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Editors' Choice 2024 New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
CONCERT
BAND
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CONCERT MARCHES
M E D I U M
Amparito Roca—Jamie Texidor/arr. Winter.
The "Grand-daddy" of all Spanish marches! This
excellent work is unquestionably the epitome
of Spanish marches, and as such deserves an
active place in every good band library. Highly
recommended!
147512 Band Set & Score . . . . . . . . . . 90.00
Brighton Beach—William P. Latham. This
standard of the repertoire is indeed a fine example
of the great tradition of concert marches. If you
have not yet performed it with your band, you
should definitely consider doing so. It's easy to
understand why it's been around for years, and is
still going strong!
4014841 Band Set & Score . . . . . . . . . . 77.00
The Chimes of Liberty (March)—Edwin Franko
Goldman/arr. Andrew Glover. One of the best-
known marches by march master Goldman in an
excellent new edition. Perfect as a contest march
for school bands.
11571866 Band Set & Score . . . . . . . . . . 70.00
Circus Days—Karl L. King/arr. Loras Schissel.
Go ahead and sink your teeth into this rip-snortin'
circus galop! Loras Schissel's new edition includes
clear articulations for an accurate "circus" style
performance that will thrill your audiences. And,
if you prefer, Circus Days can be performed at a
regular march tempo and still sounds great!
2378818 Band Set & Score . . . . . . . . . . 65.00
El Relicario—Jose Padilla/arr. Longfield. One
of the most famous and best loved paso dobles
ever written, this classic band work from the rich
heritage of band literature is here presented in a
setting by Robert Longfield that reveals all of its
fiery rhythms and sweeping Spanish melodies, yet
keeps it in a quite playable framework. This is a
real winner!
2210813 Band Set & Score . . . . . . . . . . 68.00
El Rey del Paso—Ray Lombrette. As the title
already suggests, this piece for wind band is
written in a typical Spanish style: paso doble.
Written in a minor key, the introduction is very
dynamic. A variety of sound and rhythmic effects
place each instrument group in the spotlight.
Impressive basses are followed by high brass,
then the woodwinds play a more solemn melody.
Finally, the major and minor key elements are
combined to give the composition the specific
charm of the paso doble. A great departure from
the traditional march style.
11575113 Band Set & Score . . . . . . . . . . 71.43
Espana Cani—P. Marquina/arr. Longfield. Fiery
rhythms and flowing Spanish melodies make
this one of the most famous of all the great "paso
dobles" and Robert Longfield's exceptional new
arrangement makes it real a showstopper for
band! From the opening trumpet fanfare to the
whirlwind finish, this is perfect programming for
high school groups, as well as community and
college bands. A real winner for both performers
and audiences!
2396307 Band Set & Score . . . . . . . . . . 72.00
Gallantry March—Marsha Chusmir Shapiro.
Although written in the traditional 6/8 march form,
this march lets the lower instruments and horns
get away from the usual offbeat accompaniment.
With interesting melodies and countermelodies,
use this march to teach dynamics and listening
skills to your ensemble. Careful attention to the
dynamic shifts and the balance of parts will bring
this march to life.
11572104 Band Set & Score . . . . . . . . . . 95.00
Galop Festivo—Randall Standridge. Hold on
to your seats! The styles of Saint-Saens and
Shostakovich have been channeled to create a
rollicking galop that your players and audience
are sure to love! Careful scoring, catchy melodies,
and a rousing finale combine to create a true
show-stopper for your next concert. Perfect as an
opener, finale, or encore!
11515729 Band Set & Score . . . . . . . . . . 75.00
High Point (March)—Gene Milford. A superb
traditional-style march with all the flair you would
expect and want. With great themes and plenty
to teach, this march is an excellent addition to
the repertoire as well as your upcoming concert
programs!
11562291 Band Set & Score . . . . . . . . . . 80.00
In Storm and Sunshine—J.C. Heed/ed. Charles
Booker. Composed in 1885 by a gifted young
cornetist and bandmaster, this is one of the
most enduring circus marches, or "screamers."
The quick tempo and pounding rhythms evoke
the chaos and thundering hooves of four-footed
animals running into a circus arena instead of
the steady, regimented pulse of men marching.
Presumably, the title refers to minor and major
modes, hence the "storms" and the "sunshine."
11558543 Band Set & Score . . . . . . . . . . 85.00
La Fiesta Brava—Trestin Durant. This original
Spanish-style march is one for the books. Superb
stylistic writing and scoring help set the foundation
for a solid performance and an even better
experience for your musicians and audiences.
11562296 Band Set & Score . . . . . . . . . . 80.00
Trombone King—Karl L. King/arr. Paynter. The
word is out! Audiences love marches and bands
are playing them again! This is one of King's
favorites, made even better with John Paynter's
revised edition.
2125714 Band Set & Score . . . . . . . . . . 65.00
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