this nostalgic, heartfelt arrangement for
a cappella mixed voices. With sentimental
unisons, rich, jazz-influenced divisi harmonies,
and a featured treble solo, this is a guaranteed
crowd pleaser for any concert program.
11566908 SATB divisi . . . . . . . . . . .M 2.50
Any Day Spent with You—C.E. Walz.
Incorporating the words of A.A. Milne of
Winnie the Pooh fame, this playful song of
friendship reminisces about days spent with
friends making memories that last a lifetime.
This jazzy swing setting has ample unison
and conversational passages along with
some simple harmony that is easily learned
and held. The optional clarinet adds charm
and character, and the accompaniment
track includes two versions: one with full
instrumentation and one that omits the clarinet.
11561744 Two-Part . . . . . . . . . . . ME 2.95
Ballin' the Jack—Chris Smith/arr. Anita
Cracauer. Long before Cha-Cha Slide, this
song caught fire after being featured in the
1913 Ziegfield Follies and became one of the
nation's first dance crazes. The first minute
features a duet singing a short transition
piece as the rest of the choir sets the stage
or changes costume. Designed as a novelty
number, this arrangement cycles through
many different genres of music and offers
opportunities to get creative with props,
staging, and special effects!
11537590E SATB ePrint . . . . . . . . . .M 3.00
11537591E SAB ePrint. . . . . . . . . . . .M 3.00
11537592E SSA ePrint. . . . . . . . . . . .M 3.00
Battle Hymn of the Republic—arr. Derric
Johnson. A signature arrangement of Disney's
Voices of Liberty, this rendition of a favorite
patriotic anthem stands as an iconic choral
masterpiece, distinguished by a powerful
baritone solo that adds a profound emotional
depth. The arrangement builds to an
exhilarating climax, making it a fitting choice
to close any concert with a grand, stirring
finale that resonates with both performers and
audiences alike.
11566910 SATB divisi . . . . . . . . . . .M 2.75
Be Thou My Vision—arr. Jamey Ray. An
ancient Irish folk hymn is transformed into a
breathtaking modern choral experience in
this arrangement for divisi mixed choirs from
Voctave's arranger. Innovative jazz-influenced
harmonies and a seamless texture create a
sublime fusion of old and new. Useful for both
concerts and services.
11566911 SATB divisi . . . . . . . . . . .M 2.25
Beethoven's Fifth (Symphony No. 5 in C
Minor)—Ludwig van Beethoven/arr. Tom
Anderson. Beethoven's "greatest hit" is
reimagined with a funky twist that your singers
will love! Its iconic hook springboards into
a rhythmic groove, complete with clapping,
snapping, and vocal syllables that imitate a
rock band. The performance track is a must-
use for this novelty nod to one of the greatest
composers of all time!
11564447 Three-Part Mixed . . . . ME 2.30
11564448 P/A CD . . . . . . . . . . . . . . . .29.99
The Best Things in Life Are Free—Buddy
DeSylva, Lew Brown & Ray Henderson/arr.
Kirby Shaw. Turn back the clock with this jaunty
jazz-age anthem - it's timeless message of
positivity reminds us that the greatest treasures
- life, love, and the beauty of the world around
us - can be ours at no cost. With a happy swing
feel and parts for your jazz combo, this will be a
nostalgic and fun addition to your next concert.
11568922 SATB . . . . . . . . . . . . . . ME 2.35
11568923 SAB . . . . . . . . . . . . . . . ME 2.35
11568924 SSA . . . . . . . . . . . . . . . ME 2.35
The Best Things in Life Are Free—Ray
Henderson/arr. Michele Weir. Featured in
the HBO series White Lotus and performed
by the likes of Sam Cooke and Bing Crosby,
this is real-deal vocal jazz writing for serious a
cappella singers. This reflective arrangement
is full of heart and employs a variety of
textures, expressive rubato, and a newly
composed contrapuntal interlude that leads to
a sentimental solo.
11566408 SATB . . . . . . . . . . . . . . . .M 2.25
Blue Skies—Irving Berlin/arr. F. Dale Bengtson
& Lloyd Larson. This vocal jazz standard tune
arrangement comes with a whimsical vibe and
fresh perspective while remaining true to the
classic style. It's an uplifting concert setting that
singers and audiences will enjoy.
11510553 SATB . . . . . . . . . . . . . . ME 2.95
11561603 SSA . . . . . . . . . . . . . . . ME 2.95
Blue Skies—Irving Berlin/arr. Roger Emerson.
Irving Berlin's quintessential song is a classic of
swing style, and this straightforward, singable
arrangement brings Berlin's standard to vocal
jazz and show choirs of any level. The swing
groove is established in the beginning with
choral voices accompanied by finger snaps
and bass guitar. Later in the arrangement,
written-out scat solos will encourage younger
singers to try this vocal jazz technique.
1477165 SATB . . . . . . . . . . . . . . ME 2.30
3276862 Three-Part Mixed . . . . ME 2.15
3276870 Two-Part . . . . . . . . . . . ME 2.30
3276888 P/A CD . . . . . . . . . . . . . . . .26.99
But the World Goes 'Round—John Kander/
arr. Mark Hayes. Most notably performed
by Liza Minnelli, this Kander & Ebb classic
returned to Broadway in the musical "New
York, New York." A true blockbuster, this
arrangement comprised of jazz sonorities, a
hard-hitting swing feel, and a message to keep
moving despite hardship. An ideal selection for
vocal jazz, show, and community choirs alike!
11564450 SATB . . . . . . . . . . . . . . ME 2.45
11564451 SAB . . . . . . . . . . . . . . . ME 2.45
11564452 SSA . . . . . . . . . . . . . . . ME 2.45
11564454 P/A CD . . . . . . . . . . . . . . . .29.99
11564453 Instrumental Parts. . . . . . . .35.00
Bye Bye Blackbird—Mort Dixon & Ray
Henderson/arr. Anita Cracauer. Make a
statement with this classic Fosse dance feature
- it takes the famous standard and leads it from
smooth jazz to rock, funk, and everywhere in
between. The chart features an alto solo and
an extended dance break, making this an
exciting choice for your show choir! If you're
not dance-savvy, want to save time, or want to
save money hiring a choreographer, a complete
choreography video is also available with step-
by-step instructions.
11570081E SATB ePrint . . . . . . . . ME 3.00
11570082E SAB ePrint. . . . . . . . . . ME 3.00
11570083E SSA ePrint. . . . . . . . . . ME 3.00
11567426F Choreography . . . . . . . . . . .75.00
Bye Bye Blackbird—Ray Henderson/arr.
Brandon Martell. A beloved jazz standard, this
nostalgic song encourages us to leave the bad
times in the past and welcome the good times
that lie ahead! Arranged for divisi mixed choir,
the jazz harmonies ring out with an energetic
swing statement of the melody, two short
vocalese-inspired solos that give way to a
tender and gorgeous ballad section, and a big
build to a bold conclusion: "I'm packin' my bags
and singin' bye bye!"
11566912 SATB divisi . . . . . . . . . MA 2.50
Can I Take Your Order—Dwight Dinan &
Richard Green/arr. Garrett Breeze. A fun, bite-
sized character piece perfect for a change of
pace in a show choir set, this upbeat swing
tune has lyrics all about food, a dance break,
and the opportunity to show off your band!
Accessible part writing makes this a great
number for developing voices, and the option
to perform with the instrumental parts or
accompaniment track allows for versatility.
11561010 SAB . . . . . . . . . . . . . . . . . E 2.50
11561009 Instrumental Parts. . . . . . .150.00
Can't Help Lovin' That Man of Mine—Jerome
Kern/arr. Jamey Ray. Here's a stunning
showcase for treble vocal jazz ensembles!
From Voctave's arranger, this setting of the
standard from "Showboat" unfolds with rich
divisi a cappella harmonies, a timeless and
nostalgic beauty, and a poignant exploration of
deep and enduring love.
11566913 SSAA divisi . . . . . . . . . MA 2.25
Don't You Worry 'Bout a Thing—Stevie Wonder/
arr. Roger Emerson. This Discovery Jazz series
edition of Stevie Wonder's 1973 song packs all
the joyful Latin energy you would want into an
accessible arrangement that is super cool and
fun to sing. Great for building skills and style, the
voice-leading is well crafted for your beginning
and developing jazz/pop groups.
10567899 SAB . . . . . . . . . . . . . . . ME 2.75
10567900 Two-Part . . . . . . . . . . . ME 2.30
10978012 SSA . . . . . . . . . . . . . . . ME 2.25
10567901 Teaching P/A CD . . . . . . . .26.99
10629325E Instrumental Parts ePrint . .23.00
Dream a Little Dream of Me (with Debussy's
"Clair de Lune")—Fabian Andre & Wilbur
Schwandt/arr. Andy Beck. Pink Martini and
the von Trapps have put a new spin on an old
standard. The piano opening quotes Debussy's
Clair de Lune before melting into a relaxing
presentation of the familiar tune. Create a
unique performance with the ukulele, string
bass, and melodica parts.
11503189 SATB . . . . . . . . . . . . . . ME 2.10
11503190 SAB . . . . . . . . . . . . . . . ME 2.10
11503191 Two-Part . . . . . . . . . . . ME 2.10
11503192 P/A CD . . . . . . . . . . . . . . . .29.99
11503193 Instrumental Parts. . . . . . . .15.00
Drink to Me Only With Thine Eyes—arr. Derric
Johnson. As created for Disney's Voices of
Liberty, this a cappella vocal jazz concert setting
of the traditional English folk song combines a
beautiful, timeless text with harmonies that strike
a perfect balance between accessibility and
sheer beauty. When performed with sensitivity
and rubato, the rich evocative harmonies ring out
with clarity and brilliance.
11566916 SATB divisi . . . . . . . . . . .M 2.75
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