STRING
ORCHESTRA
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CLASSICAL SELECTIONS medium
Armonico (from Op. 3, No. 10)—Antonio
Vivaldi/arr. Todd Parrish. This faithful
arrangement comes from Vivaldi's first set of
published concertos. Capturing the spirit of the
original, the iconic first movement displays the
power and focus that helped this piece stand
out among other works of the same age. A rare
and inspired adaptation.
11511798 String Orchestra . . . . . . . . .65.00
11511877 Additional Score . . . . . . . . .10.00
Bacchanale (from "Samson and Delilah")—
Camille Saint-Saens/arr. Gregg A. Porter.
A vibrant work of intriguing melodies and
harmonies from Saint-Saens' opera that will
give your 1st violins a good workout! A great
choice for concert or festival performance!
2382349 String Orchestra . . . . . . . . .60.00
5607130 Additional Score . . . . . . . . .10.00
Ballet No. 6 (from L'Amant Anonyme)—
Joseph Bologne, Chevalier de Saint-Georges/
arr. Jennifer Meckler. In this orchestral excerpt
from Joseph Bologne's only surviving opera,
L'Amant Anonyme (The Anonymous Lover),
students will learn how to play in the Classical-
era style, 6/8 meter at a prestissimo tempo,
ternary form, and more. The cello part includes
a number of viola cues that can be helpful if there
is a smaller viola section in the ensemble. First
violin, second violin, and viola parts are entirely
in first position but require extended fingerings.
11402303 String Orchestra . . . . . . . . .50.00
11402304 Additional Score . . . . . . . . .10.00
The Barber of Seville—Gioachino Rossini/
arr. Carrie Lane Gruselle. Here's Rossini's
most famous work, carefully arranged to be a
success for your group! Treat your audience
to one of opera's best-loved overtures.
This arrangement includes a wide range of
musical expression and will show off your
group's abilities nicely! Excellent writing and
memorable themes!
10008701 String Orchestra . . . . . . . . .60.00
10008702 Additional Score . . . . . . . . . . 5.00
Brandenburg Concerto No. 3 (First &
Second Movements, abridged)—J.S. Bach/
arr. Merle J. Isaac. An excellent work for
string orchestra! Perfect for both rehearsal
and performance, this is a superb selection
to develop confidence in each section and
in each individual player. Recorded by the
Michigan State University Orchestra on the
CD Teaching Music Through Performance in
Orchestra, Volume 1 - Pepper #5973728.
2007599 String Orchestra . . . . . . . . .62.00
4955910 Additional Score . . . . . . . . .10.00
5973728 Teaching Music
Through Orchestra-
4 CD Set . . . . . . . . . . . . . . .49.50
Brandenburg Concerto No. 2—J.S. Bach/
arr. Todd Parrish. The harmonic beauty
and seamless polyphony of Bach's second
Brandenburg Concerto has been retained in
this very true string orchestra adaptation of
the original. Wind solos are given to principal
violin, viola, and cello players, and all sections
get energetic lines and interesting material
to challenge students in their mastery of the
authentic Baroque playing style.
10981240 String Orchestra . . . . . . . . .65.00
10981241 Additional Score . . . . . . . . .12.00
Brook Green Suite—Gustav Holst. A
longtime favorite in the string repertoire,
this three-movement classic continues to
dominate festival performances. Holst created
this masterwork with student players in mind
during his tenure at St. Paul's Girls School,
where his career also flourished in music
education. As an added feature, four optional
woodwind parts (flute, oboe, clarinet and
bassoon) created by Holst have been included
in the publication. I. Prelude II. Air III. Dance
(G. Schirmer edition ).
4907952 String Orchestra . . . . . . . . .50.00
4907960 Additional Score . . . . . . . . . . 7.50
A Can-Can Festival—Jacques Offenbach/arr.
Todd Parrish. In this multi-level arrangement
for string or full orchestra, both new and
experienced students get to enjoy the
excitement of Offenbach's famous dance.
The piece can be performed with strings only,
with parts for beginning, intermediate, and
advanced levels. Or, add optional advanced
wind, brass, and percussion parts for a
full orchestra concert - combined levels or
advanced players only. The perfect grand
finale to your pyramid concert that will motivate
young musicians with a great sense of pride
and accomplishment!
11500306 Multi-Level Orchestra . . . . .80.00
11500403 Additional Score . . . . . . . . . . 9.50
Capriccio Espagnol—Rimsky-Korsakoff/
arr. Sandra Dackow. This immortal work is
now available for string orchestra! Sandra
Dackow's expert arrangement for intermediate
strings deserves a permanent place in your
library. It's a selection you'll want to program
again and again!
2236115 String Orchestra . . . . . . . . .90.00
2313690 Additional Score . . . . . . . . .14.00
Capriol Dances—Peter Warlock/arr.
Caryn Wiegand Neidhold. Long a favorite
for orchestra concert and contest events,
two of the enigmatic "Capriol Suite's" most
famous movements, Basse-Danse and
Mattachins (Sword Dance), are adapted here
for intermediate orchestra, allowing younger
students to experience the high-energy
melodies and unique harmonies of these
popular dances.
11500115 String Orchestra . . . . . . . . .60.00
11500392 Additional Score . . . . . . . . . . 9.50
Carmen Suite—Georges Bizet/arr. Todd
Parrish. This three-movement suite of Bizet's
masterpiece "Carmen" is carefully arranged to
work well with your high school string orchestra.
Each movement is musically interesting and
preserves the passion of the original score.
Use the optional percussion part for added
intensity. Includes Aragonaise, Habanera, and
Les Toreadors.
10568179 String Orchestra,
Percussion Optional . . . . . .65.00
10568180 Additional Score . . . . . . . . .12.00
Carnival Overture—Antonin Dvorak/arr.
Carrie Lane Gruselle. The energy and
excitement of this thrilling overture are
exquisitely captured in an approachable
setting for intermediate orchestra! Equally
suited as an opener, closer, or anything in
between, your students will shine without
being pushed too much technically. An
incredible balance between the grandeur
of the original and the pedagogical
needs of directors.
11399638 String Orchestra . . . . . . . . .70.00
11399639 Full Score . . . . . . . . . . . . . .10.00
The Castle Walk Rag—James Reese
Europe & Ford T. Dabney/arr. Rick Webb.
The original is considered one of Europe's
most influential recordings and was
added to the Library of Congress National
Recording Registry in 2004. The song is a
fusion of ragtime and march styles, while
also creatively inserting bluesy modulations
between major and minor keys.
11570778 String Orchestra . . . . . . . . .50.00
11570854 Additional Score . . . . . . . . . . 6.00
Claire De Lune—Claude Debussy/arr. Bob
Lipton & J. Cameron Law. Your string students
can finally experience performing Debussy's
masterpiece. This arrangement still contains
all of the impressionistic beauty with only the
pianistic arpeggios removed. With its very
intuitive change of tempos and dynamics,
you will be astounded at how sensitively your
students can play.
10460669 String Orchestra . . . . . . . . .50.00
10460670 Additional Score . . . . . . . . . . 8.00
Coffee Aria (from the Coffee Cantata, BWV
211)—J.S. Bach/arr. R. Scott Whittington.
Joyous and uplifting, this is a wonderful
example of the mature Baroque compositional
style. Scored for intermediate string orchestra
at medium difficulty, this arrangement uses
many of the voicings of the original score but
has been shortened to keep the performance
time at a manageable length. Suggested
dynamics, articulation, and bowings have been
included for ease of performance.
11570780 String Orchestra . . . . . . . . .50.00
11570856 Additional Score . . . . . . . . . . 6.00
Concerto Grosso in D Major (for Soloists
and String Orchestra)—G.P. Telemann/arr.
Robert D. McCashin. Showcase your strong
players in this arrangement that features solo
quartet passages throughout. The music is
exciting and engaging without overtaxing the
rest of the ensemble, yet everyone remains
involved. This is pure Telemann, sure to delight
your audience.
10877033 String Orchestra . . . . . . . . .55.00
10877034 Additional Score . . . . . . . . . . 5.00
Concerto Grosso Op. 6, No. 8 (Christmas
Concerto)—Arcangelo Corelli/arr. Todd
Parrish. Subtitled Fatto per la notte di Natale,
or "made for the night of Christmas," Corelli's
Christmas Concerto stands as one of the
finest concerti grossi of the Baroque era. All
solo parts have been incorporated into a string
orchestra version that retains the original key
signatures. This collection contains three of the
movements in fast, slow, fast format.
10594937 String Orchestra . . . . . . . . .56.00
10594938 Additional Score . . . . . . . . . . 9.00
Concerto Grosso, Op. 3 No. 5—George
Frederic Handel/arr. Steven Frackenpohl.
Bring this classic center stage with this
great arrangement for string orchestra. An
excellent opportunity to teach Baroque playing
techniques as well as expand your musicians'
knowledge of Baroque repertoire.
11403526 String Orchestra . . . . . . . . .65.00
11403553 Additional Score . . . . . . . . .10.00
Concerto in B Minor (Four Solo Violins
with String Orchestra Accompaniment)—
Antonio Vivaldi/arr. Ralph Matesky. Vivaldi's
multi-movement masterpiece will serve
as a real inspiration for the mature string
orchestra. Beautifully scored, Ralph Matesky's
arrangement will be perfect for four outstanding
soloists with your string orchestra.
2202851 String Orchestra
4 Violins and Orch . . . . . . .70.00
10312570 Additional Score
4 Violins and orch . . . . . . . .11.00
Coriolan Overture, Op. 62—Ludwig van
Beethoven/arr. Jeremy Woolstenhulme.
When a full orchestra is not a possibility, this
phenomenal arrangement provides string
players an open door to the rich music of
Beethoven. The original Beethoven key is in C
minor, this arrangement is in D minor.
10523449 String Orchestra . . . . . . . . .55.00
10523450 Additional Score . . . . . . . . . . 8.00
An excellent new method
designed to progressively
teach rhythmic literacy!
Bowing Rhythms
for the String Classroom
or Lesson Studio
arr. Kathryn Griesinger.
This book presents common
rhythm patterns in a variety of time
signatures, beginning with the
most basic and progressing toward
syncopation and odd meter. Each
rhythm is introduced with a simple
open string warm-up or scale, then
put into practice with songs from
all over the world. Unison melodies
for violin, viola, cello, and bass
stay in easy keys and ranges so
the player can focus on the rhythm
without other technical challenges.
Instrument books can be used in
the individual lesson setting with
a separate piano accompaniment
book, or a conductor score is
available for use in the string
orchestra classroom. Included
piano accompaniment tracks
provide a fun and helpful play-
along experience. Explore the
world of rhythm and song and
embark on the journey toward
independent musicianship!
11576925 Violin Solo
Collection . . . . E-M 13.99
11576926 Viola Solo
Collection . . . . E-M 13.99
11576927 Cello Solo
Collection . . . . E-M 13.99
11576928 String Bass Solo
Collection . . . . E-M 13.99
11576929 Piano Solo
Collection . . . . E-M 14.99
11576930 Conductor Solo
Collection . . . . E-M 15.99
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