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CHRISTMAS SACRED & SPIRITUALS
Laus Deo!—John Leavitt. Bright
syncopations, mixed meter, and vivid
choral writing energize this festive choral
work. Brief quotes of carol melodies
make this setting ideal for Christmas or
concert performances. Add the optional
percussion parts for an even more
sparkling performance.
3027661 SATB. . . . . . . . . . . . . . . M 2.65
3027679 Three-Part Mixed . . . . . M 2.50
3027687 Two-Part . . . . . . . . . . . . M 2.50
11544928 SSA . . . . . . . . . . . . . . . . M 2.50
10455765 TTB . . . . . . . . . . . . . . . . M 2.95
Let the Stable Still Astonish—Dan Forrest.
This setting of a thought-provoking Christmas
text by Leslie Leyland Fields will take the
listener to where the God of all the universe
will be born, in this place. "In this place" also
means the human heart. With lyric vocal lines,
a piano that is independent yet supportive,
and optional cello that adds richness, this
arrangement will make a profound impact on
singers and listeners alike.
11348368 SATB. . . . . . . . . . . . . . . M 2.50
11349360 Cello with Full Score. . . . . 12.95
The Little Drummer Boy—Katherine K.
Davis, Henry Onorati & Harry Simeone/
arr. Simeone. One of the most celebrated
Christmas songs of modern times is now
presented with masterful orchestrations!
This is the accompanied version as
performed by Fred Waring and The
Pennsylvanians. Repeated drum sounds
in the voices form the background for the
melody in this Christmas standard that
has become a holiday tradition of its own.
Add finger cymbals to the drum-like piano
accompaniment for the finishing touch. A
must for holiday concerts and services!
781922 SATB. . . . . . . . . . . . . .ME 2.65
781740 SAB . . . . . . . . . . . . . . .ME 2.65
781831 SSAA. . . . . . . . . . . . . .ME 2.50
781658 TTBB . . . . . . . . . . . . . .ME 2.65
10067115 P/A CD . . . . . . . . . . . . . . . 29.99
The Little Drummer Boy—arr. Noah Reese
& Debbie Siebert. This favorite carol is
presented in an arrangement designed with
changing voice emerging tenor-bass singers
in mind, and they are sure to love it! The
melody is shared between the voices, and
the drum-motif harmony parts are effectively
used throughout, allowing each part to shine
while staying within a comfortable singing
range. Not to be missed!
11397054 TT . . . . . . . . . . . . . . . .ME 2.50
Lo, How a Rose/The Rose—arr. Craig
Hella Johnson. This creative pairing of
Amanda McBrooms's The Rose with the
Praetorius Lo, How a Rose e'er Blooming
has become a classic at Conspirare's
Christmas at the Carillon concerts.
Incredibly moving!
10035930 SATB. . . . . . . . . . . . . .ME 2.10
Long Ago (In the Bleak Midwinter)—arr.
Jacob Narverud. A new twist on a timeless
carol, this setting of Christina Rossetti's
poem features Holst's original melody and
harmonization along with new connective
material between the verses and beautiful
cluster harmonies. Paired with an artistic
piano accompaniment and optional string
parts, it is a lovely statement for the season.
The string parts are available as a download
from the publisher.
11391230 SATB. . . . . . . . . . . . . . . M 2.80
11564410 SAB . . . . . . . . . . . . . . . . M 2.60
11535651 SSA or SSAA . . . . . . . . M 2.60
Love's Pure Light (Silent Night)—Elaine
Hagenberg. Experience a captivating
new melody to Silent Night as hints of the
timeless Christmas carol
STILLE NACHT
are interwoven throughout. Graceful
choral parts capture the tenderness of the
beloved text, then ascend to new heights,
resounding with "Son of God, love's pure
light." The optional parts for string quartet,
flute, oboe, and timpani help to create a
truly memorable piece, sure to be cherished
for years to come.
11502583 SATB divisi, or SSATB M 2.95
11502584 Chamber Orchestra . . . . . 40.00
Love's Pure Light, Silent Night—Michael
John Trotta. This lyrical setting blends the
beloved Silent Night tune and text with a
captivating new tune, featuring an optional
oboe obbligato that gives a unique color to
the piece. The result is a fresh look at an old
favorite that is both appealing and accessible
for Christmas concerts or services.
10969262 SATB. . . . . . . . . . . . . .ME 3.20
11515246 SAB . . . . . . . . . . . . . . .ME 3.20
11315935 SA . . . . . . . . . . . . . . . .ME 3.20
11344324 SSA . . . . . . . . . . . . . . .ME 3.20
Lullaby for a King—J. Edmund Hughes &
Mary Ellen Loose. This gently rocking
lullaby incorporates a charmingly beautiful
melodic and harmonic idea with original text
for two verses, then brings in the traditional
text of Silent Night for verse three using the
same melodic and harmonic ideas. Easily
learned, it is a very accessible piece that's
perfect for Christmas services or concerts.
10795135 SATB. . . . . . . . . . . . . .ME 2.60
11391210 Unison . . . . . . . . . . . . .ME 2.40
10795136 SA or Two-Part . . . . . .ME 2.20
11394948 TB . . . . . . . . . . . . . . . .ME 2.25
Lullay, Noel—arr. Becki Slagle Mayo. This
stunning carol tapestry includes threads
of The Coventry Carol; What Child Is
This; Noel Nouvelet and original thematic
material along with new words. With
conservative ranges and intuitive voice
leading, it is easily learned and can be
beautifully included in either Christmas
concerts or services. It also includes
optional parts for flute and cello that help
create a captivating mood.
11561609 SATB. . . . . . . . . . . . . .ME 2.95
11197649 Three-Part Mixed . . . .ME 2.95
11197650 Two-Part or SA . . . . . .ME 2.95
11199149 P/A CD . . . . . . . . . . . . . . . 26.95
Lully, Lulla, Lullay—Philip W. J. Stopford.
Treasured words from the 15th-century
carol are paired with a stunning, newly
composed a cappella setting for mixed
choirs. Beautiful cluster harmonies are
interposed with a more open harmonic
structure to create this wonderful sense
of ancient and modern. A soaring descant
enters in the final stanza to lift the piece to a
sublime finish.
10278801 SATB. . . . . . . . . . . . . .ME 2.35
Lux Aurumque—Eric Whitacre. Upon
reading Edward Esch's poem Light
and Gold, composer Eric Whitacre was
immediately struck by its genuine, elegant
simplicity. He asked the celebrated
American poet Charles Anthony Silvestri
to translate it into Latin for this seminal
work for mixed choir a cappella. A simple
approach was essential to the success of
the work, and Whitacre waited patiently
for the tight harmonies to shimmer and
glow, weaving a rich choral tapestry of
light and the soft singing of angels for the
newborn child. A Christmas text, but the
effect is timeless.
3281698 SATB. . . . . . . . . . . . . .MA 2.80
3301140 TTBB . . . . . . . . . . . . . .MA 2.60
Mary, Did You Know?—arr. Craig Courtney.
This popular contemporary Christmas
song receives a fresh treatment in this
arrangement. An ethereal sound is set by
the use of chord clusters and an aleatoric
section. The melody is then introduced by a
soloist. Truly an exceptional setting that will
become a favorite of your choir.
10513804 SATB. . . . . . . . . . . . . . . M 2.75
11514049 SSAA. . . . . . . . . . . . . . . M 2.50
11514050 TTBB . . . . . . . . . . . . . . . M 2.50
10540166 Orchestration . . . . . . . . . . 80.00
Mary, Did You Know?—arr. Roger
Emerson. This setting is arranged after the
amazing Pentatonix version from the 2014
album That's Christmas to Me and may be
sung a cappella or accompanied. Ideal for
pop/jazz or concert choirs, the beautiful
layered vocal textures will create a stunning
moment in your concert!
10605946 SATBB . . . . . . . . . . . .ME 2.75
10605947 SAB . . . . . . . . . . . . . . .ME 2.50
10605948 SSA . . . . . . . . . . . . . . .ME 2.40
10605949 P/A CD . . . . . . . . . . . . . . . 26.99
Mary Sat A-Rockin'—Ruth Morris Gray. Pull
out all the stops when performing this
vibrant, up-tempo a cappella choral set in
the style of a traditional spiritual. Especially
effective as an opener, closer, or encore,
it features fun, rhythmic interplay with
musical repetition of the text "Mary sat
a-rockin', a-rockin' her baby." Suitable for
both school and church settings.
11514667 SATB. . . . . . . . . . . . . .ME 2.45
Mary, Did You Know?—arr. Tim Hayden.
This tender ballad is perhaps the most
recorded and performed modern Chris-
tmas song. With notable recordings by
Pentatonix, Natalie Cole and Kenny
Rogers, this powerhouse song can work
in a variety of settings. This arrangement
is an accessible version with a pop/country
vibe and a bridge of wonderful harmonies
to set up the powerful declaration of "the
blind will see, the deaf will hear, the dead
will live again, the lame will leap, the dumb
will speak the praises of the lamb! Mary,
did you know?"
10738846 SATB. . . . . . . . . . . . . .ME 2.05
10738847 SAB . . . . . . . . . . . . . . .ME 2.05
10738848 SSA . . . . . . . . . . . . . . .ME 2.05
10752024 P/A CD . . . . . . . . . . . . . . . 27.99
Mary, Did You Know?—Mark Lowry &
Buddy Greene/arr. Jack Schrader. This
powerful contemporary Christmas ballad
has been recorded by numerous artists
over the past decades, from Pentatonix
to Kenny Rodgers, and seems to increase
in popularity each year. This classic
arrangement has perfectly captured the
epic drama of the text, pondering the
baby's purpose on earth. "Mary, did you
know that your baby boy would someday
walk on water?"
3133519 SATB. . . . . . . . . . . . . .ME 3.25
3205523 SAB . . . . . . . . . . . . . . .ME 3.25
8020778 Two-Part Mixed. . . . . .ME 3.25
8020794 SSA . . . . . . . . . . . . . . .ME 3.25
8020786 TTBB . . . . . . . . . . . . . .ME 3.25
3133527 P/A CD . . . . . . . . . . . . . . . 29.95
3133535 Full Orchestra . . . . . . . . . . 89.95
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