J.W. Pepper Catalogs

2024 Fall Orchestra Catalog

J.W. Pepper Music Catalog

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STRING ORCHESTRA Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected] 39 Go to cart ORIGNAL CONCERT WORKS medium-easy Hear My Soul Sing—Jeremy Woolstenhulme. "Music can express what words cannot convey." These words motivated this poignant and passionate work for string orchestra and harp. It's about joy and pain, hope and disappointment, and the love and loneliness that life can bring. The harp part can be performed on piano with a harp patch. Position work required. 11563661 String Orchestra . . . . . . . . .70.00 11563675 Additional Score . . . . . . . . .10.00 Heart of Fire—Lauren Bernofsky. Packed full of rhythmic charge and excitement with scalar passages and beautiful solo lines for contrast. A cello solo portion really makes this original sing. 10307183 String Orchestra . . . . . . . . .65.00 10307184 Additional Score . . . . . . . . . . 5.00 Herr Mannelig (The Mountain Troll's Proposal)—arr. Soon Hee Newbold. A driving, steady tempo combines with optional percussion in this unique and powerful setting of Herr Mannelig, a Swedish folk song about a mountain troll that attempts to win over a human man. Also known as The Mountain Troll's Proposal, this arrangement includes optional solos so you can either feature a talented student or perform with the entire orchestra. Unique! (2:10) 11511819 String Orchestra . . . . . . . . .55.00 11511898 Additional Score . . . . . . . . .10.00 Hola, Violas!—Ingrid Koller. An excellent way to highlight the viola section in your orchestra. The words "hola violas" provide the samba rhythm the piece is based on. The piece is in E minor, and its harmonies are based on the Andalusian chord progression often used in traditional flamenco dances. The rhythms in this piece provide an excellent way to work on syncopation and bowing skills, and there is plenty of pizzicato to keep things lively and interesting. 11570765 String Orchestra . . . . . . . . .45.00 11570841 Additional Score . . . . . . . . . . 6.00 Hydrangea—Yukiko Nishimura. This sonorous work has all the lush and beautiful lyrical writing you have come to expect from Yukio Nishimuro. Her sweeping melodies and absolutely gorgeous harmonic palette leave a lasting impression on all who play or hear her pieces. The additional piano part adds a glorious color. This is an amazing opportunity to develop and showcase your orchestra's musicianship. 11501839 String Orchestra . . . . . . . . .65.00 11501840 Additional Score . . . . . . . . .10.00 Ice Sculptures—Brian Balmages. This lyrical work draws its inspiration from ice hotels; temporary hotels made entirely of ice and snow. Strong elements of film scoring prevail throughout the work as it tells the story of the construction, visitors, and eventual melting of the hotel. Feature both your cello soloist and cello section in this unique work that will captivate your audience! 10063417 String Orchestra . . . . . . . . .60.00 10063419 Additional Score . . . . . . . . . . 5.00 Ignite—Kathryn Griesinger. Feel the intensity and fire of an exciting adventure in this electric work for string orchestra. Written in A minor, the musical journey takes players through a series of unexpected modal shifts using easy accidentals, edgy syncopation, and accented rhythms to maintain a sense of danger and momentum. A daring escape that explodes with energy, keeping players and audiences on the edge of their seats! 10997974 String Orchestra . . . . . . . . .55.00 10997975 Additional Score . . . . . . . . . . 8.50 In a Mood—Susan Day. Starting with an eight-measure violin solo, this simple, elegant melody weaves its way through the orchestra, providing different sections the opportunity to shine and play expressively. Written entirely in the key of C with no accidentals, teaching opportunities include two-note slurs, hooked bowing, a few notes in third position in the violin 1 part, and expressive playing. Attention to dynamic markings and legato bowing will bring out the best. This piece is suitable for contest and a fine addition to any concert program. 11570766 String Orchestra . . . . . . . . .50.00 11570842 Additional Score . . . . . . . . . . 6.00 Interlude Nightfall—Yukiko Nishimura. Featuring long phrases in a slow tempo, Interlude Nightfall is a perfect composition to teach young students musicianship using dramatic harmonies. Musical imagery provides a great opportunity for string orchestras to showcase their musical phrasing and expression. 10907811 String Orchestra . . . . . . . . .53.00 10907812 Additional Score . . . . . . . . . . 7.50 Into the Shadows—Brian Balmages. Journey into a place where shapes constantly shift as the light moves, and nothing is quite as it seems. While very approachable for intermediate orchestras, Into the Shadows pushes harmonic boundaries and colors, ushering in a new realm of sonic possibilities. Creative, eerie, and exciting, this is Brian Balmages as you have never heard him! (4:00) 11568697 String Orchestra . . . . . . . . .65.00 11568840 Additional Score . . . . . . . . .10.00 Intrada—Brian Balmages. A powerhouse work for your next concert, this aggressive mixed-meter piece relies heavily on pulse and the mixed placement of accents to create exceptional momentum. The composer makes extensive use of simple double stops to create big layers of sound that contrast with lighter, more delicate moments. 10752892 String Orchestra . . . . . . . . .50.00 10752893 Additional Score . . . . . . . . . . 5.00 Iridescence—Chris Evan Hass. A shimmering, glowing display of color shifts depending on the observer's point of view, portrayed beautifully here through uplifting melodies and nostalgic harmonies. Written in memory of a middle school musician, the piece is meant to symbolize a young violist's bright personality and childlike wonder. 11574009 String Orchestra . . . . . . . . .60.00 11574077 Additional Score . . . . . . . . .12.00 Jalapeno Tango—Christian A. Williams. Tango your way into the hearts of of your audience with this spicy original that contains all of the dramatic flavor of a Brazilian tango. It has the push and pull of the tempo, dynamics, and rhythmic variety that makes this dance so infectious. A perfect piece to introduce this vital musical form as well as reinforce triplets and syncopations. 11502018 String Orchestra . . . . . . . . .65.00 11502077 Additional Score . . . . . . . . .10.00 Jazz Rhythmico—Kirt N. Mosier. This exciting work allows all parts to enjoy the driving force of a rhythmico ostinato. The catchy melodic content of this piece is shared by all. Written as a sequel to the ever-popular Blue Rhythmico. 10500802 String Orchestra . . . . . . . . .60.00 10500803 Additional Score . . . . . . . . .10.00 The Knight Errant—Alan Lee Silva. With pulsing energy from the opening bar, The Knight Errant moves forward with driving precision, building intensity and energy as the piece develops. A carefully crafted tale of a mythical knight who valiantly searches for adventure and opportunity. Includes a dynamic piano accompaniment. 11100111 String Orchestra . . . . . . . . .60.00 11100112 Additional Score . . . . . . . . .10.00 The Koi Pond—Jeffrey Hart. Lush and poignant, this is a wonderful work for the advancing string orchestra. Beautiful harmonic movement with lovely lines for each section will make this interesting for your audience as well as engaging for your musicians. A must-have! 11562037 String Orchestra . . . . . . . . .65.00 11562122 Additional Score . . . . . . . . .10.00 La Bruja—Jorge Vargas. Tell the mischievous tale of La Bruja (the witch) in this wonderful arrangement. A favorite with mariachi groups due to its hauntingly beautiful melody, this is the perfect introduction to folk songs from Veracruz. The waltz-like melody countered with hemiolas and traditional Mexican folk rhythms will definitely make an impact on your students. The optional guitar adds to the folk character and traditional spirit of the work. 11521156 String Orchestra . . . . . . . . .55.00 11521157 Additional Score . . . . . . . . .10.00 Lambert Concerto for Violin and String Orchestra—Brian Krinke. This original work is perfect for young violin students ready to tackle their first concerto. It was written for one of the composer's talented violin students whose father was a composer as well. This string orchestra accompaniment has allowed the composer the opportunity to expand some of the harmonies. A fine opportunity for a promising soloist to perform the work with their peers. 11570767 String Orchestra . . . . . . . . .45.00 11570843 Additional Score . . . . . . . . . . 6.00 Land of Dragons—Chris Thomas. It is a world of sorcerers, magic, elven warriors, and fantastical creatures. Anything is possible, and adventure is always on the horizon. Fierce, marcato rhythms are juxtaposed with dark haunting melodies that weave their way throughout the ensemble. Capture your students' imaginations and bring the adventure to your audience! 10996003 String Orchestra . . . . . . . . .60.00 10996004 Additional Score . . . . . . . . . . 6.00 The Last Rose of Summer—Jim Palmer/arr. Jim Palmer. This lovely arrangement of the traditional Irish tune features a beautiful melody, rich harmonies, and interesting accompaniment that will help your young orchestra sound mature. The long phrases are highlighted with beautiful slurs and a variety of dynamics. Pizzicato, slurs, and ties create interesting accompaniments. Well-developed phrases and unexpected chords provide opportunities for artistic expression. A perfect choice to teach a broad range of musical ideas. (2:25) 11400628 String Orchestra . . . . . . . . .50.00 11400629 Additional Score . . . . . . . . . . 9.00 Legend of Sleepy Hollow (Beware the Headless Horseman)—Dennis Eveland. Wonderfully spooky! It's the haunting tale of the headless horseman. It starts very slow and dark, depicting the ominous night and the deep forest, before taking off to a gallop as the horseman gives chase. The ratchet and the woodblocks add the essential creepy sounds that students and audiences will love. The cello and bass sections get to enjoy a moment of In the Hall of the Mountain King. Don't be frightened, this piece is an excellent choice for your next concert! 11566676 String Orchestra . . . . . . . . .50.00 11566700 Additional Score . . . . . . . . . . 8.00 Legend of the Chevalier—Clifton Jones. Step into the world of French nobility with this rich and energetic composition. The driving, syncopated theme that permeates the piece is coupled with a descending chromatic line that is moved from section to section. This dynamic work will be at home on any concert program. 11561633 String Orchestra . . . . . . . . .65.00 11561685 Additional Score . . . . . . . . .10.00 Legend of the Dragon Chasers—Chris Thomas. Journey to a land of elven magic, windswept plains, and mystical forests. Explore a variety of musical textures and landscapes as you take your audience on a fantastic journey. Broad, cinematic melodies shift between driving, adventurous rhythms and romantic legato passages that weave an exciting tale. (3:00) 11511829 String Orchestra . . . . . . . . .60.00 11511908 Additional Score . . . . . . . . .10.00 Legend of the Ghost Stallion—Richard Meyer. This ode to the Wild West begins with a mysterious introduction using the folk song All the Pretty Little Horses. Brief solos for violin, viola, and cello are heard before the driving and energetic theme of the Ghost Stallion is heard, riding through the moonlit countryside. The repeated galloping rhythm appears in stretches, designed to improve this important bowing pattern. A picturesque selection, sure to capture the imagination and improve the technique of your orchestras! 10993622 String Orchestra . . . . . . . . .49.00 10993623 Additional Score . . . . . . . . . . 9.00

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