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2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
Handbell Music
In the Bleak Midwinter—arr. Mark
Longfield. In this ethereal setting, the Holst
tune
CRANHAM is set evocatively using
singing bells and random ringing to support
the melody. Accessible to most choirs, there
are no bell changes.
11620200 3-5 Octave . . . . . . .L2 5.95
In the Bleak Midwinter—Johann Pachelbel
& Gustav Holst/arr. Craig Laumann. This
creative marrying of two familiar and
favorite classical works creates a lovely
piece for sacred and secular settings.
The Pachelbel Canon pedal line featuring
flowing LVs supports alternating melodies
of the Canon and Holst's
CRANHAM. The
score begins in C major, with a key change
to the original key of D in the final section
when the two tunes are fully integrated.
This will be a wonderful addition to your
group's repertoire!
11573085 3-5 Octave Handbells & 3 oct.
Handchimes . . . . . L3- 4.95
In the Bleak Midwinter—arr. Julie
Turner. Playable on either handbells or
handchimes, this simple setting of the
traditional Holst tune with be a delight
for beginning ringers. To help make this
arrangement more user-friendly, the
2-octave and 3-octave versions have been
formatted separately, both included in the
same folio.
11617048 2-3 Octave . . . . . . . L1 4.95
Infant Holy, Infant Lowly—arr. Cathy
Moklebust. This sweet and simple
arrangement of the traditional Polish
Christmas lullaby W
ZLOBIE LEZY is
complemented by an original melody
which serves as introduction, interlude, and
closing. Either handbells or handchimes
may be used throughout the entire piece
or in various sections at the director's
discretion. The melody takes its turn in
both the treble and bass clefs, with LV
accompaniments in the opposite clef.
There are no bell changes, and the editions
are compatible.
3254703 2-3 Octave . . . . . . . L2 4.95
11514704 3-5 Octave . . . . . . . L2 4.95
Joseph Dearest, Joseph Mine—arr.
Karen L. Buckwalter. This flowing
setting of the well-known German carol
is interspersed with statements from the
carol A Virgin Most Pure, lending a modal
feeling throughout. The harmonies are
rich and engaging, bringing new life to a
traditional tune.
11620294 3-5 Octave . . . . . . . L3 5.95
Joy to the World—arr. Sandra Eithun.
This masterwork, written for the Back Bay
Ringers, is an exciting setting of the beloved
Christmas carol suitable for advanced
ensembles. An opening tower-bell-like
change ring gives way to a varied series
of treatments of the theme. Perfect for a
Christmas concert or any time during the
Advent and Christmas seasons.
11620295 3-7 Octave . . . . . . . L4 5.95
Joy To The World—arr. Julie Turner.
A syncopated melody over an energetic
eighth-note accompaniment creates a
lively and exciting fresh take on this classic
Christmas hymn. Sure to be a hit at any
Christmas program, concert, or service!
11569823 3-5 Octave . . . . . . L3- 5.25
Joy To The World—arr. Ron Mallory. This
setting of the Christmas classic is very easy
to put together with little rehearsal time, but
the result is a nice big, joyful sound. Just put
it in the folders and play! 68 measures. Key
of G Major.
10761758 2-3 Octave . . . . . . . L2 4.95
Laudamus Te—arr. Ron Mallory. This
vibrant setting of the third movement
of Vivaldi's famous "Gloria" features
handchimes (2-3 octaves) on the vocal
duet while multiple handbell techniques
are used to represent the orchestral
accompaniment. Sure to add sparkle to
any worship service, concert, or festival.
11521528 3-5 Octave . . . . . . . L4 4.95
Let All Mortal Flesh Keep Silence
(PICARDY)—arr. Fred Gramann. A rich
tapestry of sound is generated when a
countermelody is first introduced, then
paired with the well-known plainchant.
Tolling bells in the bass and a repeated
treble sixteenth-note pattern are effective in
creating a sense of tower bells.
11567990 3-5 Octave . . . . . . . L3 6.25
Lo, How a Rose E'er Blooming—arr.
Sondra K. Tucker. This exquisite arrange-
ment begins with rung singing bells that
underscore the melody played delicately
with "air mallets." The rung middle section
uses 4/4 and 3/2 meters with interesting
harmonic shifts before returning to the
ethereal texture of the opening section.
Lovely for Advent or Christmas worship.
11620201 3-6 Octave . . . . . . . L2 5.95
Meditation on Lo, How a Rose—arr.
Jason W. Krug. Flowing eighth-note
arpeggios in 12/8 time underscore this
rich setting of the tune
ES IST EIN ROS.
Delicate countermelodies weave in and
out, and several sections on handchimes
(3-7 octaves) add a rich, sonorous tone to
the piece. Perfect for church or concert use
during Advent or Christmas.
11620297 3-7 Octave . . . . . . . L3 4.95
More Carols Of Christmas—arr. Linda
Scholes. This sparkling arrangement of
four familiar carols will brighten the holiday
season! While this may be a stand-alone
handbell piece, a melody line with words
is included, making it useful to accompany
caroling. If a shorter piece is needed, simply
add a fermata over the final chord of any
of the carols. Carols are Angels We Have
Heard on High; The First Noel; Angels from
the Realms of Glory and Go Tell It on the
Mountain. This very festive setting is a sure
winner in any Christmas service or concert.
11569824 3-5 Octave . . . . . . . L2 5.95
Noel—Louis-Claude Daquin/arr. Fred
Gramann. The theme of Daquin's Noel X is
notable in its simplicity, which then opens the
musical door to a variety of developments
and variations. While maintaining the style
and form of the noel, three other holiday
favorites - Angels We Have Heard on High;
Good King Wenceslas and Ding Dong
Merrily on High - are creatively woven into
the variations. Mostly rung, the addition of a
few malleted notes, LV, thumb damps, and
shakes add to the sparkle on this delightful
musical tree. Enjoy!
11526819 3-5 Octave . . . . . . . L3 4.95
Now the Green Blade Rises—arr. Daniel
Ujifusa. This fresh and amazing setting
of the traditional French carol is creative,
unique, rhythmic, and lots of fun to ring! It
is very accessible for Level 3 choirs except
for a challenging rhythmic section which
moves from 4/4 to 6/8 to 3/4, making the
piece Level 4 if rung accurately and at
tempo! It is mostly malleted in the bass
with a few mallet lifts and marts appearing
throughout. Arranged for a youth bell choir,
this is a perfect piece for that age group -
but all who enjoy rhythmic challenges will
love this one, and audiences will surely be
poised to applaud at the last chord!
11560166 5-6 Octave . . . . . . L4- 4.95
Now the Green Blade Riseth (Sing
We Now of Christmas)—arr. Kevin
McChesney. Back by popular demand, this
classic arrangement of the French Carol
Noel Nouvelet has alternate texts which
allow it to be used at Christmas and Easter.
Malleted bass rhythms open the piece
and continue beneath the tune, driving
it forward. A full sounding arrangement,
this one keeps every hand busy yet still
is very workable. An excellent and fun
arrangement for everyone!
3067717 3-5 Octave . . . . . . . L3 6.25
10487029 Orchestration . . . . . . . .59.95
10487031 Instrumental Parts
Concert Band . . . . . . . .59.95
O Come, All Ye Faithful—arr. Jason W.
Krug. Perfect for the developing ringer,
this arrangement of the classic carol
uses fun techniques yet remains Level 1.
Straightforward and pleasingly engaging.
11393698 2-3 Octave . . . . . . . L1 6.25
11567993 3-5 Octave . . . . . . . L1 6.25
O Come, All Ye Faithful—arr. Ron Mallory.
This exciting arrangement of the favorite
carol pulses with unceasing energy and joy.
The driving rhythms in the malleted notes
will keep your listeners riveted and are easy
to learn, making the work more accessible
than its level marking may indicate. Another
winner for the Christmas season!
11515543 3-5 Octave . . . . . . . L3 5.25
O Come, Little Children—arr. Kurt Meyer.
Christmas joy flows out of this setting of the
German carol
IHR KINDERLEIN KOMMET.
The clever use of tabled mallets with
sleigh bells evokes a joyful holiday scene.
A flowing middle section with optional
handchimes (3-5 octaves) and windchimes
provides smooth contrast before returning
to the opening material.
11570448 3-6 Octave . . . . . . . L3 5.95
O Little Town of Bethlehem—arr. Carol
Lynn Mizell. When the familiar words of
O Little Town of Bethlehem are sung, the
hymn tune
ST. LOUIS is the one most often
heard in the United States. In the United
Kingdom, Canada, and Ireland, one hears
the
FOREST GREEN tune. As a tribute to the
international nature of the fellowship of the
handbell community, this arrangement uses
both of these tunes. To add to the visual
aspect of the handbell performance, a new
suspended mallet technique is employed
at the beginning and the end of the piece.
Optional 2- or 3-7 handchimes and 2
octaves Petit & Fritsen or auxiliary bells.
11568518 2 Octave . . . . . . . . . L3 5.95
11568519 3-7 Octave . . . . . . . L3 5.95
O Sing a Song of Bethlehem—arr. Chris
D. Burton. This arrangement of the classic
hymn tune
KINGSFOLD begins with an
ostinato malleted bass line that supports
the melody, showcased in various ways
throughout. Full chords make for a majestic
final verse. Use at Christmas or, with an
alternate title, throughout the year.
11567994 3-5 Octave . . . . . . . L2 6.25
On Christmas Night All Christians Sing
(SUSSEX CAROL)—arr. Lloyd Larson. For
handbells and piano, this lilting arrange-
ment of the familiar
SUSSEX CAROL will
keep all ringers engaged as you celebrate
the season.
11567995 3-5 Octave . . . . . . L3- 6.25
11567996 Full Score &
Organ/Piano . . . . . L3- 15.95
Great Job!
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work! I appreciate the timely
efforts of all that you do."
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