STRING
METHODS,
STUDIES
&
COLLECTIONS
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TECHNIQUE BOOKS
Sound Innovations: Sound Development
for Intermediate String Orchestra
(Warm-Up Exercises for Tone and
Technique)—Kirk Moss & Bob Phillips.
Sound Development emphasizes playing with a
characteristic beautiful sound. The components
of producing this sound are broken into four
levels, consistent with the revolutionary Sound
Innovations structure: sound tone, sound bowings,
sound shifting, and sound scales, arpeggios,
chorales, and rhythms. The levels can be used
in the order that is best for your students, as
individual warm-ups or as structured units. Your
students will learn the proper use of the bow with
the variables of tone, the next group of bowings
needed for intermediate repertoire, and how to shift
and play with vibrato. These skills are reinforced
with comprehensive scales, arpeggios, sight-
reading materials, rhythm exercises, and
warm-up chorales.
10318159 Violin . . . . . . . . . . . . . . . . . . . . . . . . . 9.99
10318160 Viola . . . . . . . . . . . . . . . . . . . . . . . . . 9.99
10318235 Cello . . . . . . . . . . . . . . . . . . . . . . . . . 9.99
10318236 String Bass . . . . . . . . . . . . . . . . . . . . 9.99
10318237 Conductor Teacher's Edition . . . . . 39.99
10318384 Piano. . . . . . . . . . . . . . . . . . . . . . . . 12.99
Sound Innovations: Sound Development
for Advanced String Orchestra—
Bob Phillips & Kirk Moss. Continuing the
emphasis on playing with a characteristic, beautiful
sound, this method also focuses on three octave
scales that students will need for auditions and
competitions. Advanced technical skills are
presented in four levels, consistent with the Sound
Innovations structure: Sound Tone, Sound Bowing,
Sound Shifting and Sound Scales and Arpeggios.
The levels can be used in the order that is best
for your students, as individual warm-ups or as
structured units. The perfect book to follow Sound
Development for Intermediate String Orchestra, or
for any advanced student or string ensemble.
10379244 Violin . . . . . . . . . . . . . . . . . . . . . . . . . 9.99
10379247 Viola . . . . . . . . . . . . . . . . . . . . . . . . . 9.99
10379248 Cello . . . . . . . . . . . . . . . . . . . . . . . . . 9.99
10379249 String Bass . . . . . . . . . . . . . . . . . . . . 9.99
10384160 Piano. . . . . . . . . . . . . . . . . . . . . . . . 12.99
10379252 Conductor . . . . . . . . . . . . . . . . . . . . 39.99
String Techniques for Superior
Musical Performance—Robert Frost.
This comprehensive technique and musicianship
book provides an abundance of enjoyable repertoire
and musical, results-driven exercises including
scales, etudes, chorales, classical repertoire, and
more, that will help your students develop solid,
accurate technique. Establishing a strong foundation
with good left and right hand technique will result
in outstanding musical performances and will
help open your students world to a vast wealth of
incredible literature. Perfect for intermediate level
students in class or private studio settings. Section
1: Technique, Tone, and TuningSection 2: Major and
Minor Keys Section 3: Etudes and Bowing Styles
10040731 Violin . . . . . . . . . . . . . . . . . . . . . . . . . 7.50
10040733 Viola . . . . . . . . . . . . . . . . . . . . . . . . . 7.50
10040734 Cello . . . . . . . . . . . . . . . . . . . . . . . . . 7.50
10040735 String Bass . . . . . . . . . . . . . . . . . . . . 7.50
10040736 Piano. . . . . . . . . . . . . . . . . . . . . . . . . 7.50
10040737 Conductor . . . . . . . . . . . . . . . . . . . . 24.99
String Theory (Music Fundamentals
Workbook)—Caryn Wiegand Neidhold.
Drawing on her many years as a string educator,
Neidhold presents the fundamentals that a beginning
string student needs to know. This student workbook
contains exercises on clefs, note naming, time
signatures, counting and more! It is laid out in a
very student-friendly format and will be a valuable
resource for beginning players.
11563556 Violin . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
11563557 Viola . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
11563558 Cello . . . . . . . . . . . . . . . . . . . . . . . . . 4.95
11563559 String Bass . . . . . . . . . . . . . . . . . . . . 4.95
Superior Strings in 16 Weeks—
Carrie Lane Gruselle & Peggy Wheeler.
This book focuses on bowing, tone, and expression,
features melody in all sections of the orchestra,
and provides systemic approaches to a variety
of issues. Tone and harmonization: harmonized
scale warmups; tuning to open strings in various
patterns; and string crossing with three note chords
and arpeggios. Balance: simple chorales for work
on balance; chorale melodies distributed among all
instruments. Technique: scales presented in string
order; bowing and rhythm patterns; and weekly
progressive rhythm exercises. Interpretation: 20
short excerpts from orchestral repertoire - excerpts
emphasize the relationship of bowing style to
articulation and interpretation. Festival Preparation:
tips for a healthy approach to performance.
10085116 String Orchestra . . . . . . . . . . . . . . . . 9.50
Take a Bow (Progressive Fiddle and
Folk Tunes for the String Ensemble)—
arr. Caryn Wiegand Neidhold. The perfect next step
for the string orchestra! A great fit for full classroom
instruction, small chamber groups, or private studio
teaching, its progressive approach is a winning
combination for string teachers. Each piece has a line
for melody and a line for harmony, making each work
meaningful to individuals as well as groups while
giving teachers the flexibility to fit the needs of their
ensembles. The series culminates with five string
orchestra arrangements that not only add value to
this collection but complete a progressive journey for
your students. Take a Bow at your next rehearsal!
11393067 Violin . . . . . . . . . . . . . . . . . . . . . . . . . 8.99
11393068 Viola . . . . . . . . . . . . . . . . . . . . . . . . . 8.99
11393069 Cello . . . . . . . . . . . . . . . . . . . . . . . . . 8.99
11393070 String Bass . . . . . . . . . . . . . . . . . . . . 8.99
11393071 Conductor . . . . . . . . . . . . . . . . . . . . 34.99
Workbook for Strings Volume 1—
Forest Etling. This series of workbooks for
beginning and intermediate players is designed to
save rehearsal time. Available as separate books
for each instrument, the take-home assignments
stress the names of notes, finger patterns, scales,
key signatures, terms and symbols, and other
information necessary to prepare the string player
thoroughly for orchestra participation.
6015689 Violin . . . . . . . . . . . . . . . . . . . . . . . . . 9.99
6015655 Viola . . . . . . . . . . . . . . . . . . . . . . . . . 7.99
6015648 Cello . . . . . . . . . . . . . . . . . . . . . . . . . 7.99
6015580 String Bass . . . . . . . . . . . . . . . . . . . . 7.95
Workbook for Strings, Book 2—
Forest Etling. This series of workbooks for
beginning and intermediate players is designed
to save rehearsal time by keeping classroom
explanation to a minimum. Published in separate
books for each of the stringed instruments, the take-
home assignments stress the names of notes, finger
patterns, scales, key signatures, terms and symbols,
and other information necessary to prepare the string
player thoroughly for orchestra participation.
6015796 Violin . . . . . . . . . . . . . . . . . . . . . . . . . 7.95
6015762 Viola . . . . . . . . . . . . . . . . . . . . . . . . . 7.95
6015747 Cello . . . . . . . . . . . . . . . . . . . . . . . . . 7.95
6015705 String Bass . . . . . . . . . . . . . . . . . . . . 7.95
