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ADULT ADVENT ANTHEMS
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Agnus Dei—Ruth Morris Gray.
Using the traditional Agnus Dei text, this
expressive setting provides an opportunity to
work on choral tone, rubato, and legato singing.
A rich melody ebbs and flows over the colorful
harmonic palette while a captivating piano theme
winds its way throughout. For added flexibility,
a few optional notes in the two-part voicing offer
moments of SSA harmony. Perfect for church and
school choirs of all ages.
11564445 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.20
11564446 Two-Part or SA. . . . . . . . . . . . . . 2.20
At the Table of the Lord—Jay Althouse.
This simple, meditative song of remembrance
makes a moving selection for the observance of
the Lord's supper. The gentle folk-like melody
is accompanied by a transparent piano part and
the effective text evokes images of the Eucharist.
"At the table of the Lord, in thanksgiving, we
have come to drink the wine which is poured. We
remember Him, who died for us, now living. We
remember Christ our Lord."
8058529 SATB . . . . . . . . . . . . . . . . . . . . . 2.95
8069748 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.95
10361023 Two-Part Mixed . . . . . . . . . . . . . 2.95
11416755 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.95
At This Table—arr. Audrey Snyder.
This lovely ballad communicates a heartfelt
message of kindness, inclusion, and acceptance
that helps us toward reaching the goal of making
the world a better place for everyone. It has found
a home during the holiday season but can really
be sung at any time of year. This arrangement
has been created especially for young voices.
11376019 Three-Part Mixed . . . . . . . . . . . . 2.30
11376020 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.30
Ave Verum Corpus—Michael John Trotta.
Opening with a section of plainchant, this setting
of the traditional Latin text most known in the
Mozart or Byrd versions shimmers with modern
a cappella harmonies. Cluster cadences and
expressive vocal lines pair wonderfully with this
text in an original work that effectively combines
tradition with innovation. It is equally suitable for
concert and service use.
11556297 SATB divisi . . . . . . . . . . . . . . . . . 2.95
Behold the Lamb of God—John A. Behnke.
This Baroque-like anthem incorporates accessible
contrapuntal technique, making it satisfying for
singer and listener alike. With a voicing for smaller
ensembles, use for Lent or communion.
11373283 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.25
Bread & Wine, Wine & Bread—
John Carter & Mary Kay Beall. This simple
yet exquisite communion offering will be easy to
prepare and useful for choirs large and small.
A graceful piano accompaniment and optional
cello support this sweet and lovely anthem.
11417858 Two-Part Mixed . . . . . . . . . . . . . 2.45
Bread of Heaven—Bill Boocock.
Simple part writing unfolds in this meaningful
communion setting. Each of the opening verses
represents an element of the Lord's table - bread
of heaven and wine of heaven - and the third
verse combines both elements in a reminder of
the purpose of communion: that Christ is the vine,
and we are the branches. The music is lyrical
and flowing, with supportive accompaniment,
accessible ranges, and tuneful melody.
11540055 SATB . . . . . . . . . . . . . . . . . . . . . 2.75
Break the Bread, Pour the Wine—
Pamela Stewart & Mark Hayes. Flowing
motion, lyrical melody and a colorful instrumental
obbligato join forces to create a delightful anthem
for Communion. The text speaks of our spirits
being restored through the bread and wine and of
the forgiveness that we receive by it. Perfect for
Maundy Thursday or any time of year, this will be
an anthem that is returned to time and time again!
8601939 SATB . . . . . . . . . . . . . . . . . . . . . 2.95
11565433 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.95
Christ Invites Us to His Table—
David Lantz III. This communion invitation is
like no other to remember the Lamb who took
our place. Herb Frombach's text receives an
appealing modal treatment in this general setting
for communion. An optional obbligato is available
separately for violin, flute, or clarinet.
11617338 SATB . . . . . . . . . . . . . . . . . . . . . 2.55
11617339 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.55
11617337 Two-Part Mixed . . . . . . . . . . . . . 2.55
Come and Dine—Diane Hannibal. With its
gentle, enticing melody, this earnest communion
anthem invites all who are troubled to "come and
dine with Jesus, to come and find God's peace."
As part of the Quick Study Chorals Series, choirs
of all sizes will easily be able to learn this setting.
11621568 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.95
Come Before the Table—Karen Marrolli.
The music for this communion text is constructed
with a duet or semi-chorus singing above a choir
ostinato, a cappella with hand drum, creating a
multicultural, polyrhythmic effect. The layered
vocal construction is fun to teach and sing. The
middle section includes the 17th century chant,
Adoro te devote.
11199626 SATB . . . . . . . . . . . . . . . . . . . . . 2.65
Come to the Welcome Table—
Joseph M. Martin. Combining two beloved
spirituals that center on communion, this anthem
embraces both the meditative and joyous side of
the communion feast.
11531482 SATB . . . . . . . . . . . . . . . . . . . . . 2.35
Come, Let Us Eat—arr. Anthony Giamanco.
The writing flows from the text of this well-loved
Liberian communion hymn and highlights its
character with call-and-response and canonic
stanzas. A slower final stanza highlights the
meaning of the text. The gently jazz-inflected
piano accompaniment adds interest throughout.
A perfect communion anthem for choirs of any
size and useful throughout the year.
11593970 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.50
A Communion of Compassion—Victor
C. Johnson. This exceptional ballad delivers a
powerful message with expressive vocal writing,
a supportive accompaniment that brings depth
and color, and heartfelt words by Pamela Stewart.
It is an ideal choice for communion or services
focused on social justice or Christian living.
11619031 SATB with Piano . . . . . . . . . . . . 3.20
Communion Prayer—Larry Shackley.
Two important texts celebrating the Lord's
Table are set in this anthem. An inventive piano
accompaniment propels the Bread of the World
text forward, then a middle section in a new key
explores the For the Bread Which You Have
Broken text. The piece returns to the first key
with confident unison singing, followed by an
expressively painted choral ending.
11540771 SATB . . . . . . . . . . . . . . . . . . . . . 2.40
Day of Arising—
Carl Schalk/arr. Michael Burkhardt.
This accessible arrangement of Carl Schalk's
hymn tune,
RAABE, is perfect for the smaller choir
with optional congregational singing. Susan Palo
Cherwien's text compares the story of Jesus's
appearance to the disciples on the roadway with
the way in which Christ is revealed to us in the
breaking of bread. Organ accompaniment and
optional oboe or clarinet are very effective.
11164399 Two-Part w/ Organ . . . . . . . . . . . 3.00
Do This and Remember—Brad Nix.
In this communion anthem we are taken into
the heart of the sacrament. The original melody,
somber and yet hopeful, combines perfectly with
the text to create a breathtaking anthem. Your
congregation will be drawn into grateful reflection
as the choir passionately proclaims, "Death is not
the final answer, all who feast on me will live!"
11415834 SATB . . . . . . . . . . . . . . . . . . . . . 2.95
Draw Us in the Spirit's Tether—
Harold Friedell. Harold Friedell's beautifully
rendered anthem for mixed choir and organ is
a 20th-century classic for communion services
or general worship. This standard of the church
repertoire is available in a special SAB edition
that has been carefully adapted for a broader
audience from Friedell's existing material.
100172 SATB . . . . . . . . . . . . . . . . . . . . . 2.80
10071975 SAB arr. Sheldon Curry . . . . . . . 2.80
Dreamers and Doubters—
Joseph M. Martin. Softly and Tenderly Jesus
Is Calling bookends and spins a thread of unity
through this lovely communion offering, flexibly
voiced with optional tenor. The anthem is built on
an alliterative and inclusive text that describes the
diversity of seekers moving in unity towards the
table of grace.
11165940 SATB . . . . . . . . . . . . . . . . . . . . . 2.10
Fill My Cup, Lord—Richard Blanchard/
arr. Stan Pethel. This respectful choral treatment
provides a touch of nostalgia, while the text calls
for God's presence and power in our lives.
11416433 SATB . . . . . . . . . . . . . . . . . . . . . 2.30
Holy Lamb of God—Robert Sterling.
This impressionistic, choral exploration of
the Agnus Dei sung in English is emotional,
expressive, and powerful - even in its quietest
moments. This anthem is ideal for any sanctuary
choir wanting to reach their congregation with the
humbling words that ask God to have mercy.
11536013 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
I Am Light, I Am Life, I Am Love—
Mary McDonald. This gentle communion anthem
flows with smooth beauty and profound simplicity.
The engaging melody in 3/4 lifts up a text that
invites all to come to the table, and to do so "in
remembrance of Me." It closes with a hushed
unison verse of Let Us Break Bread Together,
allowing the congregation to join the prayer.
11318101 SATB . . . . . . . . . . . . . . . . . . . . . 2.80
Jesus Paid It All—arr. Marianne Forman.
This elegant setting for smaller choirs shines
brightly in this new tune for the traditional hymn
text. SA(T)B voicing makes this anthem effective
yet accessible for choirs of any size.
11395406 SATB/SAB . . . . . . . . . . . . . . . . . 2.50
COMMUNION ANTHEMS
