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Adult Hymn Arrangements
Hark, I Hear the Harps Eternal—arr. Mark
Hayes. This nineteenth-century American
shape-note standard has been masterfully
arranged! The brilliant four-hand (optional
two-hand) piano accompaniment and
inventive choral treatment accentuate the
celebratory text. Accessible and energetic,
this highly effective selection is sure to
become a favorite of choir and congregation!
10307596 SATB
with opt. 4-Hand Piano . .3.20
10307597 SAB
with opt. 4-Hand Piano . .3.20
10307598 SSA
with opt. 4-Hand Piano . .3.20
10307599 P/A CD . . . . . . . . . . . . .29.95
Have Thine Own Way—Bryan Sharpe.
This masterful offering is perfect for worship
services and concert programs alike.
Balancing familiarity with variety, this anthem
will be a delight to prepare and present.
Limited ranges, careful part writing, and a
relatively brief duration put this a cappella
selection within the reach of any choir.
11593939 SATB . . . . . . . . . . . . . . . .2.75
He Will Hold Me Fast (When I Fear My
Faith Will Fail)—Matt Merker/arr. James
Koerts. This sacred song begins with an
optional solo and continues with beautiful yet
easy-to-sing choral writing. The substantial
text amplifies the promises of God and
reminds listeners that we are never alone.
For a special touch, add the lovely cello
obbligato (included in the octavo).
10804113 SATB . . . . . . . . . . . . . . . .2.75
His Mercy Is More—Matt Papa & Matt
Boswell/arr. Ed Hogan. Your singers will
enjoy presenting this modern hymn that has
been arranged in a thoughtful and sensitive
way. The setting features unison singing
and passages with rich vocal harmonies.
The ethereal conclusion highlighting the
lyric, "Our sins, they are many, His mercy
is more" is especially meaningful.
11593941 SATB . . . . . . . . . . . . . . . .2.95
Holy Spirit, Living Breath of God—Keith
Getty & Stuart Townend/arr. Lloyd Larson.
Useful anytime of the year, and especially
for Pentecost Sunday, this masterful setting
features an elegant piano accompaniment
and optional cello part. Set in three verses,
the first is a prayer for personal renewal,
the second is a prayer for the gifts of the
Spirit "to show Christ in all I do," and the
third is for the universal church to "hunger
for your ways." Also available are vocal
solo and duet versions, plus a 3-5 octave
handbell setting that can serve as the
accompaniment for any of the choral or
vocal versions.
10554521 SATB . . . . . . . . . . . . . . . .3.25
10672956 SAB . . . . . . . . . . . . . . . . .3.25
11165082 Two-Part Mixed. . . . . . . .3.25
11165083 TTBB . . . . . . . . . . . . . . . .3.25
10554522 P/A CD . . . . . . . . . . . . .29.95
Holy, Holy, Holy!—arr. Lloyd Larson.
The ever-popular hymn NICAEA is
combined with Schubert's
HOLY IS THE
LORD
in this inspiring and worshipful
choral arrangement. This reverent setting
features accessible vocal writing with
accompaniment parts available for both
two- and four-hand piano. An optional
orchestration completes the package for
this majestic work.
11593942 SATB . . . . . . . . . . . . . . . .3.20
How Can I Keep from Singing?—
Gwyneth Walker. This Robert Lowry hymn
dates back to the 1800s in the United
States. References to persecution, once
thought to refer to early Quakers, may be
heard in the modernized lyrics - yet faith
and courage prevail. This arrangement
emphasizes the celebratory and life-
affirming aspects of the song.
3062221 SATB . . . . . . . . . . . . . . . .2.85
3270741 SSAA. . . . . . . . . . . . . . . .2.85
10036808 TTBB . . . . . . . . . . . . . . . .2.85
10355556 Full Score Brass SATB 12.00
10355557 Full Score Chamber
Orchestra SATB . . . . . .19.90
10355558 Full Score Brass SSAA 12.00
10355559 Full Score Chamber
Orchestra for SSAA . . .24.00
10291339 Full Score Brass Quintet
for TTBB . . . . . . . . . . . .12.00
10097661 Full Score Chamber
Orchestra for TTBB . . .19.45
10291338 Instrumental Parts Brass
Quintet & Percussion . .16.80
10355560 Chamber Orchestra
For All Voicings . . . . . . .73.45
How Can I Keep from Singing?—Robert
Lowry/arr. Michael Higgins. Beautiful and
accessible, this arrangement for mixed choir
is a calm and flowing reimagination of the
well-known folk hymn. Flexibly arranged,
with options for an unaccompanied section
and descant, this piece will appeal to school
and church choirs alike.
11592387 SAB . . . . . . . . . . . . . . . . .3.95
How Can I Keep from Singing?—Robert
Lowry/arr. Matt & Adam Podd. In what has
become a viral YouTube virtual choir
sensation, the Podd brothers have care-fully
crafted an exceptionally artistic arrange-
ment of this classic song that has a contempo-
rary vibe. A flowing piano accompaniment
anchors the setting, and the traditional choral
harmonies float above as they effortlessly
shift between triple and quadruple meter.
A stirring testament to the power of singing!
11317443 SATB . . . . . . . . . . . . . . . .2.95
11427468 SSA . . . . . . . . . . . . . . . . .2.95
11333191E Full Orchestration
ePrint . . . . . . . . . . . . . . .86.30
How Firm a Foundation—arr. Craig
Courtney. Syncopated rhythms combine
with smooth melodic lines in this
arrangement of the traditional American
folk hymn
FOUNDATION for choir and piano.
The final stanza's slow crescendo leads to a
final statement of assurance and conviction.
11395400 SATB . . . . . . . . . . . . . . . .2.35
How Firm a Foundation—arr. Gerald
Custer. Bursting with rhythmic vitality, this
arrangement harkens back to the golden
age of Sacred Harp singing. The riveting
accompaniment underscores the powerful
message of the hymn. This anthem is a
dynamic choice to energize your worship
and uplift your congregation.
11619067 SATB with Piano. . . . . . .2.95
How Great Thou Art—arr. Dan Forrest.
A compelling arrangement for choir and
piano brings new life to this beloved hymn
with the power to bring your congregation
to its feet in spontaneous praise. A strong
opening declaration settles into a calm but
decisive movement through the verses
and modulations, building to the final
verse and ending with an explosion of
joy. Don't miss this opportunity to declare
"How Great Thou Art!"
10094707 SATB . . . . . . . . . . . . . . . .2.95
10458767 SSAA. . . . . . . . . . . . . . . .2.95
10458768 TTBB . . . . . . . . . . . . . . . .2.95
10291373 Orchestration
for SATB Version . . . . .90.00
10458769 Orchestration
for SSAA Version . . . . .90.00
10458771 Orchestration
for TTBB Version . . . . .90.00
I Am Not My Own—Skye Peterson, Ben
Shive, Bryan Fowler & Thomas Anderson/
arr. Lloyd Larson. This modern hymn has
been arranged with breathtaking musicality.
Theologically rich metaphors abound
throughout the lyrics, and the memorable
melody pairs well with the sensitive piano
accompaniment. An optional orchestration
is also available.
11565464 SATB . . . . . . . . . . . . . . . .3.20
11565467E Instrumental Parts
ePrint . . . . . . . . . . . . . . .79.95
I Heard the Voice of Jesus Say—arr.
Jeremy J. Bankson. This arrangement
of the lovely tune
SARAH-ELIZABETH by
Amanda Husberg is paired with the familiar
Horatius Bonar text. The anthem has
optional parts for flute and oboe that pair
well in interludes between the verses. It
is particularly useful for the Sundays after
Epiphany as well as general use.
11593481 SATB . . . . . . . . . . . . . . . .2.65
11593482 Instrumental Parts. . . . .10.00
I Heard the Voice of Jesus Say—Robert
Lowry/arr. Laura Moorhouse & Sean Paul.
A classic and evocative anthem of devotion
is rendered with sensitivity and deep
emotion. The lovely piano accompaniment
and cello part add support and colorful
harmonic touches to the approachable
vocal writing.
11595132 SATB . . . . . . . . . . . . . . . .2.35
I Heard the Voice of Jesus Say (The
Moreen)—arr. Justin Wedgewood & Paul
A. Tate. This imaginative pairing of the
traditional Irish melody
THE MOREEN with a
classic hymn text features increasing choral
complexity. Moving from unison to two parts
and finally to a full SATB treatment of the
last verse, this lovely setting is especially
appropriate for services with themes of the
Christian life, healing, comfort, care of the
sick, and light.
11594348 SATB . . . . . . . . . . . . . . . .3.55
I Must Tell Jesus—Reba Snyder Miller.
This setting provides a fresh tune and
context to the traditional hymn text by
Elisha Hoffman. The triplet rhythms from
the original hymn are reimagined in a
more thoughtful, introspective style. The
piano accompaniment maintains a sense
of forward motion while underscoring the
message of the text.
11591396 SATB . . . . . . . . . . . . . . . .2.50
11591397 Instrumental Parts. . . . .50.00
11591398 P/A CD . . . . . . . . . . . . .25.00
I Set My Hope—Matt Boswell, Matt Papa
& Keith Getty/arr. Mary McDonald. This
popular modern hymn has been masterfully
arranged. Strains of the tune
SOLID ROCK
begin and end the piece. Extended unison,
two-part, and four-part choral writing is
supported by a lush accompaniment. Score
and parts for flutes 1 & 2, oboe, clarinets
1 & 2, bassoon, trumpets 1-3, horns in F
1 & 2, trombones 1 & 2, tuba, percussion
1 & 2, timpani, harp, violins 1 & 2, viola,
cello, string bass, and piano are available
separately.
11564773 SATB . . . . . . . . . . . . . . . .2.40
11564781
Orchestration CD-ROM 70.00
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