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2025-26 Editors' Choice New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
ADULT ADVENT ANTHEMS
Angels We Have Heard On High—
arr. Dan Forrest.
From sparkling joy to moments of tender awe,
this setting provides an incredible opportunity
for your Christmas programming. Additional
accompaniment options allow great flexibility
and are available separately: four-hand
piano accompaniment; brass ensemble or
string quartet, both with optional percussion;
and a flexible full orchestra version. An
accompaniment track is also available.
11621070 SSAA . . . . . . . . . . . . . . . . . . . . 2.95
A Blessed Messiah Born—
arr. Mary McDonald.
This modern setting of the beloved English
melody
WEXFORD CAROL is truly stunning. The
classic harmonies in the piano and vocals are
elevated by Ed Hogan's finely crafted, soaring
orchestration. The traditional nature of this carol is
respected while incorporating a fresh and vibrant
musical character.
11618641 SSAA . . . . . . . . . . . . . . . . . . . . 2.75
Breath of Heaven—
Chris Eaton & Amy Grant/arr. Craig Courtney.
This touching, eloquent song recorded by Amy
Grant makes you think of how Mary must have felt
on becoming the mother of Jesus: overwhelmed
and afraid, yet trusting in the Lord and His plans
for her. With part-writing that is positively luscious
and a sparkling piano accompaniment, this superb
arrangement will sound like angels singing from
the heavens!
8064413 SSA. . . . . . . . . . . . . . . . . . . . . . 2.75
Carol of the Bells—
arr. Steve Kupferschmid. Even your youngest
singers can enjoy Carol of the Bells with this
sparkling arrangement for treble, tenor-bass or
mixed voices with piano accompaniment. The
unison version includes optional glockenspiel or
chimes. Easy, festive and fun, this is essential
repertoire for young choirs!
10735218 SSA. . . . . . . . . . . . . . . . . . . . . . 2.50
Christmastime—
Michael W. Smith & Joanna Carlson/
arr. Lloyd Larson. Based on the original Michael
W. Smith Christmas song, this celebratory setting
is teeming with energy and joy. The carol Angels
We Have Heard on High blends in, while an
optional children's or unison choir part provides
the opportunity for this to be an intergenerational
Christmas worship or concert offering.
11621428 SSA. . . . . . . . . . . . . . . . . . . . . . 3.25
Cold December Flies Away—
arr. Daniel Schreiner.
A fresh and inspiring piano accompaniment
fills this dynamic arrangement of the traditional
Catalonian carol. The verses are expressed in
unison and simple textures, and the sections of
full harmony are expertly crafted with engaging
interplay that makes it enjoyable to sing. This is an
excellent choice for choirs looking for something
modern yet traditional for the Christmas season.
11415515 SSAA . . . . . . . . . . . . . . . . . . . . 3.30
Cradle Hymn—Kim Andre Arnesen.
Beautifully expressive, this piece is set to a poem
by the famous hymn writer Isaac Watts. Featured
on the 2013 St. Olaf Christmas concert broadcast
from Norway, this hymn is perfect for Christmas or
any time of the year.
10425324 SSAA . . . . . . . . . . . . . . . . . . . . 2.15
The First Noel—arr. Patti Drennan.
Share the good news with this refreshing take
on a beloved carol. This modern arrangement
for treble voices delights the ear and warms the
heart. The piano writing is colorful, and the vocal
writing is expressive yet accessible.
11620741 SSA. . . . . . . . . . . . . . . . . . . . . . 2.65
The First Noel—arr. Dan Forrest.
Dan Forrest's setting of this beloved carol takes
a wonder-filled, reflective gaze inside the stable
in Bethlehem. The anthem takes its time to savor
the beauty and meaning of the scene and to
communicate directly to the heart of the miracle
of the Incarnation. Sweeping crescendos and
tasteful piano lines deliver the beloved message
of this carol in a completely unforgettable way.
Captivating.
10281676 SSA. . . . . . . . . . . . . . . . . . . . . . 2.50
French Carol Duet—
Mary Donnelly &George L.O. Strid.
A bright pairing of Il est ne and Angels We Have
Heard on High - sing in English throughout or
include some French text using the included
pronunciation guide. The optional glockenspiel
part will add some sparkle to two classic
Christmas carols.
11503218 Two-Part . . . . . . . . . . . . . . . . . . 2.05
God Will Give Orders/Sweet Child
(from "Snow Angel")—Sarah Quartel.
Beginning with a mystical, ethereal feel with a
haunting optional cello line, this piece opens
with lyrical choral lines singing over a baby and
promising heavenly protection and care. The
mood then shifts to a celebratory and rhythmic feel
with djembe, and eventually a quieter a cappella
refrain closes with the choir affirming the promise:
"Sweet child, you're the future... Sweet child, I will
show you how to love."
10642198 SSAA . . . . . . . . . . . . . . . . . . . . 4.95
Gotta Whisper, Gotta Shout!—
Victor C. Johnson. This perennial favorite, also
available for SATB, is a fun and energetic
a cappella Christmas spiritual featuring distinctive
dynamic contrasts that both whisper and shout
the good news. Call and response between
soloist and choir adds interest, and sequencing
modulations build to a rousing finish.
11619060 SSA. . . . . . . . . . . . . . . . . . . . . . 2.75
Hark! The Herald Angels Sing—
arr. Dan Forrest. Your centerpiece Christmas
setting has arrived! This arrangement of the
Christmas classic has everything you need. It
is arranged for multiple voicings and piano four-
hands (or organ), optional handbells, optional
brass quintet with percussion (or brass ensemble),
or even optional orchestration. Customize this
highly flexible arrangement to fit your program's
needs or desires. There's even a full P/A CD
available. This music will truly create an awe-
inspiring experience during the most wonderful
time of the year!
10757381 SSAA . . . . . . . . . . . . . . . . . . . . 2.95
In the Bleak Midwinter—arr. David Lantz
III. Based on the composer's arrangement for
piano found in his collection Celebrated Carols
for Christmas, this popular favorite has been
reimagined for vocal ensembles. It has very
soothing moments as well as sections that are
more dramatic and emotive. It is appropriate
anytime during the Christmas season.
11617368 SSAA . . . . . . . . . . . . . . . . . . . . 2.35
Joy to the World—arr. Dan Forrest.
You haven't heard Joy to the World like this
before! This traditional Irish music experience
pairs the well-known carol with a recently
composed Irish slide, and the result is an
explosion of joy that you simply must hear to
believe! With piano four hands, optional traditional
Irish ensemble, and optional full orchestra.
11514047 SSAA . . . . . . . . . . . . . . . . . . . . 2.95
A Joyous Carol of the Bells—
Mykola Leontovich/arr. Vicki Tucker Courtney.
Do you love Carol of Bells but wish it were a
little longer? Combining the ever-popular carol
with new melodic material, this a cappella gem
is sure to be a favorite selection at your holiday
concert! This arrangement presents a new
introductory section of material in the same style
before going into the standard harmonization we
all know and love.
11365816 SA or Two-Part. . . . . . . . . . . . . 2.25
Lo, How a Rose E're Blooming—
arr. Laura Farnell. Options abound in this flexible
arrangement of the traditional carol for either treble
or tenor-bass voices. Sing in unison, two, or three
parts, in either German or English, a cappella or
with the optional piano accompaniment - it works
for almost any ensemble! Easy to put together and
effective to perform.
11397043 SSA, Unison or SA. . . . . . . . . . 2.25
Long Ago (In the Bleak Midwinter)—
arr. Jacob Narverud. A new twist on a timeless
carol, this setting of Christina Rossetti's poem
features Holst's original melody and harmonization
along with new connective material between the
verses and beautiful cluster harmonies. Paired
with an artistic piano accompaniment and optional
string parts, it is a lovely statement for the season.
The string parts are available as a download from
the publisher.
11535651 SSA or SSAA . . . . . . . . . . . . . . 2.60
CHRISTMAS FOR TREBLE VOICES
