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CHILDREN'S
COMMUNITY
CHOIR
SPIRITUALS & GOSPEL
All My Trials—arr. Nancie Kester. A setting
of this well-known Bahamian spiritual, this
arrangement for treble choir pairs piano and flute
with percussion to bring the traditional rhythmic
feel to life. Feature several soprano soloists at the
beginning and the end.
11593422 SSA . . . . . . . . . . . . . . . . . . . . . . 2.20
All My Trials—arr. Norman Luboff. A true
classic, Luboff's lush and distinctive a cappella
arrangement of the traditional Bahamian spiritual
is a standard in the choral performance repertoire.
The treble version has been adapted by James E.
Green and offers an optional flute obbligato that
can be used with either voicing.
11567934 SSAA opt. Flute (or Violin). . . . . 2.75
Amen—arr. Russell Robinson. This arrange-
ment of a beloved spiritual hits the mark! The
rollicking piano accompaniment enhances the
authentic gospel feel and the joy of the text.
Handclaps, half-step modulations, and a short
solo or descant build excitement in this fun and
accessible selection.
11609564 Two-Part. . . . . . . . . . . . . . . . . . . 2.15
Climbin' Up the Mountain—arr. Russell
Robinson. This creative, accessible, and well-
crafted setting features a rhythmic vocal ostinato
that allows each section to shine as they sing the
melody. The supportive piano accompaniment
provides an infectious groove that complements
the fun vocal lines that when joined together
will result in a memorable and uplifting concert
performance.
11514639 Three-Part Mixed . . . . . . . . . . . . 2.85
Down in My Soul!—Victor C. Johnson. The
joyful lyrics of this exciting gospel-styled original
extol the wonders of music all around. Satisfying
sonorities, a supportive piano accompaniment,
and moderate vocal ranges make this an excellent
selection for developing singers!
11604546 SSA or Two-Part . . . . . . . . . . . . 2.30
Follow the Drinking Gourd—arr. Greg Gilpin.
Recognized for its connection to the
Underground Railroad by signaling the direction
north, this traditional spiritual offers many
teaching moments. This exciting arrangement
is rhythmic and well supported by the piano
accompaniment, and each choral line has
the opportunity to sing the melody as well
as independent harmony lines and stacked
ostinatos that create an exciting texture.
11566093 Two-Part. . . . . . . . . . . . . . . . . . . 2.30
God Is There—Michael Engelhardt. Based on the
idea that "where there is love, God is there", this
uplifting original work reminds us that we are the
carriers and beacons of love and hope. Written in
a modern gospel style with optional rhythm section
that stays mostly in three parts throughout, this is
an energetic and engaging selection for treble
choirs.
11567947 SSA or SSA(A). . . . . . . . . . . . . . 3.00
Great Gettin' Up Mornin'—arr. Rollo Dilworth.
A common theme among spirituals is "the great
judgment day" and the idea of hope for a better
future. Incorporating quotes from Great Day
as well as original verses with a stylish gospel
piano accompaniment, this arrangement layers
melodies and strong harmonies in a dynamic
concert gospel arrangement that explores these
important themes in their historical context.
11568870 Two-Part or SA . . . . . . . . . . . . . 2.35
Hold On—arr. Dan Davison. In this traditional
spiritual arrangement, accented rhythms in the
vocal lines and the supportive piano part drive
the energetic vitality, while counterpoint and
a pianissimo staccato section provide vocal
contrast. Ranges are small and very accessible to
younger choirs or developing choirs at the middle
or high school levels. Add the optional brake drum
for even greater effect!
11501623 SA or Two-Part . . . . . . . . . . . . . 2.50
I Will Sing—Michael Engelhardt. "What will I do
with the portion given to me? I will sing." This
fantastic work, written in a gospel style with an
ecumenical text that challenges each of us to make
the most of the lives we've been given, is a perfect
piece for any setting, and makes a great closer!
11537023 SSA . . . . . . . . . . . . . . . . . . . . . . 3.20
I've Got Joy—Otto Gross, Jayna Gross & Abigail
Flowers. Brimming with energy and joy, this
original work features an uplifting text, infectious
melodies, and rhythmic verses, making it a joy
to perform, see, and hear! With gospel flair in
the vocal harmonies and accompaniment, it is a
perfect way to open or close a concert. Add the
body percussion notated in the score to encourage
creativity and improvisation.
11589494 Two-Part w/ Body Percussion . . 2.95
11589492 SSA w/ Body Percussion. . . . . . 2.95
Keep Yo' Lamps—arr. Rosephanye Powell. A
traditional field shout, singers will enjoy learning
this spiritual presented with care and authenticity.
Percussive part writing supports the powerful
melody, creating a driving rhythm that will keep
audiences on the edge of their seats. It's a
wonderful programming option at any time of year.
10067917 SSAA . . . . . . . . . . . . . . . . . . . . . 2.65
Little David, Sing Hallelu!—Mary Donnelly &
George L.O. Strid. A spirited original melody
paired with the traditional spiritual Little David,
Play on Your Harp is the foundation of this bright
and bouncy offering. With its accessible partner-
song format, this lively piece features simple
harmonies supported by a fun, rhythmic piano
accompaniment and is terrific for teaching part
singing to young and developing choirs.
11514664 Three-Part Mixed . . . . . . . . . . . . 2.45
Live-a-Humble—arr. Peter Bagley. Originally
published for a cappella mixed choirs, this spiritual
arrangement is now available for treble or lower-
voice choirs. Full chords, rhythmic intensity,
stylistic vocal lines, and a compelling solo make
this selection irresistible to hear and sing.
11604555 SSAA . . . . . . . . . . . . . . . . . . . . . 2.95
Michael, Row the Boat Ashore!—arr. Russell
Robinson. Set in an island style, this arrangement
of the South Carolina Sea Island song is very easy
for developing choirs to learn. The harmonies and
interplay between the voices are nice, the lightly
syncopated rhythms are very catchy, and there
are even some short a cappella sections that
highlight the voices in harmony. Add the optional
percussion for added excitement!
11593359 Two-Part. . . . . . . . . . . . . . . . . . . 2.75
O Southland!—Brandon Waddles. James
Weldon Johnson's powerful poem receives an
original musical treatment with this moving piece.
Utilizing quotes from Negro spiritual repertory and
the call-and-response tradition of the Black church,
your singers will enjoy the beautiful melodic lilt and
rhythmic verve. The pianist and bassist will add
another level of excitement through the harmonic
influences of jazz and Black gospel music.
11564970 SSAA . . . . . . . . . . . . . . . . . . . . . 3.50
Over My Head, I Hear Music in the Air (with
"Peace Like a River")—arr. Greg Gilpin. Fun
harmonies, cool syncopation, and exuberant
rhythmic energy abound in this highly creative
arrangement of the traditional spiritual, also
quoting I've Got Peace Like a River. The spirited,
vibrant mood is enhanced by the bright and
bouncy accompaniment. An exemplary showcase
for choirs of all ages!
11514678 Two-Part. . . . . . . . . . . . . . . . . . . 2.45
Run, Mary, Run—arr. Lynn Shaw Bailey. The
traditional spiritual Run, Mary, Run is full of
courage, rhythmic integrity, and melodic interest.
Interwoven with the folk hymn Wayfaring Stranger,
this arrangement is a heartfelt expression of hope.
11559843 Two-Part. . . . . . . . . . . . . . . . . . . 2.30
Sign Me Up (with "Roll, Jordan, Roll")—
Brandon A. Boyd. Here is an original concert
gospel work with a fierce piano accompaniment
that will bring excitement and variety to your next
performance. Quoting the familiar spiritual Roll,
Jordan, Roll and with repeated percussive effects
in the empowering lyrics, this piece bridges styles
and context to create a variety of educational
opportunities along with a high performance value.
A great closer!
11564982 SSA . . . . . . . . . . . . . . . . . . . . . . 3.50
Spirituals Medley—arr. Lon Beery. Your mixed
or tenor-bass chorus will enjoy this gospel-
styled treatment of Joshua Fit the Battle of
Jericho; Standing In the Need of Prayer and
I Got Shoes. This well paced medley with a
strong accompaniment presents educational
opportunities for historical context and style along
with choral parts that are fun to sing!
11609603 SSA . . . . . . . . . . . . . . . . . . . . . . 2.30
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