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Long Ago (In the Bleak Midwinter)—
arr. Jacob Narverud. A new twist on a timeless
carol, this setting of Christina Rossetti's poem
features Holst's original melody and harmonization
along with new connective material between the
verses and beautiful cluster harmonies. Paired
with an artistic piano accompaniment and optional
string parts, it is a lovely statement for the season.
The string parts are available as a download from
the publisher.
11564410 SAB or Three-Part Mixed. . . . M 2.60
The Magic of Winter—Sherry Blevins.
Painting a winter wonderland in the listener's mind,
this inclusive piece expresses the wonder and
magic of the season and of all of us. With a lilting
6/8 meter, easy modal mixture, and effortless key
changes, it offers opportunities to expand singers'
theory knowledge while diversifying your program
repertoire. You can perform the piece in unison
or in two-part harmony. A perfect choice for any
winter concert!
11564994 Unison/Two-Part. . . . . . . . . .ME 3.25
Man, It's Cold Outside—Teresa Jennings.
Set in a medieval rock style, this tongue-in-cheek
piece gives your singers a chance to complain
politely about winter's chill. Perform the piece
with all three parts or with the treble parts only; a
cappella, with piano, with the optional percussion
parts, or with the accompaniment track. Perfect for
Christmas or winter concerts, this is sure to be a hit!
11536026 Unison/Two- or Three-Part . . E 1.95
O Come, O Come, Emmanuel—
arr. Noah Reese. A beautiful way to prepare
for the season, this medieval carol is arranged
with lyrical lines that bring both freshness and
familiarity. The piano accompaniment provides
exciting movement with driving rhythms that
complement the chantlike choral lines.
11559605 SAB. . . . . . . . . . . . . . . . . . . .ME 2.30
Peace Carol—John Devorick. A simple plea
that this Christmas season will bring peace, hope,
and joy, this setting employs the ancient refrain
"Dona nobis pacem" after each stanza to link the
present with the past. The tune is based on a
well-known Ukrainian carol, and the varied texture
includes both accompanied and a cappella. A fine
choice for both church and school choirs.
11567855 SAB. . . . . . . . . . . . . . . . . . . .ME 2.40
Santa Songs (Nine Jolly Jingles
for Unison or Two-Part Voices)—
Various Composers & Arrangers. Grab your
Santa hats, tune up those festive singing voices,
and let's celebrate the man with the bag! This
collection of nine holiday showstoppers is all about
Santa Claus and is so much fun to sing! Perfect
for young choristers and developing carolers,
this delightful songbook is written for unison and
two-part voices, with age-appropriate ranges
and accessible part writing. Whether you're
performing in the classroom, a school assembly,
a holiday concert, or spreading joy throughout
your community, these songs can be performed
individually, as a complete set, or even as a
musical revue! Reproducible singer's pages are
included in the online PDF, and some numbers
even include choreography, making this collection
great fun AND a great value!
11572012 Unison/Two-Part Book, Online Audio
& PDF w/Reproducible
Singer's Parts . . . . . . . . . . .ME 64.99
11572013 Unison/Two-Part Book & Online PDF
w/Reproducible
Singer's Parts . . . . . . . . . . .ME 34.99
Scenes of Winter—Glenda E. Franklin.
The traditional English carol God Rest Ye Merry,
Gentlemen breathes new life with original secular
lyrics in this gentle choral for winter. Vocal echoing
and simple harmonies beautifully paint the text,
creating a lovely selection that is unique yet familiar.
11559823 Three-Part Mixed . . . . . . . . .ME 2.35
11559824 Two-Part or SA. . . . . . . . . . .ME 2.35
Sing We Now of Christmas—
arr. Noah Reese & Debra Siebert. This beloved
15th-century French carol is beautifully arranged
for an emerging tenor-bass choir to accommodate
changed and unchanged voices. With unexpected
harmonic modulations in the middle section, it
offers teaching opportunities for major/minor
expressions of the text as both tenor parts take
turns with melody and harmony. An all-around
holiday hit!
11559645 TT . . . . . . . . . . . . . . . . . . . . . . E 2.25
Something Told the Wild Geese—
Douglas E. Wagner. Highly appropriate for fall
and winter concerts, this elegantly simple setting
of the well-known Rachel Field poem allows space
for developing choirs to learn the notes easily
and have plenty of time for exploring musical
sensitivity. Nicely constructed melodic lines create
a plaintive and haunting feel which is nicely
enhanced by the beautiful piano accompaniment
and optional cello obbligato.
11567013 SATB . . . . . . . . . . . . . . . . . . . E 2.25
11567014 Three-Part Mixed . . . . . . . . . . E 2.25
11567015 Two-Part . . . . . . . . . . . . . . . . . E 2.25
Stopping by Woods on a Snowy Evening
—Alex Berko & Tim Cahalan. Robert Frost's
well-known poem is set as an accessible
lyrical piece for treble choirs. A sweeping piano
accompaniment, legato vocal lines, and chilling
harmonies make this the perfect selection for
school and community winter concerts.
11566208 SSA. . . . . . . . . . . . . . . . . . . .ME 2.25
Sweet Silent Night—Andy Beck. A gentle
ode to heavenly stars and falling snow, this
original winter-themed work paints a peaceful
scene with delicate vocal lines and an ethereal
piano accompaniment. Very easily learned, it
features the essence of Silent Night with a secular
text that can be sung at any winter concert. As a
special touch, the final verse can be performed a
cappella for a very effective and serene ending.
11564479 SATB . . . . . . . . . . . . . . . . . . . E 2.20
11564480 Three-Part Mixed . . . . . . . . . . E 2.20
11564481 Two-Part or SA. . . . . . . . . . . . E 2.20
Three Fun Holiday Songs for TB Choir—
arr. Laura Farnell. Jingle Bells; Up on the
Housetop and We Wish You a Merry Christmas
are made functional and fun in this accessible
set of holiday favorites for tenor-bass choir. Sing
one, two, or all three, a cappella or with piano,
in concert or out caroling. A quick learn for the
season and a new staple of your choral library!
11559652 TB . . . . . . . . . . . . . . . . . . . . . . E 2.30
Together in Song at Christmas
(Volume 2)—Greg Gilpin, Cynthia Gray, Victor
C. Johnson, Ruth Elaine Schram & Bruce W.
Tippette. Featuring eight Christmas and holiday
selections for developing mixed choirs, this fully
reproducible collection is a real budget stretcher.
Sing these titles year after year, again and again,
and make as many copies as you need. The
accompaniment tracks are also included as a
digital download. The composers and arrangers
featured in this collection are experts at writing
for young choirs in this voicing. Titles: A Yuletide
Greeting (Victor C. Johnson); Pat-a-Pan Noel
(Ruth Elaine Schram; Please Don't Sing Another
"Fa La La"! (Greg Gilpin); Winter Reflections
(Bruce W. Tippette); Lullay, Infant Holy (Ruth
Elaine Schram); A Calypso Noel (Victor C.
Johnson); Tiny Little Baby Born in Bethlehem
(Cynthia Gray); Ale Pun (Ruth Elaine Schram).
11567037 Three-Part Mixed Reproducible Book
& Online Audio Access. . . .ME 44.95
Tres Canciones de Navidad (Three
Songs of Christmas)—arr. Clinton Barrineau.
Arranged as a collaborative effort by a treble choir
and their director, these carols are accessible
to developing treble choirs and are a wonderful
exploration of ensemble singing in Spanish.
11559653 SSA. . . . . . . . . . . . . . . . . . . .ME 2.15
'Twas the Night Before Christmas—
Andy Beck. Here's a Christmas crowd pleaser -
C.C. Moore's classic poem set with swingin' jazz
flair! A bass line sneaks along and finger snaps
set the stage for some spoken opening lines.
When the singing begins, it's nonstop fun - from
the first clatter and Santa's dramatic jump down
the chimney to the final "and to all a good night"
send-off. Very effective, with or without the full
theatrical orchestration.
11566047 Two-Part . . . . . . . . . . . . . . . .ME 2.30
Umoja Tunaimba (United We Sing)—
Victor C. Johnson. Ideal for many uses
throughout the year, this energetic original
composition proclaims a message of justice and
peace. Bringing voices together to stand in umoja
(unity), it can be used to celebrate Kwanzaa or as
a concert or service selection for any occasion. A
piano part is included, but it can also be sung a
cappella with the included percussion part.
11567238 Three-Part Mixed . . . . . . . . .ME 3.25
11567239 Two-Part Mixed . . . . . . . . . .ME 3.25
Where the North Wind Blows—
arr. Cristi Cary Miller. The beautiful, haunting
melody in this piece comes from a traditional Irish
tune also known as the Wexford Carol. Its slow
and lyrical tempo gives choirs a chance to develop
breath control when singing long phrases. The
original wintry lyrics make the selection a perfect
choice for concert and festival events.
11547298 Three-Part Mixed . . . . . . . . .ME 2.35
11547295 Two-Part . . . . . . . . . . . . . . . .ME 2.35
Who Has Seen the Wind?—Bruce Tippette.
A memorable rhythmic melody sets Christina
Rossetti's well-known text in this exciting concert
work that will find a natural home at fall or winter
concerts. Offering many teaching opportunities,
choirs can practice agility, precision, and diction
as well as longer legato phrases that are all well
supported with the piano accompaniment. A great
choice for singing with drama and character for
developing choirs!
11566939 SAB. . . . . . . . . . . . . . . . . . . .ME 2.25
Winter Bells—Mykola Leontovych/
arr. Alan Billingsley. The beloved Carol of
the Bells has been set with fresh and festive
wintertime words. Two complete verses of lyrics -
none of which mention Christmas - and an original
bridge of "fa la las" make this a little bit longer but
no more difficult to learn. Familiar and fun!
11566100 SATB . . . . . . . . . . . . . . . . . .ME 2.20
11566101 Three-Part Mixed . . . . . . . . .ME 2.20
11566102 Two-Part . . . . . . . . . . . . . . . .ME 2.20
Winter's Stillness—Andrew Parr. A lovely
original melody creates a scene of winter beauty
before partnering with the beloved Austrian carol
Still, Still, Still. With the option to sing in either
English or the original German, it is a great way
to welcome the winter season. An added descant
soars over the final stanza creating a beautiful
statement that works well in both the three- and
two-part settings.
11567035 Three-Part Mixed . . . . . . . . .ME 2.45
11567036 Two-Part or SA. . . . . . . . . . .ME 2.45
