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BASIC LIBRARY
Sweet Caroline—Neil Diamond/arr. Rick Stitzel.
Long before the TV series Glee, this Neil Diamond
classic, first recorded in 1969, had proven its
popularity and staying power. Here is a solid yet
easy treatment for jazz ensemble that requires
no solos. Sure to be a favorite with students and
parents alike! Optional reduced or expanded
instrumentations.
10098793 Jazz Ensemble. . . . . . . . . . . . . 45.00
10098794 Additional Score. . . . . . . . . . . . . 5.00
Work Song—Nat Adderley/arr. Terry White.
Cannonball Adderley made it famous, brother
Nat composed it and now Terry White provides
a terrific swing chart for younger jazz groups. It
swings hard, features a catchy, easy to play
melody, and is mature sounding. Suggested solos
are provided for alto 1 and trumpet 1, plus there's
a great interlude and shout chorus. Trumpet 1
top note is written F-sharp top line. Playable with
optional reduced or expanded instrumentations.
Highly recommended!
10303038 Jazz Ensemble. . . . . . . . . . . . . 42.00
10303039 Additional Score. . . . . . . . . . . . . 7.00
M E D I U M - E ASY
Autumn Leaves—Joseph Kosma/arr. Peter Blair.
This is a great old tune! Except...there's nothing
"old" sounding about it. It's a medium swing
version of a marvelous, often-played standard
that opens with an alto and trumpet duet and is
filled with tight ensemble punches. The saxes are
featured on a chorus and there is a written or ad
lib solo for piano.
2406361 Jazz Ensemble. . . . . . . . . . . . . 50.00
5671722 Additional Score. . . . . . . . . . . . . 5.00
Big Noise from Winnetka—Haggart & Bauduc/
arr. Paul Lavender. Bring the sounds of Bob
Crosby and the big band era to life again with
this fun chart for younger players! It features an
authentic sound, a flexible solo section and the
saxes get to whistle the melody for added fun. A
great experience for young players!
2481666 Jazz Ensemble. . . . . . . . . . . . . 50.00
10015413 Additional Score. . . . . . . . . . . . . 5.00
Buckjump—Andrews & Ballard/arr. John Wasson.
Recorded by Trombone Shorty on his 2011 album
For True and featuring the Rebirth Brass Band
and 5th Ward Weebie, this hot tune has a funky
New Orleans style groove with a moderate tempo
and catchy riffs. The trombones get the spotlight to
start with, followed by tight ensemble playing and
later space for an improvised or written trombone
solo. This chart is cool, confident and colorful!
Highly recommended!
10556780 Jazz Ensemble. . . . . . . . . . . . . 50.00
10556781 Additional Score. . . . . . . . . . . . . 5.00
Cantaloupe Island—Herbie Hancock/arr.
Mike Kamuf. Arranger Mike Kamuf scored this
hip, funky Latin-rock tune for younger players.
Ideal for this level, it features three chords, a
repetitive groove, catchy melody and a hot bari
sax part. There are written solos for tenor sax
and trumpet, and the lead trumpet range goes
to a top line F with optional G on top of the staff.
This chart will also sound great with optional or
expanded instrumentation. This is a superb chart
from beginning to end. Highly recommended!
10028077 Jazz Ensemble. . . . . . . . . . . . . 52.00
10028078 Additional Score. . . . . . . . . . . . . 9.00
Chameleon—Herbie Hancock/arr. Victor Lopez.
Herbie Hancock for the developing band? Yes!
From Hancock's famous Headhunter recording,
here is a great opportunity to play the biggest
jazz-rock hit of all time. The melody is first played
by alto, tenor, trumpet and trombone, then the
trumpet section. Next up is a flexible, open solo
section with a solo line written for all the winds so
anybody or everyone can solo! The top note for
lead trumpet is written G on top of the staff. Super-
cool chart! Optional expanded instrumentation.
10071885 Jazz Ensemble. . . . . . . . . . . . . 52.00
10071989 Additional Score. . . . . . . . . . . . . 9.00
Cry Me a River—Arthur Hamilton/arr. Victor
Lopez. Featuring a vocalist with big band, this
gorgeous ballad is played around 74 bpm. The
vocal range is G below middle C to third space C,
and the lead trumpet range is to F-sharp top line.
Included are optional solo parts for B-flat, E-flat,
and Bass Clef instruments to be used in place
of the vocal feature. It's an accessible chart for
the band and a great way to feature a vocalist or
instrumentalist!
10452150 Jazz Ensemble & Vocalist
(or Any Instrument) . . . . . . . . . 57.00
10452151 Additional Score. . . . . . . . . . . . 10.00
Don't Know Why—Jesse Harris/arr. Paul Murtha.
Award-winning pop singer Norah Jones made this
tune climb the charts, and it's easy to see why so
many people like it. The haunting, beautiful melody
and smooth harmonies make it an incredibly
appealing chart to use with either vocal, trumpet
or tenor sax soloist. Vocal in Bb.
2473701 Jazz Ensemble & Vocalist (or Tenor
Sax or Flugelhorn) . . . . . . . . . . 55.00
5979484 Additional Score. . . . . . . . . . . . . 5.00
Flight of the Foo Birds—Neal Hefti/arr. Peter
Blair. This Peter Blair chart on the Neal Hefti/
Count Basie classic is a wonderful adaptation for
younger jazz groups. It does its Basie thing with a
light and cool swing feel, includes nice changes
in texture, has brief written or ad lib solos for alto
sax and trumpet 2, and an outstanding shout
chorus with drum fills. Played at 156 bpm, the
trumpet 1 range is up to written G on top of the
staff, and optional parts are included for expanded
instrumentations. Great tune, great chart!
10513893 Jazz Ensemble. . . . . . . . . . . . . 52.00
10513894 Additional Score. . . . . . . . . . . . . 9.00
Gonna Fly Now (Theme from "Rocky")—Bill
Conti/arr. Victor Lopez. The theme from "Rocky"
is inspiring, triumphant, powerful and noble! This
rock-style chart is scored for younger players with
the familiar Maynard Ferguson-flavored solo.
The lead trumpet range is to written A above
the staff. It also includes a written or improvised
tenor solo and options for reduced or expanded
instrumentations. Gonna Fly Now is a great classic
that should be in all jazz ensemble libraries!
10028091 Jazz Ensemble. . . . . . . . . . . . . 52.00
10028092 Additional Score. . . . . . . . . . . . . 9.00
Groove Merchant—Jerome Richardson/arr. Rich
Sigler. Made famous by the Thad Jones/Mel Lewis
band, this accessible version has a gospel rock
groove that fits perfectly. Played at about 132
bpm with straight eighths, this chart is packed with
goodies like written-out solos for trombone and
trumpet, a lead trumpet range to written G on top
of the staff, a few clever modulations, and a great
development section. Toss in the optional parts to
include vibes and you have a fine chart. Groove
Merchant is very effective at any performance and
is highly recommended!
10593765 Jazz Ensemble. . . . . . . . . . . . . 52.00
10593766 Additional Score. . . . . . . . . . . . . 9.00
Hay Burner—Sammy Nestico. From the Basie-
Straight Ahead album of 1968 featuring the
legendary Count Basie, Harold Jones, Grover
Mitchell, Marshall Royal, and Freddie Green.
Highlights here include a recurring alto sax/
trumpet duet, a sax section soli, trumpet plungers,
piano solos, and an ensemble shout to take it
all home. The rhythm section parts are partially
notated with chords cued. The genius of Count
Basie and Sammy Nestico!
544684 Jazz Ensemble. . . . . . . . . . . . . 55.00
10084644 Additional Score. . . . . . . . . . . . 10.00
I Want You Back—arr. John Wasson. The music
of The Jackson 5 remains as popular today as
ever. Here is one of their biggest hits from the
Motown era in a funky arrangement that is skillfully
scored for the entire ensemble. No solos, just solid
ensemble writing!
10297517 Jazz Ensemble. . . . . . . . . . . . . 50.00
10297518 Additional Score. . . . . . . . . . . . . 5.00
The Jazz Police—Gordon Goodwin/arr. Mike
Lewis. This famous Gordon Goodwin jazz-rock
chart hits hard and keeps going at an easier
grade level. The young players will really dig in
on this one and feel like the pros. There are no
individual solos, but plenty of action for everybody
with the solid riffs, infectious rhythms and fun
attitude. Highly recommended!
10011885 Jazz Ensemble. . . . . . . . . . . . . 42.00
10011887 Additional Score. . . . . . . . . . . . . 7.00
Jumpin' at the Woodside—Count Basie/arr. Rich
DeRosa. This one just builds and builds! Rich
DeRosa keeps this Count Basie signature tune
swinging all the way and includes two optional tag
endings to keep the Basie style intact. The solos
are written out for piano, tenor sax, trumpet and
trombone and the lead trumpet range is to written
G on top of the staff with an A on the optional tag
ending. Optional parts are included for expanded
instrumentation. One of the Count's finest!
10028198 Jazz Ensemble. . . . . . . . . . . . . 62.00
10028199 Additional Score. . . . . . . . . . . . 12.00
Little Sunflower—Freddie Hubbard/arr. Mike
Kamuf. This wonderful jazz standard is masterfully
arranged and features a haunting melody with an
alternating bossa and light funk groove. Solos
are written for piano, trumpet, and tenor sax with
modest brass ranges and a sweet shout chorus.
It's been play-tested with great success and is
an excellent chart all around! Optional expanded
instrumentation.
10093122 Jazz Ensemble. . . . . . . . . . . . . 52.00
10093123 Additional Score. . . . . . . . . . . . . 9.00
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