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CHILDREN'S
COMMUNITY
CHOIR
POP, JAZZ, STAGE & SCREEN
Run Like the River (from "Playmobil: The
Movie")—arr. Roger Emerson. From "Playmobil:
The Movie," Meghan Trainor's inspiring pop
anthem of friendship and support is infectious!
With a sound both distinctive and faithful to the
original, this arrangement weaves a tapestry of
melodies and countermelodies, pop rhythms, and
exhilarating harmonies that really work for younger
voices. Just try not to dance to this one!
11569008 SSA . . . . . . . . . . . . . . . . . . . . . . 2.75
Talking to the Moon—arr. Cristi Cary Miller.
A haunting pop ballad with poetic lyrics and a
memorable melody, this Bruno Mars original is
given a stellar choral treatment for mixed and
treble choirs. Opening solos, intricate vocals and
a gently pulsing pop piano part combine into a
sweeping cinematic sound.
11569041 SSA . . . . . . . . . . . . . . . . . . . . . . 2.50
Taylor Swift: Eras (Choral Medley)—arr. Mark
Brymer. Taylor Swift's impact on the world stage
is undeniable. Specially created with input from
teachers and students, this medley gathers the
best songs of each Taylor Swift era, creating a pop
culture musical tableau that absolutely sparkles!
Titles 22; Willow; Love Story; Getaway Car; Bad
Blood; Miss Americana & The Heartbreak Prince;
Enchanted and Anti-Hero. Your choir won't want
to miss this!
11569044 SSA . . . . . . . . . . . . . . . . . . . . . . 3.95
Teach Your Children—Graham Nash/arr. Philip
Lawson. The 1970s pop hit by Crosby, Stills,
Nash & Young is set in a way that is fresh and
unique! Rhythmically free and expansive, the
melody harmonized in triads is juxtaposed against
long sustained chords to highlight the powerful
message inherent in the text. The treble version
is accompanied by piano, while the mixed choir
version is a cappella.
11568876 SSA w/ Piano . . . . . . . . . . . . . . . 2.65
Turn the Lights Back On—arr. Mac Huff.
Performed at the 66th annual Grammy Awards,
Billy Joel's first new song in decades was met with
much anticipation and is already well loved by
fans of this favorite piano man! Wonderfully set for
vocal groups, this arrangement gives the option of
performing the piece with piano alone or with the
addition of optional instrumental parts including
guitar, bass, synth, and drums.
11569054 SSA . . . . . . . . . . . . . . . . . . . . . . 2.50
Vox Vibe—Greg Gilpin. Following up on Gilpin's
Vox, here's another flexible, fun-to-sing original
piece with so many uses! Set up as rondo, this
perfect opener is part warm-up, part vocalise,
and part novelty, with full-on performance value,
too. Using just vocables with no text, it can be
performed a cappella or with optional piano
accompaniment, guaranteeing success.
11566055 SSA opt. Piano
Accompaniment . . . . . . . . . . . . . 2.30
Wham (Re-Bop-Boom-Bam)—Eddie Durham
& Taps Miller/arr. Roger Emerson. With a
catchy melody and lyrics comprising some of
the era's finest musical slang, this selection
made an appearance in the TV series Lessons
in Chemistry - and it can make an appearance
on your concert stage, too! Patterned after the
1939 version made famous by the "Queen of
Swing" Mildred Bailey, this treble arrangement
features tight jazzy harmonies and snappy
syncopated rhythms.
11569065 SSA . . . . . . . . . . . . . . . . . . . . . . 2.50
What the World Needs Now Is Love—Burt
Bacharach/arr. Kirby Shaw. Flawlessly capturing
the buoyant mood and timeless inspiring
message of the Burt Bachrach and Hal David
original, this arrangement of this beloved classic
is a delightfully smooth jazz waltz perfect for
vocal jazz groups and concert choirs alike.
11595119 SSA . . . . . . . . . . . . . . . . . . . . . . 2.50
When You're Smilin'—Mark Fisher, Joe
Goodwin & Larry Shay/arr. Kirby Shaw.
Performed by singers like Ella Fitzgerald,
Duke Ellington, Frank Sinatra, and more, the
lighthearted lyrics of this familiar standard remind
us that smiling is contagious. With plenty of
unison and jazz stylizations built into the melody
and a scat bridge, this Michael Bublé-inspired
treatment will make a grand finale, encore, or
signature song. "When you're smilin', the whole
world smiles with you!"
11566059 SSA . . . . . . . . . . . . . . . . . . . . . . 2.45
Who Loves You—Robert Gaudio & Judy Parker/
arr. Alan Billingsley. Instantly recognizable, this
1975 disco hit was pivotal in the hit-making career
of Frankie Valli, reaffirmed the Four Seasons as
vocal powerhouses, and reignited their popularity.
Whether you're looking for a pop selection for
your concert choir or a groovy song for your show
choir, this is sure to be a hit with your singers and
audiences alike!
11569074 SSAA . . . . . . . . . . . . . . . . . . . . . 2.50
World on Fire—Christopher Daughtry, Martin
Frederiksen, Scott Stevens/arr. Anita Cracauer.
A perfect opener or change-of-pace number,
this dark and driving rock hit by Daughtry is
a great way to set the stage or add conflict to
your show's storyline. Dramatic and attention
grabbing, it is fueled by an electric guitar and
wall of sound with a soloist on a megaphone to
open. Your ensemble will sound great on these
hard-hitting vocals! A complete digital bundle
is also available that includes all the voicings,
instrumental parts, an accompaniment track, and
part-dominant tracks.
11570076E SSA ePrint . . . . . . . . . . . . . . . . . 3.00
You Belong with Me—Taylor Swift & Liz Rose/
arr. Bryan Sharpe. Taylor Swift's hit song sounds
fresh again in this contemporary a cappella
arrangement! It features a soloist throughout,
and you can create your own vocal percussion
to go along with the background vocals that
create the groove. With no divisi, it's an
accessible a cappella pop selection that's a blast
from start to finish.
11566065 SSA . . . . . . . . . . . . . . . . . . . . . . 2.65
27
Peavey VCM 3 Choir Microphone—Peavey.
This very small microphone is designed to be suspended over choirs, instrumental
ensembles, or stage areas for sound reinforcement and recording applications.
10958276 Black Microphone, Cable, Windscreen and
Wire-Form Hanging Adaptor . . . . . . . . . . . . . . . . . . . . . . . . 199.99 129.99
10958277 White Microphone, Cable, Windscreen and
Wire-Form Hanging Adaptor . . . . . . . . . . . . . . . . . . . . . . . . 199.99
129.99
A. On Stage MS7701B Euro Boom Mic Stand—On Stage.
On Stage stands are know for being both lightweight and unbreakable. The boom
arm allows more flexibility whether you are recording, sound reinforcing, or doing a
little of both. Great in the classroom, recording studio or on stage!
10304821 Boom Mic Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60.99 34.95
B. On Stage Straight Microphone Stand—On Stage.
This stand features a solid cast end with standard 5/8-27 threads; die-cast zinc
clutch locks stand height in place from 34-60 inches; internal counter clutch mech-
anism holds upper shaft in place until desired height adjustments are made; a black
powder-coat finish; a base diameter of ten inches and a base weight of 9 lbs.
10304822 Round Base MS7201B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51.99 29.95
MICROPHONES
& ACESSORIES
A
B
