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WORKS WITH FLEXIBLE INSTRUMENTATION
Crusade (Flexible Instrumentation)—Vince
Gassi. Set in the dorian mode, this ominous work
opens with a foreboding theme and develops with
vibrant and dramatic energy. It conjures images
of strength, majesty, and passion. It continues
to build throughout, culminating in a powerful,
climactic ending. This flex title will add just the right
amount of intrigue to your next concert!
11535687 Band Set & Score . . . . . . . . . . 65.00
Dr. ROCKenstein (Flexible Instrumentation)—
arr. Steve Hodges. Take some of the scariest
and memorable musical motives, set them to an
exciting rock beat, and you have the perfect end-
of-rehearsal piece! Challenging and engaging,
this clever flex arrangement provides plenty of
opportunities for each section of the band to
shine. With active percussion and solid scoring,
this piece will be a real hit with the band and
audience alike!
11535674 Band Set & Score . . . . . . . . . . 65.00
Flashpoint—Tyler Arcari. Here's a high-energy
rhythmic work using meter changes, syncopation,
dotted quarter notes, and tied rhythms to create
excitement. Excellent use of unison scoring
reinforces the rhythms and adds power to the
sound. Other effects such as horn rips and
handclaps add an extra layer of color. The perfect
opener for your young concert band!
11576710 Band Set & Score
Flexible Instrumentation . . . . . 70.00
Inspiration Fanfare (Flexible Instrument-
ation)—Adrian B. Sims. Fueled by the inspiration
of morning sunlight, this colorful fanfare depicts
joy and opportunity. The opening statement
transforms throughout the piece, providing
musically engaging parts for all. Extremely
playable yet sophisticated in sound, Inspiration
Fanfare creates a sense of anticipation and
excitement. A joyful celebration of music! With
this flexible arrangement, conductors no longer
need to choose between function and texture.
Ensembles with instrumentation challenges
still have numerous options to cover all parts,
yet orchestration is elevated significantly to
be faithful to the composer's original intent.
Musicians have more opportunities to rest, and
timbre once again becomes a central element of
the work. It's the best of both worlds: flexible and
colorful! (2:15)
11535684 Band Set & Score . . . . . . . . . . 70.00
Kyiv, 2022 (A Sequel to Moscow, 1941 -
Flexible Instrumentation)—Brian Balmages.
The immensely popular concert band work is
presented here in a flexible format that departs
from the normal flex setting to preserve the
musicality of the original.
11536311 Band Set & Score . . . . . . . . . . 75.00
Music from How to Train Your Dragon (Flex
Band)—John Powell/arr. Johnnie Vinson. The
2010 movie has become a classic, and John
Powell's masterful soundtrack beautifully captures
the dramatic moments and mood of the story.
Here are the main themes from the soundtrack in
a terrific setting for flexible instrumentation.
11571744 Band Set & Score . . . . . . . . . . 65.00
The Planets (Flexible Instrumentation)—Gustav
Holst/arr. Douglas E. Wagner. Long revered as
a master composer, the works of Gustav Holst
transcribe wonderfully for the concert band. This
flex arrangement contains the themes from Venus,
the Bringer of Peace; Mars, the Bringer of War and
Jupiter, the Bringer of Jollity. The best of Holst
arranged especially for your young band. (4:00)
11535675 Band Set & Score . . . . . . . . . . 75.00
Pure Imagination (from "Wonka" - Flex
Band)—Leslie Bricusse & Anthony Newley/arr.
Paul Murtha. Originally sung by Gene Wilder in the
1971 movie classic "Willy Wonka & the Chocolate
Factory," this timeless song has remained a
favorite ever since. This setting in a flex-band
format is based on the version sung by Timothée
Chalamet for the movie "Wonka" and features lush
harmonies and an appealing pop groove. Magical!
11571746 Band Set & Score . . . . . . . . . . 65.00
Band Set & Score ePrint. . . . . 74.80
Rippling Watercolors (Flexible Instrumen-
tation)—Brian Balmages. While many often
underestimate the extensive colors, harmonies,
and emotional ranges available to younger
ensembles, this stunning lyrical work sets
out to explore these very qualities and more.
While playable by middle school bands, this is
a fully expressive work that is equally at home
with mature ensembles. Gorgeous! With this
flexible arrangement, conductors no longer
need to choose between function and texture.
Ensembles with instrumentation challenges
still have numerous options to cover all parts,
yet orchestration is elevated significantly to
be faithful to the composer's original intent.
Musicians have more opportunities to rest, and
timbre once again becomes a central element of
the work. It's the best of both worlds: flexible and
colorful! (4:00)
11535685 Band Set & Score . . . . . . . . . . 70.00
S'vivon!—arr. Laura Estes. This arrangement is a
wonderful addition to the holiday repertoire. It has
spirit and features a few twists and turns that make
it unique. The percussion is featured, including the
use of finger cymbals. Your winds will also enjoy
the opportunity for rhythmic handclaps that really
bring an element of fun to this piece!
11576706 Band Set & Score
Flexible Instrumentation . . . . . 70.00
Tale of the Sword (Flexible Instrumentation)—
Tyler S. Grant. Introduce or reinforce 6/8 time
while portraying the Viking conquests! Using
minimal rhythmic motivic material, this work
creates an epic cinematic soundscape. Students
get to create the sounds of ocean waves as driving
ostinatos propel listeners to dramatic musical
scenes. Supplemental Rhythm & Melody sheets
are included to make the most of your students'
journey into 6/8. Intense and extremely engaging!
Flex band version.
11569421 Band Set & Score . . . . . . . . . . 75.00
Tripwire (Flexible Instrumentation)—JaRod
Hall. This clever work offers some extraordinary
colors as a spy attempts to infiltrate enemy
defenses. From the sneaky beginning melody to
the loud and raucous rips that follow later on, this is
an incredible change of pace for any concert. With
this flexible arrangement, conductors no longer
need to choose between function and texture.
Ensembles with instrumentation challenges still
have numerous options to cover all parts, yet
orchestration is elevated significantly to be faithful
to the composer's original intent. Musicians have
more opportunities to rest, and timbre once again
becomes a central element of the work. It's the
best of both worlds: flexible and colorful! (3:00)
11535686 Band Set & Score . . . . . . . . . . 70.00
Wingspan (Flexible Band)—Nathan Daughtrey.
Prepare to take flight with a fledgling bird as it is
nudged out of the nest for the first time. This flex
version of the adventurous work for developing
band is filled with soaring melodies and rhythmic
excitement as we all learn to fly from nest to
blue skies to stormy weather and back. Your
percussionists will thank you for their active,
engaging parts!
11570224 Band Set & Score . . . . . . . . . . 65.00
Ye Banks and Braes o' Bonnie Doon (Flex
Band)—arr. Michael Sweeney. This tender and
mournful Robert Burns song remains a favorite
with ensembles of all levels. Even in this easy
flex format scored for four parts, the arrangement
provides ample variety in textures and musicality
with effective emotional pacing.
11571817 Band Set & Score . . . . . . . . . . 55.00
BE PREPARED FOR ROUTINE AND
LAST MINUTE REPAIRS!
VALENTINO DELUXE REPAIR KIT
The Valentino Deluxe Repair Kit is an invaluable tool for band or orchestra directors!
The top section includes a brass repair kit containing stuck slide tools, water key corks,
a mouthpiece puller, a mouthpiece truing tool, and other brass accessories. The lower section
includes a complete woodwind repair kit with cork grease, key and tenon corks, and pads for
flute, clarinet and saxophone.
5973592 Deluxe Repair Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 810.50
Shop all repair kits: J W P E P P E R . C O M / R E P A I R - K I T S
