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Stompin' at the Savoy—Benny Goodman,
Chick Webb & Edgar Sampson/arr. Mike Kamuf.
This half-time shuffle is a unique treatment of
this classic standard. It is superbly arranged to
feature five soloists: trombone, trumpet, tenor,
alto, and drum set. Lead trumpet range is to
written G on top of the staff. Features include
section solis, interludes, a kickin' shout chorus -
it's all here, enjoy!
11355030 Jazz Ensemble . . . . . . . . . . . . 48.00
Swing Low, Sweet Chariot—arr. Rick Hirsch. A
very clever treatment of this well-known traditional
spiritual, the opening statement is a slow chorale
moving into an easy shuffle played around 138
bpm. The melody bounces between sections,
then into a driving shuffle that swings. Solos are
provided for trombone 1 and alto 1; lead trumpet
range is to written G. This chart is excellent! (4:45)
11570901 Jazz Ensemble . . . . . . . . . . . . 52.00
A Swingin' Silent Night—arr. Larry Neeck. This
is the perfect chart to open your holiday program!
The classic Christmas hymn comes to life with a
swing arrangement full of excitement and energy.
A must-have for your library.
11402254 Jazz Ensemble . . . . . . . . . . . . 52.00
That's How It's Done—Erik Sherburne. This
superb swing chart is hip, accessible, well
scored, and a wonderful addition to your folio for
developing bands. Pick your soloists to take turns
soloing, trading fours, trading twos, or everyone
joining in at the end of the solo section.
11572368 Jazz Ensemble . . . . . . . . . . . . 50.00
Two Down Territory—Paul Baker. A raucous 12-
bar blues in the key of B-flat with opportunities for
everyone to solo. Background riffs are provided
for each section, and the band is encouraged to
come up with their own. After the melody is stated,
the sax section gets two choruses of section soli
work. The shout section features the foundational
concept of call and response between each
section before coming together in a full tutti
chorus, then a quick outro concludes the piece.
Solo changes are provided in all parts, and piano
and bass parts are written out. Trumpet range is
to written G; trombone range is to F.
11572298 Jazz Ensemble . . . . . . . . . . . . 45.00
Until I Met You (Corner Pocket)—Freddie Green/
arr. Mark Taylor. One of the all-time classics
recorded by the Count Basie Orchestra, here's a
terrific-sounding chart scored in a six-horn format.
Staying true to the sound of the original, this arrange-
ment is easy to learn and swings like crazy.
11571837 Jazz Ensemble . . . . . . . . . . . . 50.00
Whirly Bird—Neal Hefti/arr. Peter Blair. You may
have heard Basie's band play this great Neal Hefti
swinger, but this version is very accessible for
younger players at around 166 bpm. The features
include a written alto sax solo, a great sax soli,
and well-notated rhythm section parts. Includes
optional wind and vibes part, too!
10452088 Jazz Ensemble . . . . . . . . . . . . 48.00
M E D I U M
Attack of the Killer Trombones—Chris Sharp.
Here is the trombone section feature you've
been looking for! The Sing, Sing, Sing style and
ensemble writing will give your trombones plenty
to sink their teeth into. The lead trumpet range
extends to high C.
11515273 Jazz Ensemble . . . . . . . . . . . . 75.00
Back Porch Swing—Drew Zaremba. This laid-
back blues is a masterful tribute to Count Basie
and Sammy Nestico. First trumpet plays a high
C. Solo opportunities for alto sax and trumpet. It
swings like crazy!
11562063 Jazz Ensemble . . . . . . . . . . . . 60.00
Bing's Bounce—Chris Sharp. A hip up-tempo
blues in F that will challenge your sax section
and let your brass get punchy! Written-out solos
appear in alto 1 and trumpet 2.
11574239 Jazz Ensemble . . . . . . . . . . . . 70.00
Circus Song—George Shutack. Laid-back
and easy-swinging, this chart in 3/4 has a very
pleasing harmony and a catchy melody featuring
the alto 1 and trumpet 1 in unison and harmony.
Solo opportunities for alto sax and trumpet.
11561664 Jazz Ensemble . . . . . . . . . . . . 55.00
Dat Dere—Bobby Timmons/arr. Erik Morales. A
soulful tune with a catchy title and melody! Erik
Morales captures composer Bobby Timmons'
medium swing groove. At a moderate tempo,
with a slightly mysterious intro, the saxes grab the
melody and it builds from there. A written (or ad lib)
alto solo is provided with a fat shout chorus. This
is an outstanding chart in every respect! Highly
recommended!
10277767 Jazz Ensemble . . . . . . . . . . . . 52.00
Dindi—Antonio Carlos Jobim/arr. Rick Stitzel.
Warm brass pads, beautiful orchestrations
including bucket muted trumpets, guitar, and
vibes, and lush sax scoring set the backdrop for
this beautiful arrangement of the classic song. A
perfect showcase for the tone and phrasing skills
of your star vocalist!
11593027 Jazz Ensemble & Vocalist . . . 55.00
In the Mood—Joe Garland. This Glenn Miller
classic is a must for every jazz band library!
Carefully edited and available with a full score, this
arrangement has everything you need to recreate
the original including a trumpet solo, and a short
call-and-response passage between the alto and
tenor saxes. It's a guaranteed crowd-pleaser!
2090959 Jazz Ensemble . . . . . . . . . . . . 55.00
It Don't Mean a Thing (If It Ain't Got That
Swing)—Duke Ellington/arr. Ralph Ford. You
may think this very clever chart is all swing, but it
begins as Latin then alternates with a swing feel.
The tempo is bright at around 190-200 bpm with
suggested solos for trumpet and tenor sax, a few
piano montunos, and a big shout chorus leading to
a huge ending closing this fine chart appropriately.
Additional wind parts and a vibes part are included
for optional expanded instrumentations. Highly
recommended!
10756380 Jazz Ensemble . . . . . . . . . . . . 48.00
Laid Back Summer—George Shutack. Here's
a fantastic laid-back swing chart in a 12/8 feel
with a slow grooving melody that you won't get
out of your head. First-rate ensemble scoring and
a relaxed groove will chill your players while they
learn to swing. Solos for trumpet and alto sax.
11561663 Jazz Ensemble . . . . . . . . . . . . 55.00
Later...—Craig Skeffington. An intense intro and
outro sets up and caps off this free-wheeling swing
chart. The full ensemble will get a workout with
solo space for trombone and piano in the center
section. The back half of the chart brings the
intensity down to a soft simmer before closing out
with a bang.
11561652 Jazz Ensemble . . . . . . . . . . . . 55.00
BLUES & SWING
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