New Large Print Edition A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
ADULT
COMMUNITY
CHOIR
14
WINTER & HOLIDAY
God Rest Ye Merry, Gentlemen—arr. Wesley
D. Peters. With a delightfully playful rhythmic
interplay between 3/4 and 6/8 meters, this joyous,
fresh setting of the traditional English carol
seizes one's interest from its introduction to its
exuberant conclusion. The mixed meter sections
act as musical bookends to a sensitive a cappella
centerpiece featuring the reassuring angelic
presence at the Nativity. Equally appropriate for
both school and church use.
11566946 TTBB . . . . . . . . . . . . . . . . . . . . . 2.45
I Heard the Bells—Ruth Morris Gray. Familiar
words are given a new melody in this cheerful
a cappella setting of Longfellow's yuletide text. A
harmonically rich bridge, crisp choral entrances, a
melodic twist in the middle, and a tuneful descant
decorate the otherwise strophic verses. Add to the
festivity with optional tubular bells or chimes.
11564464 SATB opt. Tubular Bells
or Chimes. . . . . . . . . . . . . . . . . . 2.20
I Wish It Could Be Christmas Every Day—Roy
Wood/arr. Jack Zaino. With its irresistible groove
and holiday spirit, it's no wonder that this rock
song has been covered by countless artists over
the decades! Choirs of all ages will appreciate the
full harmonies, tasteful key changes, and woven
vocal lines that welcome the season. A fun groove
makes this definitely danceable, and the fully
produced accompaniment track is complete with
sleigh bells and horns to "let the bells ring out for
Christmas!"
11565996 SATB . . . . . . . . . . . . . . . . . . . . . 2.35
Il est né—arr. Derric Johnson. Experience the
magic of this enchanting a cappella arrangement
of the traditional French carol as featured in the
Candlelight Processional at Epcot Center by the
Voices of Liberty. The first verse is in French,
but the rest of the arrangement switches to the
English text, offering accessibility and charm
that resonates with audiences of all ages. Let the
spirit of the season come alive with this timeless
musical masterpiece.
11566921 SATB divisi, or SSAATTBB. . . . 2.75
Love Came Down—Joanna Forbes L'Estrange.
Rossetti's treasured Christmas poem is imagined
evocatively in this setting equally effective with
choir or mixed quartet. By verse, the melody is
passed around while the other voices accompany
with a new harmonic treatment that has the simple
and beautiful lilt of a lullaby.
11567864 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
Natus est in Bethleem—Xabier Sarasola. Setting
a traditional Latin text, this joyful work by Basque
composer Sarasola celebrates the Christmas
story. With piano and flute, it remains in just two
accessible parts throughout, with a few divisi notes
to expand to three parts. A wonderfully diverse
choice for treble choirs!
11567958 SA. . . . . . . . . . . . . . . . . . . . . . . . 3.40
O Come, Emmanuel—arr. Elaine Hagenberg.
"Haunting" is the best word to describe this original
setting of the traditional Advent text, scored for
choir, piano, and cello. Marked "mysterioso" in
triple meter, it is such a creative interpretation, the
effect in performance is truly extraordinary!
11568344 SSA . . . . . . . . . . . . . . . . . . . . . . 2.75
O Come, O Come, Emmanuel—arr. Taylor Scott
Davis. A stately setting of
VENI EMMANUEL weaves
the chant melody with an echo effect for a perfectly
ancient and modern representation of the carol.
One of the featured carols in the VOCES8 album
A Choral Christmas.
11566256 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
O Come, O Come, Emmanuel—arr. Timothy Kile/
ed. Dan Forrest. An original stirring refrain unifies
the stanzas of the traditional chant melody in this
highly accessible and easily learned arrangement.
It is worth a look as a fresh framing for a familiar
selection during your Advent and Christmas
season. An optional cello part is included in the
choral score.
11568358 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
Of the Father's Love Begotten—arr. Trevor
Manor. An ancient plainchant is brought into the
21st century with lush harmonies and beautiful
lines. Intuitive meters are carefully crafted to
make this setting clear and useable. It will be a
lovely ancient-modern addition to your Christmas
programming.
11568348 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
Sing We Now of Christmas—arr. Kyle Pederson.
This ethereal setting of
NOEL NOUVELET will
surprise you with its mystical take on what is
normally a boisterous Christmas song. The
harmonic texture is modern, and the optional oboe
adds to the plaintive and dreamy atmosphere.
11568345 SSAA . . . . . . . . . . . . . . . . . . . . . 2.75
11568346 TTBB . . . . . . . . . . . . . . . . . . . . . 2.75
Sleep, Now—Gerald Custer. A tender lullaby
with a comforting message, this original work can
be effectively programmed during the Christmas
season or at any time of year. Elegantly simple
and strophic in form, the expressive lines and
traditional voice leading make this piece a delight
to sing.
11593367 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
Stopping by Woods on a Snowy Evening—Alex
Berko & Tim Cahalan. Robert Frost's well-known
poem is set as an accessible lyrical piece for treble
choirs. A sweeping piano accompaniment, legato
vocal lines, and chilling harmonies make this the
perfect selection for school and community winter
concerts.
11566208 SSA . . . . . . . . . . . . . . . . . . . . . . 2.25
'Twas the Night Before Christmas—Andy Beck.
Here's a Christmas crowd pleaser - C.C. Moore's
classic poem set with swingin' jazz flair! A bass
line sneaks along and finger snaps set the stage
for some spoken opening lines. When the singing
begins, it's nonstop fun - from the first clatter
and Santa's dramatic jump down the chimney
to the final "and to all a good night" send-off.
Very effective, with or without the full theatrical
orchestration.
11566045 SATB . . . . . . . . . . . . . . . . . . . . . 2.30
11566046 SAB . . . . . . . . . . . . . . . . . . . . . . 2.30
Umoja Tunaimba (United We Sing)—Victor
C. Johnson. Ideal for many uses throughout the
year, this energetic original composition proclaims
a message of justice and peace. Bringing voices
together to stand in umoja (unity), it can be
used to celebrate Kwanzaa or as a concert or
service selection for any occasion. A piano part
is included, but it can also be sung a cappella with
the included percussion part.
11567238 Three-Part Mixed . . . . . . . . . . . . 3.25
11567239 Two-Part. . . . . . . . . . . . . . . . . . . 3.25
We Three Kings of Orient Are—John Henry
Hopkins, Jr./arr. Philip Lawson. A Christmas
classic is reimagined with lush harmonies, a
creative yet understated piano part, and seamless
meter changes. The melody is passed between
the choral parts while the other voices accompany
on neutral syllables. An "alleluia" section springs
from the texture, marked by counterpoint.
11569060 SATB . . . . . . . . . . . . . . . . . . . . . 2.80
Welcome Yule—Emily Crocker & James Curnow.
A delightful opener or closer for your holiday
program, this classic tune is written in a spirited
and festive 6/8 style. Performance options include
the lively piano accompaniment or the sparkling
chamber orchestration. Whichever you choose,
your ensembles are sure to set the perfect mood
for the season!
11569062 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
11569063 SSA . . . . . . . . . . . . . . . . . . . . . . 2.75
Pepper Has Great Communication
...giving updates every step of the process." —Marina
