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CHRISTMAS SACRED & SPIRITUALS
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The First Noel/Pachelbel's Canon—arr.
Michael Clawson. The intertwining of the
two timeless works The First Noel and
Pachelbel's Canon In D is absolutely
beautiful! A choral masterpiece, this has
become a classic, featuring a three-hand
piano or organ accompaniment. Don't
miss this!
1740786 SATB. . . . . . . . . . . . . .ME 2.05
1740794 SAB . . . . . . . . . . . . . . .ME 2.05
1860923 Two-Part . . . . . . . . . . .ME 2.05
1740802 SSA . . . . . . . . . . . . . . .ME 2.05
3127040 TBB . . . . . . . . . . . . . . .ME 2.25
3298474 P/A CD . . . . . . . . . . . . . . . 27.99
3298475 Instrumental Parts. . . . . . . 30.00
French Carol Duet—Mary Donnelly &
George L.O. Strid. A bright pairing of Il est ne
and Angels We Have Heard on High - sing
in English throughout or include some
French text using the included pronun-
ciation guide. The optional glockenspiel
part will add some sparkle to two classic
Christmas carols.
11503217 Three-Part Mixed . . . .ME 2.05
11503218 Two-Part . . . . . . . . . . .ME 2.05
11503274 Multi-Song Accomp. CD. . 44.99
Fum, Fum, Fum—arr. Derric Johnson. The
quick tempo and festive character of
this traditional Catalan carol are on full
display in this setting, which is a signature
arrangement of Disney's Voices of Liberty
in their Christmas concerts. The a cappella
harmonies accompany the dancing melody
on which you can feature three separate
soloists. The arrangement builds to a
final high point that is sure to inspire an
exuberant response!
11510895 SATB. . . . . . . . . . . . . . . M 2.75
Fum, Fum, Fum—arr. Alice Parker & Robert
Shaw. This classic Shaw-Parker arrange-
ment of the traditional Catalan dance carol
may be performed with piano or a cappella.
A
truly enjoyable telling of the Christmas story.
398529 SATB. . . . . . . . . . . . . .ME 2.10
4061107 SSA . . . . . . . . . . . . . . .ME 2.10
10049532 Teaching P/A CD . . . . . . . 16.95
Gaudete—arr. Philip Lawson. This
traditional carol is arranged by the former
King's Singer in a style that honors the
original while bringing it into the 21st
century. Changing meter, alternating a
cappella and accompanied segments, and
call-and-response sections create a work
that is a constant surprise.
11513588 SATB. . . . . . . . . . . . . . . M 2.15
1615061 SATTBB . . . . . . . . . . . . M 2.35
Gaudete!—Ruth Morris Gray. Employing
the ancient Latin text in a modern original
setting, this three-part work is a dynamic
and rhythmic opening selection or
processional. Accompanied by piano and
optional hand drum, it is in 3/4 meter and
includes an English verse that celebrates
the Christmas season, though it can be
performed any time of year.
11427773 Three-Part Mixed . . . .ME 2.20
11427774 Three-Part Treble . . . .ME 2.20
Gaudete!—arr. Michael Engelhardt. From
Piae Cantiones, this setting of Gaudete!
is in a progressive style, yet well suited
to the medieval melody. Its energy is
derived from the accented rhythms and
dance-like percussive elements, all
adding to the joyous nature of the piece.
Percussion parts for four players are
available separately.
10467505 SATB. . . . . . . . . . . . . . . M 2.90
10276399 SSA . . . . . . . . . . . . . . . . M 2.80
10304776 TTBB . . . . . . . . . . . . . . . M 2.80
10968325 SATB Full Score and
Percussion . . . . . . . . . . . . 25.00
10276400 SSA Full Score and
Percussion . . . . . . . . . . . . 20.00
10968326 TTBB Full Score and
Percussion . . . . . . . . . . . . 20.00
Gaudete! Gaudete!—Cristi Cary Miller.
Flexibly set for either two parts or three, this
original setting can be used as an opener
or processional for Christmas concerts
or services. The Latin text used in this
selection comes from a sacred Christmas
carol thought to have been composed in
the 16th century, and the addition of a few
English phrases lends it a contemporary
touch. A great feature for either upper or
lower voices!
11542392 Two-Part or SSA. . . . .ME 2.35
11542390 TB or T(T)B . . . . . . . . .ME 2.35
Gesu Bambino—arr. Derric Johnson. Shhh!
Be sure not to wake the baby! This beautiful
traditional Christmas lullaby is sweetly
arranged to create a tranquil and beautiful
atmosphere that welcomes the Christ child.
The recognizable harmonies are in place,
and there is the opportunity to feature
several soloists. There are also some
sections of first soprano divisi in the upper
range that will create a floating, angelic
touch that soars above.
11510898 SATB. . . . . . . . . . . . . . . M 2.75
The Glastonbury Thorn—Z. Randall
Stroope. This curious text depicts a town in
southwest England with ties to the Arthurian
legends, the Holy Grail, and the story of
Joseph of Arimathea. Beautifully crafted,
the music soars and weaves, painting the
many pictures of the beautiful story.
11514315 SATB or SSATB . . . . . . M 2.80
Gloria—Randol Alan Bass. This vigorous
seven-minute work is a rhythmic yet lyrical
setting of the Latin "Gloria in excelsis" text
that will be a highlight of both sacred and
secular programs, especially at Christmas.
Written for the New York Pops, recorded
by the Boston Pops, and it has been
extensively programmed by professional
and amateur groups in a variety of venues.
No soloists; multiple accompaniments; full
and reduced orchestrations available by
rental only.
1800374 SATB. . . . . . . . . . . . . . . M 5.95
10947167 SSAA. . . . . . . . . . . . . . . M 5.55
1950088 TTBB . . . . . . . . . . . . . . . M 5.55
10563626 Concert Band . . . . . . . . . . 35.00
3295258
Full Score Concert Band 125.00
8058024 Brass, Percussion
& Organ. . . . . . . . . . . . . . . 70.00
Gloria (from "Mariazeller Messe")—
Joseph Haydn/ed. Ryan Kelly. Haydn's
eighth setting of the Ordinary of the Mass
was composed in 1782 for performance
in Mariazell, Austria. The brief opening
portion of the Gloria has been selected
for this arrangement, featuring Haydn's
exuberant, straightforward homophonic
choral writing true to the Classical period.
The accompaniment is an approachable
orchestral reduction for piano with optional
trumpets and timpani.
11515557 SATB. . . . . . . . . . . .ME 2.75
11515572E Instr. Parts ePrint . . . . . 15.00
Gloria—Noah Reese. Reese's a cappella
canon, based on a descending D major
scale, is fantastic for teaching unison
singing, reinforcing part singing, and
developing choral tone, all within the
framework of conservative ranges for the
treble choir. The celebratory Latin text adds
an element of excitement and maturity while
helping to shape the vowels and tone of
young singers.
10990292 SSA . . . . . . . . . . . . . . . . E 2.25
Gloria—Michael John Trotta. This energetic
choral work offers an introduction to the
traditional Latin text with compound meter and
accessible choral parts. Whether chosen for its
educational features, its lyric melody,
or its energetic accompaniment, it is a
wonderful way to open any concert. It can
be used in combination with Trotta's other
Latin works Kyrie; Agnus Dei and Sanctus to
create a Missa brevis.
10990313 Three-Part Mixed
or SATB. . . . . . . . . . . . . E 2.50
10735245 SA . . . . . . . . . . . . . . . . . E 2.50
11370897 TB . . . . . . . . . . . . . . . . . E 2.50
Gloria (Angels We Have Heard on High)—
arr. Keith McKay Evans. Here is a fresh
take on the beloved French carol! In the
exact arrangement made famous by
Brigham Young University's a cappella
group BYU Noteworthy, this contemporary
setting is in 6/8 for a gently lilting feel. With
improvised vocal percussion and an alto
4/bass line that falls in the tenor range,
this has a full harmonic texture with legato
choral lines that support the soloist in
waves of sound. Exceptional!
11530731 SATB divisi . . . . . . . . . . M 2.95
10989954 SSSSAAA . . . . . . . . . . . M 2.95
Gloria and Alleluia—Ruth Elaine Schram.
Two short contrasting movements may
either stand on their own or combine into
one longer setting. The Gloria setting is
upbeat, rhythmic, and fanfare-like, while
the Alleluia is quiet, introspective and set
in a minor key. Both are lovely a cappella
settings that are achievable by choirs in a
school, church or community setting.
11501662 SAB . . . . . . . . . . . . . . .ME 2.25
3126158 Two-Part . . . . . . . . . . .ME 2.15
11559596 SSA . . . . . . . . . . . . . . .ME 2.15
Gloria in Excelsis Deo—Greg Gilpin.
Equally effective a cappella or with the
optional piano accompaniment, this
dynamic work with the traditional Latin
text is a great choice as an opener for
either Christmas or general programming.
A fanfare opening with call-and-response
harmonies contrasts with a more sedate
and lyrical middle section before resuming
the opening feel. It's an ideal choice for
concerts, festivals, or services.
11566984 SATB opt. Piano . . . . .ME 2.25
11566985 SSAB opt. Piano. . . . .ME 2.45
11566986 SSA opt. Piano . . . . . .ME 2.45
11566987 TTB opt. Piano . . . . . .ME 2.45
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