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CLASSICAL SELECTIONS medium-easy / medium
Sleepers Wake—J.S. Bach/arr. Jerry
Brubaker. The familiar Johann Sebastian Bach
melody will be loved by one and all. Solidly
scored for your string or full orchestra, the
delicate melody will reinforce the musicianship
of the entire ensemble.
2478060 String or Full Orchestra . . .65.00
2478061 Additional Score . . . . . . . . . . 9.00
The Sorcerer's Apprentice—Paul Dukas/
arr. Andrew Balent. This orchestral classic was
the only selection to be featured in the original
Fantasia film and sixty years later in Fantasia
2000! Now it is arranged in a version your
students can play. Playable by string orchestra
or full orchestra, this arrangement avoids much
of the introductory material to get right into the
most familiar parts.
2472121 String or Full Orchestra . . .65.00
2472122 Additional Score . . . . . . . . .10.00
Symphony No. 2 (Finale)—Peter Ilyich
Tchaikovsky/arr. Sandra Dackow.
Tchaikovsky's Finale from the famous "Little
Russian Symphony" can be a dramatic
showcase for a developing orchestra.
2201689 Full Orchestra . . . . . . . . . . .76.00
6048037 Additional Score . . . . . . . . .14.00
Symphony No. 36, the "Linz"—W.A. Mozart/
arr. Richard Meyer. The "Linz" symphony
is included among Mozart's best. The
first movement is cheerful and buoyant in
mood yet retains an air of dignity and poise
reflective of a true master of the genre.
Richard Meyer's arrangement of this classic
symphony is carefully arranged to work well
with your full orchestra.
10594971 Full Orchestra . . . . . . . . . . .59.00
10594972 Additional Score . . . . . . . . . . 9.00
Symphony No. 5 (Third Movement)—Ludwig
van Beethoven/arr. Richard Meyer. Haunting,
ominous, and playful, this Scherzo movement
from Beethoven's famous Symphony No. 5 has
it all. Students will love the stirring harmonies
and driving rhythms while the colorful
orchestration - faithful to the original - keeps
brass, woodwinds, strings, and percussion
involved throughout. An opportunity for your
orchestra to experience a glorious moment in
symphonic history!
10872149 Full Orchestra . . . . . . . . . . .59.00
10872150 Additional Score . . . . . . . . .10.00
Symphony No. 5 Finale—Peter Ilyich
Tchaikovsky/arr. Richard Meyer. One of
the grandest works in all of symphonic
literature, this finale from Tchaikovsky's "Fifth
Symphony" is positively electrifying! All of the
colors and moods of the original are retained
in this exciting arrangement that is sure to
challenge every section of your orchestra.
This is a great way to introduce your student
musicians to a 19th century masterwork, and
the quintessential closer to any concert!
10280411 Full Orchestra . . . . . . . . . . .59.00
10280412 Additional Score . . . . . . . . . . 9.00
Symphony No. 6 (2nd Movement)—Pyotr
Ilyich Tchaikovsky/arr. Richard Meyer. The
second movement from Tchaikovsky's sixth
and last symphony finds Tchaikovsky at his
melodic best. This elegant "waltz" in 5/4 meter
has long been a favorite of audiences and is
an excellent way to introduce your students
to a too-often neglected time signature.
Performance time: approx. 6:20.
11354956 Full Orchestra . . . . . . . . . . .60.00
11354957 Additional Score . . . . . . . . .10.00
Theme from Swan Lake (Opus 20a, No.1
Scene)—Pyotr Ilyich Tchaikovsky/arr. Chris
M. Bernotas. The accessible full orchestra
arrangement of this timeless theme that you
have been waiting for! Whether performed as a
string orchestra alone or with any combination of
winds (including alto sax) all the way up to a full
orchestra, young players will get to experience
the emotion and brilliance of this masterpiece!
11354954 Full Orchestra . . . . . . . . . . .70.00
11354955 Additional Score . . . . . . . . . . 9.00
Themes from "Scheherazade"—Nikolai
Rimsky-Korsakov/arr. Richard Meyer.
Rimsky-Korsakov's famous symphonic suite
"Scheherazade" has been a staple of the
symphonic literature since it was written in
1888. Now your younger students can enjoy
the Russian master's colorful orchestrations
and imaginative themes in this "true-to-the-
original" arrangement that takes just five
minutes to perform. Included are The Sultan's
Theme, Scheherazade's Theme (for solo
violin), and the themes from "The Story of the
Kalendar Prince" and "The Young Prince and
the Young Princess."
10092534 Full Orchestra . . . . . . . . . . .59.00
10092540 Additional Score . . . . . . . . . . 9.00
Classical Selections
Medium
1812 Overture—P.I. Tchaikovsky/arr. Jerry
Brubaker. Maintaining all of the excitement
and pageantry of the original, this work has
been paired down to six and half minutes. Best
known for its climactic volley of cannon fire,
ringing chimes and brass fanfare, this piece is
perfect for a bicentennial celebration in 2012.
You'll have to hear it to believe it!
10310481 Full Orchestra . . . . . . . . . . .73.00
10310482 Additional Score . . . . . . . . . . 8.00
Amadeus (from Symphony No. 25)—W.A.
Mozart/arr. Jamin Hoffman. Symphony No. 25
begins with one of Mozart's most recognized
themes, as heard in the classic Oscar-winning
film "Amadeus." Hoffman has placed the first
movement in an accessible, practical format
that can be performed by school orchestras
with confidence.
10062533 Full Orchestra . . . . . . . . . . .80.00
10084749 Additional Score . . . . . . . . . . 5.00
Bacchanale (from "Samson and Delilah")—
Camille Saint-Saens/arr. Merle Isaac. This
haunting Saint-Saens theme is a favorite of
audiences everywhere and is a great change
of pace on any program.
2143592 Full Orchestra . . . . . . . . . . .75.00
2335644 Additional Score . . . . . . . . .10.00
A Can-Can Festival—Jacques Offenbach/arr.
Todd Parrish. In this multi-level arrangement
for string or full orchestra, both new and
experienced students get to enjoy the
excitement of Offenbach's famous dance.
The piece can be performed with strings only,
with parts for beginning, intermediate, and
advanced levels. Or, add optional advanced
wind, brass, and percussion parts for a
full orchestra concert - combined levels or
advanced players only. The perfect grand
finale to your pyramid concert that will motivate
young musicians with a great sense of pride
and accomplishment!
11500306 Multi-Level Orchestra . . . . .80.00
11500403 Additional Score . . . . . . . . . . 9.50
Dance of the Hours—Amilcare Ponchielli/
arr. Richard Meyer. Your orchestra will love
the chance to play these ever-popular tunes
from Ponchielli's opera "La Gioconda."
Instantly recognizable to any audience, this
arrangement retains the sound of the original
and gives students a chance to develop the
variety of techniques needed to perform two
very different styles of dance music. The key
has been changed from E major to G major
and the time signature simplified from 4/8 to
4/4, but none of the fun is missing!
10738946 Full Orchestra . . . . . . . . . . .59.00
10738978 Additional Score . . . . . . . . .10.00
Farandole (from "L'Arlesienne Suite No.
2")—Georges Bizet/arr. Merle J. Isaac. This
spirited, well-loved work by Georges Bizet is
an absolutely delightful work for both rehearsal
and performance!
2156024 Full Orchestra . . . . . . . . . . .73.00
4956280 Additional Score . . . . . . . . . . 7.00
Finlandia—Jean Sibelius/arr. Owen Goldsmith.
There's a cold mystique about this work from
Finland's most famous composer, but at its
heart is a warmth that overflows with beauty.
Well known to many listeners, Finlandia
displays a strong sense of nationalistic strength
in its mighty brass and soaring strings. Owen
Goldsmith's adaptation eliminates a few of the
technical difficulties and includes generous
cross-cuings. The brass double tonguing is still
there, but so is all the power!
2376036 Full Orchestra . . . . . . . . . . .80.00
5627229 Additional Score . . . . . . . . . . 9.00
The Firebird—Igor Stravinsky/arr. Jack
Bullock. This thrilling selection provides a great
introduction for younger players to Stravinsky!
This transcription provides access at the
perfect level.
10453875 Full Orchestra . . . . . . . . . . .55.00
10453917 Additional Score . . . . . . . . . . 7.00
Graduation Suite—Edward Elgar & Jean-
Joseph Mouret/arr. Michael Story. A must for
any regal ceremony. The traditional Pomp
and Circumstance March No. 1 has been
scored for young full orchestra or strings alone.
The famed processional is followed by the
majestic recessional Rondeau from Premiere
Suite. An outstanding graduation choice
for any level orchestra performing without
graduating seniors. A necessary and welcome
arrangement for every library. (3:45)
11400526 String or Full Orchestra . . .60.00
11400527 Additional Score . . . . . . . . . . 9.00
Jupiter - Bringer of Jollity (from "The Planets")
—Gustav Holst/arr. Vernon Leidig. This
magnificent work by Gustav Holst is
scored in a very playable arrangement for
school orchestras.
2155315 Full Orchestra . . . . . . . . . . .73.00
4957247 Additional Score . . . . . . . . . . 9.00
Light Cavalry Overture—Franz von Suppe/
arr. Merle J. Isaac. A truly excellent addition
to any orchestra library! Completely re-edited
for advanced full orchestra in its original length,
this exciting work is always a concert favorite.
Opening with its famous horn calls and strong
chords, it contains the celebrated theme for
which the overture is always remembered,
depicting the gallop of the cavalry. A bright,
energetic concert feature for both school and
community ensembles, sure to delight!
2200913 Full Orchestra . . . . . . . . . . .70.00
5390109 Additional Score . . . . . . . . .12.00
March Slav (Themes)—P.I. Tchaikovsky/arr.
Chris M. Bernotas. Your symphony orchestra
will love this iconic march. Scored for full
orchestra or strings only, this arrangement
features great themes and a big symphonic
sound. With a reduced number of wind parts,
this accessible piece is truly a wonderful choice
for a departmental collaboration or festival.
11200160 String or Full Orchestra . . .70.00
11200161 Additional Score . . . . . . . . . . 9.00
Marriage of Figaro—W.A. Mozart/arr. Merle J.
Isaac. Here's Mozart's most famous overture,
carefully arranged and edited by Merle Isaac.
Staying very true to the original, this one
challenges the strings, but often becomes their
favorite! An excellent opener or closer.
2127850 Full Orchestra . . . . . . . . . . .69.00
5761507 Additional Score . . . . . . . . . . 9.00
Nutcracker Ballet, Set 1 (Dance of the Sugar
Plum Fairy and Waltz of the Flowers)—P.I.
Tchaikovsky/arr. Merle Isaac. For decades, the
skilled arranging of the late Merle Isaac made
great works playable by developing orchestras.
Here he presents the beloved "Nutcracker" in
two sets that sound like the originals. Feature a
good pianist in Dance of the Sugar Plum Fairy.
Show off the entire orchestra in Waltz of the
Flowers. Perform as is or make your own suite
with the addition of Set 2 (Pepper #2041903).
2041911 Full Orchestra . . . . . . . . . . .73.00
2362671 Additional Score . . . . . . . . . . 9.00
Nutcracker Ballet, Set 2 (March of the
Nutcracker and Trepak)—P.I. Tchaikovsky/
arr. Merle Isaac. This second set features two
of the most well-known holiday favorites of all
time: March of the Nutcracker and Trepak. As
always, Merle Isaac remained as true to the
originals as possible. Playable alone or with
Set 1 as a suite (Pepper #2041911). Trepak
makes a fantastic finish to your holiday concert!
Wonderful music!
2041903 Full Orchestra . . . . . . . . . . .69.00
9562514 Additional Score . . . . . . . . . . 9.00
New adaptable quartets
for string instruments!
Adaptable Quartets:
The Great
American Songbook
20 Quartets for
Any Combination of
String Instruments
arr. Tyler Arcari &
Matthew R. Putnam.
20 classic standards from the Great
American Songbook arranged
as adaptable quartets for any
combination of string instruments.
11576758 Violin Quartet. .E-M 14.99
11576759 Viola Quartet . .E-M 14.99
11576760 Cello Quartet . .E-M 14.99
11576761 String Bass
Quartet. . . . . . .E-M 14.99
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