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Multicultural
Multicultural
Selections for
Adult Choir
African Psalm—Victor C. Johnson. With
With lively call and response, options for
percussion, and repetition to enable quick
learning, this energetic arrangement of a
traditional Zambian folk song will have your
choir and congregation responding to the
call. Simple, well-written and effective. Not
to be missed!
10601337 SATB . . . . . . . . . . . . . . . .3.20
10882035 SAB . . . . . . . . . . . . . . . . .3.20
10601338 P/A CD . . . . . . . . . . . . .29.95
An African Worship Song—Joseph M.
Martin & John R. Paradowski. Based on
the Ghanaian folk song Nanuma, this
anthem highlights important elements of
worship: praising God in song, praying,
and going forth to share God's love.
Written for children, youth, and adults, the
piece can be sung by one choir or multiple
choirs for a multigenerational presentation.
Handclaps, percussion instruments, and a
rhythmic piano accompaniment join with
other options to create an unforgettable
multicultural experience.
11376214 SATB . . . . . . . . . . . . . . . .2.35
11376213 Unison/Two-Part . . . . . . .2.35
Amazing Grace with Praise, Praise,
Praise the Lord—arr. Becki Slagle Mayo.
Filled with joyful rhythm, the merging of two
favorites makes for a winning combination!
The piece opens with a Cameroon
processional that transitions seamlessly into
the beloved hymn with jubilant energy. The
optional harmony is a wonderful stepping
stone for emerging part singers. Parts for
optional conga and maracas are included.
11595528 SATB . . . . . . . . . . . . . . . .2.65
11347630 Unison/Two-Part . . . . . . .2.65
Blessing (A Hebrew Prayer)—Ari Fraser/
arr. Michael John Trotta. Beginning with
a solo or small group of singers, this
contemporary choral setting of an ancient
Hebrew prayer from the Shabbat morning
service provides ample opportunity for
expressive singing and melodic artistry for
mixed choirs. The translation, transliteration,
and pronunciation guide are included for the
Hebrew text.
11566461 SATB . . . . . . . . . . . . . . . .3.25
Bonse Aba (Traditional Zambian Song)—
arr. Andrew Fischer. Here is an exuberant a
cappella number that's loaded with African
atmosphere! The traditional Zambian words
are sung throughout with such a buoyant,
rhythmic feel that you are transported into
the center of a native celebration. The lyric
translates as "All that sing have the right to
be called the children of God." The song
is brief, but may be repeated as many
times as desired. Various voicing options
are possible, and African percussion may
be added as the piece progresses. Your
choir will definitely want to improvise some
celebratory whoops and shouts!
10012300 SATB . . . . . . . . . . . . . . . .2.50
10062620 TTBB . . . . . . . . . . . . . . . .2.50
Bonse Aba—arr. Victor C. Johnson.
Sizzling with celebratory rhythmic energy,
this Zambian folk song loosely translates
as: "Those who sing have the right to
be called the children of God." The only
accompanying instruments are hand
drum (treble drum), djembe (bass drum),
and shaker, which add authentic flavor
and opportunities for improvisation. The
vocal parts are easily learned due to their
repetition and call-and-response style.
10302661 SATB . . . . . . . . . . . . . . . .3.20
10089711 Three-Part Mixed . . . . . .3.20
10089722 Two-Part . . . . . . . . . . . . .3.20
10307386 SSA . . . . . . . . . . . . . . . . .3.20
10307387 TTB . . . . . . . . . . . . . . . . .3.20
10089725 P/A CD . . . . . . . . . . . . .26.95
Come, All You People (Uyai Mose)—
Alexander Gondo/arr. John L. Bell, adapt.
Gary Daigle. This joyful South African song
of praise is now available in an expanded
form, with call-and-response verses calling
on all of creation to praise God. It is set for
three-part choir and keyboard, with a guitar
part available separately. Energetic and
welcoming!
11166808 SAB . . . . . . . . . . . . . . . . .2.35
El Senor Es Mi Pastor (The Lord Is My
Shepherd)—Gary Daigle. This setting of
Psalm 23 is in a bilingual edition. The call-
and-response refrain is quickly learned.
The verses alternate, one in Spanish, one
in English, and so on. You will be hard
pressed to find a musical setting that can
more adeptly match the comforting tone of
Psalm 23. Useful and meaningful.
11166798 Two-Part Mixed. . . . . . . .2.70
Every Nation Every Tribe—Karen Crane/
arr. Stacey Nordmeyer. Filled with energy
and joy, this multicultural anthem mixes
English and Swahili texts with traditional
choral textures and distinctive rhythms.
A great choice for World Communion or
themes of ecumenism and global unity,
it includes a quote of O for a Thousand
Tongues to Sing and is enhanced by
optional percussion and bass.
11199156 SATB . . . . . . . . . . . . . . . .2.10
11412471 Instrumental Parts
Bass/Percussion . . . . . .20.00
Family (Familia)—Mark Burrows. When
we look at our neighbors, what do we
see? This endearing piece celebrates the
wonderful diversity of our communities and
neighborhoods, with a gentle challenge to
see one another as God sees us: beautiful
children of the world. Set in both English
and Spanish, this accessible piece extends
a hand of welcome and embrace, asserting
that "we are more than neighbors, we
are family." Includes the composer's
thoughtfully updated text for Jesus Loves
the Little Children. A perfect selection for
elementary and middle school choirs!
11347641 Two-Part . . . . . . . . . . . . .2.25
Good News (A Hymn for Christian
Education)—Britt Cooper. This treble
anthem celebrates the work of Christian
education and highlights the importance of
faith formation in the lives of children and
families. What better way to offer thanks
for this valuable ministry than through the
voices of children? The piece is easily
taught to children's choirs or Sunday school
classes and makes an especially good
choice for multi-age ensembles.
11595539 Unison . . . . . . . . . . . . . . .2.25
Hands Are Knockin'—Kyle Pederson. A
fascinating mix of English and Arabic text
reinforces the universal message to open
our minds, hearts, and hands to each other.
The lively piano accompaniment, notated
djembe percussion part, and syncopated
vocal lines that highlight the text come
together to create a meaningful piece that
will be long remembered. Exceptional! The
djembe part is available as a download from
the publisher.
10981924 SATB . . . . . . . . . . . . . . . .2.80
11424998 SAB . . . . . . . . . . . . . . . . .3.00
11592524 Two-Part . . . . . . . . . . . . .3.00
11196420 SSAA or SA divisi . . . . . .2.25
11313918 TB divisi or TTBB . . . . . .2.20
Hine Ma Tov—arr. Allan Naplan. Inspired
by Psalm 133, Hine Ma Tov is translated
"How good it is for all of us to dwell together
in peace." The meaning of the Hebrew text
is universal, as is the appeal of the lively
music, which cleverly shifts between major
and minor. The delightful "lai lai lai" refrain
will make your audience want to clap along!
10370730 SATB . . . . . . . . . . . . . . . .2.25
1978097 Two-Part . . . . . . . . . . . . .2.30
How Sweet the Sound—Christi Jones. A
longtime favorite, Amazing Grace gets a
whole new musical setting that is
truly inspired. Upbeat, with pleasantly
syncopated lines and optional percussion,
this a cappella original surely encapsulates
the text "how sweet the sound"!
11501671 SATB . . . . . . . . . . . . . . . .2.50
11501676 SSA . . . . . . . . . . . . . . . . .2.50
11397037 TTB . . . . . . . . . . . . . . . . .2.50
In Meeting We Are Blessed—Troy
Robertson. The use of a djembe imparts
a traditional African feeling to this easy
original a cappella work. The Gatsnahos
text, inspired by John Donne, has a theme
of friendship and unity that all can relate
to. "We are met together and in meeting
we are blessed. Peace in coming and in
going, peace in labor and in rest..." This is
accessible to choirs at many levels, and it
makes a wonderful processional!
10589968 SATB . . . . . . . . . . . . . . . .2.95
10996247 SSA . . . . . . . . . . . . . . . . .2.95
11169350 TTBB . . . . . . . . . . . . . . . .2.55
Jaya Ho (The Solid Rock)—arr. Diane
Hannibal. This singular choral offering
pairs a traditional Hindhi melody with the
traditional hymn text, The Solid Rock.
The a cappella texture features layered
ostinati ("jaya, jaya ho") supported by
percussion (part included). Program this
for general worship or commemorations of
the global church.
11393959 SATB . . . . . . . . . . . . . . . .2.20
Let Us Talents and Tongues Employ—
arr. Doreen Potter. This delightful piece
based on a traditional Jamaican melody
with optional hand chimes will add an island
feel to bring the spirit of joy, hope, and love
into this communion anthem. The writing
is approachable and perfectly crafted for
this unique message that celebrates the
community of faith.
11374120 SATB . . . . . . . . . . . . . . . .2.30
11374121 SAB . . . . . . . . . . . . . . . . .2.30
11374122 Two-Part . . . . . . . . . . . . .2.30
11402740E Instrumental Parts
ePrint . . . . . . . . . . . . . . .17.30
Miracle of Grace/Milagro de Gracia (Bread
of Life/Pan de Vida)—Curtis Stephan.
Combining rich Eucharistic imagery and text
with a deeply moving contemporary melody,
this assembly song is sure to resonate with
young and old alike. Presented bilingually
with a new Spanish translation, this song
will reach new communities of believers.
It is scored with keyboard and guitar
accompaniment.
11396593 Two-Part . . . . . . . . . . . . .3.55
Nada me falta (Psalm 23)—Mark Sedio.
Both Spanish and English are represented
in this delightful setting of Psalm 23 with
original music in the style of a Spanish
folk tune. The lilting melody is tuneful,
and the accompaniment and percussion
add rhythmic interest. Set in refrain and
verse form, the congregation is invited to
join on the refrain throughout. Accessible
and easily learned, both the choir and
congregation will enjoy signing this setting.
11515562 SATB . . . . . . . . . . . . . . . .3.00
11515573E Instrumental Parts
ePrint . . . . . . . . . . . . . . .15.00
O Sifuni Mungu (All Creatures of Our
God and King)—arr. Roger Emerson. This
phenomenal work, recorded by First Call,
is certain to be in great demand by a wide
range of choirs! Based on All Creatures Of
Our God And King, it features a powerful
African chorus with fiery syncopations,
great opportunities for soloists and a full
complement of percussion instruments.
This is a uniquely vibrant, spiritual work!
1914175 SATB . . . . . . . . . . . . . . . .2.50
1914183 SAB . . . . . . . . . . . . . . . . .2.75
1914191 Two-Part . . . . . . . . . . . . .2.50
10278880 SSAA. . . . . . . . . . . . . . . .2.25
3303885 TTBB . . . . . . . . . . . . . . . .2.25
1914217 P/A CD . . . . . . . . . . . . .26.99
1914209 Instrumental Parts. . . . .20.00
