New Large Print Edition A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
CHILDREN'S
COMMUNITY
CHOIR
CONCERT WORKS
Afternoon on a Hill—David Scott Gantz. Edna
St. Vincent Millay's poetry is set for unison or two-
part choirs in this piece that features a memorable
melody and a supportive piano accompaniment.
Pairing traditional choral techniques with
contemporary musical elements, this is a
delightfully fresh take on the classic text.
11593345 Unison/Two-Part . . . . . . . . . . . . 2.75
All You Need—Jim Papoulis. Empower your
young singers with the universal truth that love,
respect and common ground are all we need to
turn the world around! Written in collaboration with
songwriting workshop participants, this youthful
call to action with a funky groove that doesn't stop
can be sung in unison throughout or with a few
sections of optional harmony added.
11595085 Unison/Two-Part . . . . . . . . . . . . 2.50
The Alleluia Canon—W.A. Mozart/arr. Stephen
E. Caldwell. With ideal ranges and a basic piano
accompaniment in Alberti bass style, Mozart's
Alleluia Canon K. 553 is tastefully arranged for
developing treble choir. Perfect for warming up the
voice and developing choral skills, this joyful canon
lends itself to the concurrent teaching of solfege.
An ideal teaching tool and performance piece!
11592535 SSA . . . . . . . . . . . . . . . . . . . . . . 2.60
Be the Bridge—Kyle Pederson. Accessible and
engaging, this contemporary pop-style work has
socially responsive themes of reconciliation,
grace, empathy, and unity for our world. The piano
part sets an irresistible groove while the choral
parts are syncopated and lively. The alto 2 part
is optional throughout, making this achievable by
treble choirs of all ages.
11592983 SSA opt. SSAA . . . . . . . . . . . . . 3.60
Breathe (She Sat at the Back)—Jeremy
Landig. Speaking to the need for acceptance and
understanding of others, this original work tells the
story of a girl who retreats to nature in order to find
peace. A single melody evolves from an anxious
spiral to calm serenity as the character journeys
through life.
11593424 SSA . . . . . . . . . . . . . . . . . . . . . . 2.85
A Bright New Day—Neil Ginsberg. Written with
a joyful lilt, this lighthearted tune for two-part
treble choir is full of teaching moments. A great
way to introduce compound meter to elementary
and middle school choirs, this accessible original
is characterized by repetitive rhythms and a text
your singers will love. "Come, old Sun! Let's make
a bright new day!"
11592516 Two-Part. . . . . . . . . . . . . . . . . . . 2.80
Bring Me Little Water, Sylvie—attr. Huddie
Ledbetter/arr. Audrey Snyder. Soulful and rootsy,
this folk ballad arrangement features a laid-back,
easy groove and engaging harmonic texture.
Simple body percussion enhances the experience,
and the supportive piano accompaniment offers
the extra reinforcement that will help developing
treble choirs succeed and sound sophisticated.
11591415 SSA . . . . . . . . . . . . . . . . . . . . . . 2.75
Butterfly, Fly Away Home—Glenda E. Franklin.
With original text by the composer, this selection
captures the delicate, fluttering essence of a
butterfly in flight. Very accessible to young choirs,
this work is easy to sing, incorporating moments of
layered independent melodies. The optional flute
makes this lovely work sparkle!
11593348 Two-Part w/ opt. Flute . . . . . . . . 2.75
Dance!—Robert T. Gibson. An outside-the-box
rhythmic explosion that culminates with a notated
step routine! Lyrics encourage listeners to "dance
to the rhythm of your own drum," embracing
individuality and celebrating differences. Vocal
and body percussion and satisfying parallel
harmonies all add to the soul of this piece. Step
instructions are included in the octavo, and an
instructional video by the composer is available.
11594332 Two-Part. . . . . . . . . . . . . . . . . . . 2.20
The Evening Star (Der Abendstern)—Robert
Schumann/arr. Audrey Snyder. Delicate, peaceful,
and shimmering with classical refinement, this
beautiful choral adaptation of Schumann's lied is a
wonderful developmental piece for treble choirs for
both tone and musicality. It can be sung with the
original German text or with an equally expressive
English text. Approachable yet elegant vocal
parts meld with polished piano support to create
a distinguished presentation.
11568948 SSA . . . . . . . . . . . . . . . . . . . . . . 2.35
Everybody—Pinkzebra. Now we're gonna get
things started! This exuberant upbeat opener
celebrates fun, music, dancing, and living life to the
fullest. It's perfect for any concert for choirs of all
ages to grab the attention of your audience, or for
show choirs looking for a high-energy number with
great choreography possibilities. Perform with the
accompaniment MP3 or instrumental parts for a
live band, and help your students rehearse with
the part-dominant MP3 practice tracks available in
a multi-user bundle to share with your whole choir.
11593761 SSA . . . . . . . . . . . . . . . . . . . . . . 2.65
Finding the Sunshine—Jim Papoulis. Bright
and sunny, this original piece has easy vocal jazz
flourishes and an even-keeled beat. Mostly in
unison, it has a few places of simple harmony to
add to the texture, all of which are easily learned,
leading to success for young harmony singers.
11568954 Unison/Two-Part . . . . . . . . . . . . 2.50
Five Sea Songs—Daniel Brinsmead. Five
seafaring texts are brought together in an
original song cycle to initiate a musical voyage of
discovery, fun, and introspection. These dynamic
compositions are composed in an artistic style
with inventive accompaniment and opportunities
to feature soloists. The pieces each have their
own character, dictated by the text, and may be
performed individually or as a set.
11567945 SSA . . . . . . . . . . . . . . . . . . . . . . 3.95
11415509 Octavo- Sea Fever . . . . . . . . . . 3.40
11567957 Octavo- Little Fishes, Don't Cry!
opt. SSA . . . . . . . . . . . . . . . . . . . 3.20
Guiding Light—Casper Christensen. Perfect for
autumn or any time of year, this treble feature is
reassurance that someone will be there to catch
us if we fall. With a memorable melody, accessible
harmonies, and a beautiful piano accompaniment,
your singers will just love singing this declaration
of friendship.
11592987 SSA . . . . . . . . . . . . . . . . . . . . . . 2.75
Hands Are Knockin'—Kyle Pederson. A
fascinating mix of English and Arabic text
reinforces the universal message to open our
minds, hearts, and hands to each other. The
lively piano accompaniment, notated djembe
percussion part, and syncopated vocal lines
that highlight the text come together to create a
meaningful piece that will be long remembered.
Exceptional! The djembe part is available as a
download from the publisher.
11592524 Two-Part. . . . . . . . . . . . . . . . . . . 3.00
Heart of Gold—Jocelyn Hagen. Based on the
Japanese art of kintsukuroi, filling cracked pieces
of pottery with gold, this work encourages us to
see the beauty in the flaws of others. Layers of
ostinatos and close a cappella harmonies bring
a modern and emotional appeal to the text from
Julia Klatt Singer in a very effective way.
11569724 SSAA . . . . . . . . . . . . . . . . . . . . . 3.25
Hola, Media Luna—Eddie Cavazos & Trevor
Phillips. A charming ode to the half-moon, this
original work is lyrical and delicate. Legato
voices sing in Spanish and English with unison
lines and simple stacked harmonies over a
supportive piano accompaniment. A simple
pronunciation guide is included, plus extension
activities and reflection prompts are available as
a free download.
11594284 Two-Part. . . . . . . . . . . . . . . . . . . 2.20
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